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    hawke rocks

    Ethan Hawke blazes into Houston with new film dedicated to Lone Star music legend

    Craig Lindsey
    Aug 20, 2018 | 5:07 pm
    Ben Dickey Ethan Hawke Blaze movie
    Ben Dickey and Ethan Hawke will be in Houston Friday, August 24 to screen the Texas music biopic, Blaze.
    Photo courtesy of IFC Films

    Recently, Ethan Hawke quietly popped up at the iconic Heights music venue Rockefeller’s to entertain a small crowd with anecdotes and music. The musical part of the evening came courtesy of a couple of friends of his: Southern singer-songwriters Jack Ingram (Texas’ own) and Ben Dickey (from Arkansas).

    They were also there to promote Hawke’s latest movie Blaze, which he co-wrote and directed. It’s a biopic on the life and career of Blaze Foley, a struggling Texas musician played by Dickey, in his feature-film debut. Both Hawke and Dickey have been making stops all over Texas to promote the movie, which has already played this year’s SXSW and WorldFest — Houston festivals.

    Good news for fans: Hawke and Dickey will be back in Houston on Friday, August 24 for a Q&A and introductions for three Blaze screenings at the River Oaks Theatre, where it will start its run in Houston on August 25.

    “I guess it’s tipping our hat to the South,” says the Austin-born Hawke, 47, about the musical/movie press tour. “In a lot of ways, the movie represents a kind of Southern bohemia you don’t see very often. You hear a lot, in the news, that the South is one thing, or people think they know the South, or they think they know. And one of the things I love about country music and roots music or the blues is it’s shot from the heart, and it’s got a personal feel to it and a personal touch. And we try to do that with the movie.”

    The movie is mainly about the doomed romance between Foley and actress/ex-wife Sybil Rosen (played by Alia Shawkat) and how their idyllic love affair was destroyed by Foley’s erratic behavior, behavior that eventually cost him his life when he was shot and killed by a man in 1989. “There’s an underlying thrum throughout our movie, which is that Blaze is not well and he’s suffering in a way,” says Dickey, 41, who won a special jury award for acting when it premiered at Sundance earlier this year.

    “And I have people in my life, who are now gone, that maybe if someone would’ve helped out a little bit earlier, they might’ve been able to figure it out for them. But a lot of artists and a lot of creative people — and some that aren’t — struggle, and I think that love and music and art often intertwine when it comes to people who struggle.”

    Hawke says he and Dickey has had the idea to do a Blaze Foley biopic almost as long as they’ve known each other. The two has had a strong friendship, thanks mostly to their wives, who have been friends since the third grade. (Dickey’s wife was an art director on the movie, while Hawke’s wife served as a producer.) When they met, they instantly found that they had a lot in common.

    “I’m a huge Steve Martin fan. And, on one of his records, he’s got these little, like, lightning-fast jokes and he says, ‘Grandpa — bought a rubber!’ And I was just walking — we had just met. We were having breakfast, and I was walking to his car and I said to myself, ‘Grandpa —’ And he said, ‘Bought a rubber!’ And I was like, ‘Oh yeah!’”

    Blaze is yet another high point in the great year Hawke is currently having. He has already received universal praise for his performance as a conflicted priest in First Reformed and will also star in the upcoming romantic comedy Juliet, Naked. In that movie, Hawke stars as a washed-up rocker, yet one of the many musicians Hawke has played throughout his film career. Between this movie and Blaze, it makes you wonder how much does music play a role in Hawke’s life.

    “It’s really everything to me,” he says. He recalls the time he saw Bill Clinton bring a very divisive crowd together during a Willie Nelson concert. “And Bill Clinton — the newly former President Clinton — came onstage to introduce Willie. And people booed him so severely and cheered him so severely, that fights were erupting all over the Beacon Theatre.

    And Clinton said, ‘Whoa, I see some of you support me and some of you hate me, but all of you love Willie Nelson.’ And the place just erupted. And there’s this meeting ground, and that’s this place where music lives, where it’s beyond language. It’s an empathy generator, you know, and we can hear each other’s souls. And I love it so much.”

    ---

    Ethan Hawke and Ben Dickey will introduce Blaze Friday, August 24 at Landmark River Oaks, 2009 West Gray St. Showtimes are 3:55 pm, 7 pm, and 9:55 pm. Tickets are $11 ($8 children and seniors).

