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    The CultureMap Interview

    Word hero: Paula Poundstone tries to save Houston's public libraries one joke ata time

    William James Gerlich
    Aug 26, 2011 | 11:58 am
    • Paula Poundstone is out to save public libraries.
      Photo by © Michael Schwartz/PaulaPoundstone.com
    • Paula Poundstone
      Photo by © Michael Schwartz/PaulaPoundstone.com

    Comedy Hall of Fame inductee Paula Poundstone is back in the Bayou City for An Evening at The Alley Theatre with Paula Poundstone. Her sold-out performance at the Alley last year drew the comic/author/cat-owner back for round two, and this time, Poundstone will be selling and signing her book, There’s Nothing In This Book Which I Meant To Say, after her 8 p.m. Saturday night show to benefit the Houston Public Library system.

    CultureMap talked to Poundstone about her upcoming show and her passion for stand up, libraries and flamboyant ties from the '90s.

    CultureMap: Tell me about Saturday's event at The Alley Theatre?

    Paula Poundstone: Well it would be me, Paula Poundstone, at The Alley Theatre, but I guess that was too self explanatory. My act is autobiographical, I talk about raising a house full of kids and animals. I talk about politics and current events, only as I know it and not because I’m always right.

    I talk about Abraham Lincoln and The Hardy Boys, but only where appropriate. I love talking to the audience. In the course of talking to individuals, little biographies immerge and I use those to go on to one thing and another. Most of everything is unplanned.

    CM: Some people think your interaction with the audience is so funny, that they question if you plant your audience. Is that the case?

    PP: Sometimes people think that I have, in fact, already talked to the person and pre-interviewed them before the show. Like they were a part of a written joke and this person was already part of the act. That is never the case though.

    CM: What is your involvement with The Association of Library Trustees Advocates Friends & Foundations and what are you all trying to do in Houston?

    PP: I partner with the head of the ALTAFF to make myself available with local library organizations. They are a group that makes libraries possible. I used to think libraries were all paid for by taxes — and all though it's mostly true, they are also much supported by local groups that help put books on shelves and help bring in speakers.

    I don’t know anything about making a budget, but I do know that they are always up on the chopping block but libraries are the best deal in town! When I was a kid they were one of the first places I ever had a sense of autonomy, because I would go to the library to do work for school and be in charge of myself there. They're filled with sex and scandal and crime and Pippy Longstocking. What’s not to love?

    I feel like they are a really important part of our communities. Some people think that just having a computer in your home can be a substitute, but I don’t feel that way. There's good stuff there and I don’t think we should throw the baby out with the bath water.

    CM: You partnered with Houston public libraries, how exactly will they benefit from your event?

    PP: The library has my books, they sell them, and I sign them. I don’t get paid and they take all of the proceeds of that.

    CM: Are you working on another book?

    PP: I am. Not quickly enough to rescue any libraries with it though. My first book, There’s Nothing In This Book Which I Meant To Say, took me nine years to write. When I started writing this one I thought, surely I will write it faster, but I’ve been working on it for a while and it’s taken forever. I’m not a writer for a living, I don’t know if I would want to be, really.

    I love Charles Dickens and sometimes I feel a little shabby knowing how many books he wrote. He did have 10 kids but I don’t think he did that back to school shopping.

    CM: Do you wear a tie every day? Where did your costume design come from?

    PP: I love to wear ties! I don’t wear one every day, it's mostly for show, but it’s a nice splash of color on any given suit. You can put on a different tie and it kind of looks like you’ve gone to the trouble of getting a whole different suit. I’m certainly not the first woman who’s worn a tie. I probably was influenced by old I Love Lucy episodes. She often wore ties and she had a really great sense of style in my opinion. I also, of course, loved Annie Hall as well.

    I’m certainly not the first woman who’s worn a tie. I probably was influenced by old I Love Lucy episodes.

    I was in Beverly Hills once and stumbled into some fancy-ass store that had a green tie with cream colored polka dots on it, and I though, ya know, this could be it. I bought more ties soon there after, because A) I liked that one and I thought it looked good, and B) Nicole Miller, who’s a designer, had just come out with these wonderful silk ties. My favorite one by her had snack food on it, like Oreos and M&M’S or something.

