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    Celebrity fight!

    Inside the nasty Madonna & Elton John feud: Fairground strippers, fakeforgiveness and frauds?

    Tyler Rudick
    Aug 24, 2012 | 10:08 pm
    • After weeks of staying quiet, Madonna finally responded to Elton John'sname-calling.
    • After losing to Madonna in at the Golden Globes in January, John has been unableto keep his thoughts to himself about Madonna.
    • A cartoon Elton John, jamming in the video for "Club at the End of the Street

    Madonna earned some points for style and grace this week, after making her first public response to a recent interview in which Elton John called her both a c-word and a "fairground stripper."

    "I'd like to dedicate this next song to Mr. Elton John," she announced at a concert in Nice, France. "I know he's a big fan of it. And I know he's a big fan of mine. And you know? I forgive him. Gotta start somewhere."

    From there, Madge launched into "Masterpiece," the song that pushed the Rocket Man over the edge in January when it beat his Gnomeo and Juliet duet with Lady Gaga for Best Original Song at the Golden Globes. Until the Nice show, Madonna had remained quiet in spite of John's vocal criticism of her Super Bowl performance as well as several snarky Facebook posts by John's husband David Furnish.

    "If Madonna had any common sense," John said , "she would've made a record like Ray of Light, stayed away from the dance stuff and just been a great pop singer and make pop records . . ."

    During his early August conversation with Australian rock critic Ian "Molly" Meldrum, John appeared even more riled up, particularly when the topic shifted to Lady Gaga, whose "Born This Way" bears a striking resemblance to Madonna's 1989 hit "Express Yourself" — a similarity the Queen of Pop herself pointed out in an interview with ABC News.

    After singing the praises of Lady Gaga, who is godmother to his son Zachary, John cut into Madonna's current tour in support of her newest album MDNA.

    “She’s such a nightmare. Her career’s over, I can tell you that," he raged. "Her tour's been a disaster and couldn't have happened to a bigger cunt."

    Take it down a notch, Elton. You're on TV.

    "If Madonna had any common sense," he continued, "she would've made a record like Ray of Light, stayed away from the dance stuff and just been a great pop singer and make pop records, which she does brilliantly. But, no, she had to prove she's like [makes a dancing gesture] and she looks like a fucking fairground stripper."

    Personally, I'd take Madonna's "dance stuff" any day over Elton John's Lion King songs or, even worst, "Club at the End of the Street."

    John's had some amazing moments throughout his career, of course. But let's not forget that "Don't Go Breaking My Heart" remake he did with RuPaul in 1994 . . . "dance stuff," indeed.

    unspecified
    news/entertainment

    In Memoriam

    Legendary Texas singer-songwriter Joe Ely dies at 78

    KVUE Staff
    Dec 16, 2025 | 2:00 pm
    Joe Ely
    Joe Ely/Facebook
    Joe Ely was a major figure in Texas' progressive country scene.

    Joe Ely, the legendary songwriter, singer and storyteller whose career spanned more than five decades, has died from complications related to Lewy Body Dementia, Parkinson’s disease, and pneumonia. He was 78.

    In a statement posted to his Facebook page, Ely died at his home in Taos, New Mexico, with his wife, Sharon, and daughter, Marie, at his side.

    Born February 9, 1947, in Amarillo, Texas, Ely was raised in Lubbock and became a central figure among a generation of influential West Texas musicians. He later settled in Austin, helping shape the city’s reputation as a hub for live music.

    As with many local legends, it's hard to tease out what specifically made Ely's time in Austin so great; Austin treasures its live music staples, so being around and staying authentic from the early days is often the most important thing an artist can do.

    Ely got his local start at One Knight Tavern, which later became Stubb's BBQ — the artist and the famous venue share a hometown of Lubbock. He alternated nights with emerging guitar great Stevie Ray Vaughn. He built his own recording studio in Dripping Springs, and kept close relationships with other Texas musicians. Later in his career, Ely brought fans into the live music experience, publishing excerpts from his journal and musings on the road in Bonfire of Roadmaps (2010), and was inducted into the Austin City Limits Hall of Fame in 2022. Austin blues icon Marcia Ball was among Ely's friends who played the induction show.

    "Joe Ely performed American roots music with the fervor of a true believer who knew music could transport souls," said Kyle Young, CEO of the Country Music Hall of Fame and Museum.

    In the 1970s, Ely signed with MCA Records, launching a career that included decades of recording and touring around the world. His work and performances left a lasting impact on the music scene and influenced a wide range of artists, including the Clash and Bruce Springsteen, according to Rolling Stone.

    "His distinctive musical style could only have emerged from Texas, with its southwestern blend of honky-tonk, rock & roll, roadhouse blues, western swing, and conjunto. He began his career in the Flatlanders, with fellow Lubbock natives Jimmie Dale Gilmore and Butch Hancock, and he would mix their songs with his through 50 years of critically acclaimed recordings. [...]"

    --

    Read the full story at KVUE.com. CultureMap has added two paragraphs of context about the Austin portion of Ely's career.

    obituarymusiccountry music
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