    There just happened to be a great fabrics out then. If I were to go to a tie store now it is likely I wouldn’t find anything that I liked because designers went back to dull fabrics.

    I caught the good tie wave in the early nineties and have ridden it ever since.

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    Movie Review

    Avatar: Fire and Ash returns to Pandora with big action and bold visuals

    Alex Bentley
    Dec 18, 2025 | 5:00 pm
    Oona Chaplin in Avatar: Fire and Ash
    Photo courtesy of 20th Century Studios
    Oona Chaplin in Avatar: Fire and Ash.

    For a series whose first two films made over $5 billion combined worldwide, Avatar has a curious lack of widespread cultural impact. The films seem to exist in a sort of vacuum, popping up for their run in theaters and then almost as quickly disappearing from the larger movie landscape. The third of five planned movies, Avatar: Fire and Ash, is finally being released three years after its predecessor, Avatar: The Way of Water.

    The new film finds the main duo, human-turned-Na’vi Jake Sully (Sam Worthington) and his native Na’vi wife, Neytiri (Zoë Saldaña), still living with the water-loving Metkayina clan led by Ronal (Kate Winslet) and Tonowari (Cliff Curtis). While Jake and Neytiri still play a big part, the focus shifts significantly to their two surviving children, Lo’ak (Britain Dalton) and Tuk (Trinity Jo-Li Bliss), as well as two they’ve essentially adopted, Kiri (Sigourney Weaver) and Spider (Jack Champion).

    Miles Quaritch (Stephen Lang), who lives on in a fabricated Na’vi body, is still looking for revenge on Jake, and he finds help in the form of the Mangkwan Clan (aka the Ash People), led by Varang (Oona Chaplin). Quaritch’s access to human weapons and the Mangkwan’s desire for more power on the moon known as Pandora make them a nice match, and they team up to try to dominate the other tribes.

    Aside from the story, the main point of making the films for writer/director James Cameron is showing off his considerable technical filmmaking prowess, and that is on full display right from the start. The characters zoom around both the air and sea on various creatures with which they’ve bonded, providing Cameron and his team with plenty of opportunities to put the audience right there with them. Cameron’s preferred viewing method of 3D makes the experience even more immersive, even if the high frame rate he uses makes some scenes look too realistic for their own good.

    The story, as it has been in the first two films, is a mixed bag. Cameron and co-writers Rick Jaffa and Amanda Silver start off well, having Jake, Neytiri, and their kids continue mourning the death of Neteyam (Jamie Flatters) in the previous film. The struggle for power provides an interesting setup, but Cameron and his team seem to drag out the conflict for much too long. This is the longest Avatar film yet, and you really start to feel it in the back half as the filmmakers add on a bunch of unnecessary elements.

    Worse than the elongated story, though, is the hackneyed dialogue that Cameron, Jaffa, and Silver have come up with. Almost every main character is forced to spout lines that diminish the importance of the events around them. The writers seemingly couldn’t resist trying to throw in jokes despite them clashing with the tone of the scenes in which they’re said. Combined with the somewhat goofy nature of the Na’vi themselves (not to mention talking whales), the eye-rolling words detract from any excitement or emotion the story builds up.

    A pre-movie behind-the-scenes short film shows how the actors act out every scene in performance capture suits, lending an authenticity to their performances. Still, some performers are better than others, with Saldaña, Worthington, and Lang standing out. It’s more than a little weird having Weaver play a 14-year-old girl, but it works relatively well. Those who actually get to show their real faces are collectively fine, but none of them elevate the film overall.

    There are undoubtedly some Avatar superfans for which Fire and Ash will move the larger story forward in significant ways. For anyone else, though, the film is a demonstration of both the good and bad sides of Cameron. As he’s proven for 40 years, his visuals are (almost) beyond reproach, but the lack of a story that sticks with you long after you’ve left the theater keeps the film from being truly memorable.

    ---

    Avatar: Fire and Ash opens in theaters on December 19.

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