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    news/entertainment

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    Creed concert review

    Creed serve up millennial nostalgia at pyro-packed RodeoHouston concert

    Craig Hlavaty
    Mar 11, 2026 | 11:54 pm
    Creed concert RodeoHouston
    Courtesy of Houston Livestock Show and Rodeo
    Singer Scott Stapp serenades the RodeoHouston crowd.

    Hello, my friend, we meet again.

    I’ve had a torrid relationship with Creed. As a circa-2000s punk rocker, it was implied that I was supposed to hate them. Nevertheless, I enjoyed those hook-laden Mark Tremonti riffs and Scott Stapp’s burly, Bono-grasping vocals, with just a hint of irony deep in the mix. I had “One Last Breath” on a burned mix CD, bunched in with Fugazi, Rancid, and Sham 69. I would skip it as quickly as I could, depending on who was in the car. Driving home from a long day slinging milk in the Kroger dairy cooler? Windows down, Stapp up.

    When I began my music journalism career 20 years ago (!!!), I began sticking up for them, much to the consternation of a lot of my fellow writers who were hung up on stuff that was supposed to be cooler and hipper. Creed’s pop-culture zenith came right as The Strokes and The White Stripes were thrust on us by the music press as a counter to post-grunge, which other music writers were categorically allergic to. Remember when our biggest problems in America were bands that were overtly influenced by Pearl Jam and Alice In Chains?

    In 2012, I interviewed lead singer Scott Stapp along the way for the Houston Press, and I distinctly recall Stapp being confused on our call that a guy from a smug alt-weekly wasn’t asking him stupid questions or making fun of his leather pants. The band was heading to Houston for a two-night stand at the Bayou Music Center in 2012 when they played 1997’s “My Own Prison” and 1999’s “Human Clay” in their entirety.

    Fun fact: “Human Clay” has sold over 20 million albums alone, besting Nirvana’s “Nevermind” and Pearl Jam’s “Ten” by only a relatively small margin. Creed moved more physical CDs when people actually bought music.

    Somehow, along the way, people stopped hating Creed and Nickelback, and the hate gave way to pre-social media, millennial high school, and pre-9/11 nostalgia. The similarly maligned Nickelback sold out the rodeo in 2024.

    On Wednesday, March 11, I saw junior high school kids wearing crispy new Creed shirts with their parents. Gen Alpha is beginning to get curious about what mom and dad were up to during spring break 2001, and Zoomers are rediscovering Y2K fashions. Haven’t you seen those “Mom, What Were You Like In The ‘90s?” memes?

    Creed has been sold out for weeks, drawing 70,007 attendees. If you had told someone 10 years ago that Creed would sell out RodeoHouston, they would have been skeptical. And yet here we are, staring down at a sold-out Creed show. These things run in cycles. Emotions fade. Annoyance turns into wistfulness for the days of Nokia brick phones and 99-cent gas. You can even go on a Creed Cruise now.

    Creed hit the stage just before 9:30 pm, an enviable bedtime for most elderly millennials, kicking off with the TOOL-chugalug of “Bullets,” with Stapp and Tremonti making the best use of their stage platforms, crucial devices for any major rock band in the 2000s. Unrelenting pyro shot from the dirt surrounding the stage every time Stapp lifted or flailed his arms like Elvis if he discovered cardio.

    The dirge of “Torn” — the second single from My Own Prison — was pyro-less, likely giving the cannons a few minutes to cool off. The sweaty Stapp, at just 52, looks to be in better shape than he did 20 years ago, now sporting a conservative haircut like he stepped out of his company’s stadium suite or finished a twilight run at Memorial Park.

    Stapp introduced “My Own Prison” with a preachery pep talk that wouldn’t sound out of place at an altar call at Sturgis. The crowd hung on every emphatic word. Maybe seeing two middle-aged dudes wearing Stryper shirts down on the concourse made more sense than I realized. Is Creed actually just TOOL that accepted Christ? The graphics behind the band could’ve fooled me.

    Stapp introduced “One” with a speech on commonalities and love. Looking back, Creed’s lyrics were much too earnest, hitting at a time when critics were still hungover from grunge.

    During “With Arms Wide Open,” the rodeo cameras would routinely cut to tattooed dads and rocker chicks in the crowd playing air guitar along with Tremonti and singing their guts out like they did the first time they heard it on 94.5 The Buzz. For a large segment of the crowd, they might have had a Gen-X parent jamming this stuff on the way to school in the morning.

    “Are you ready to get higher in here, Houston?” Stapp yells. The place erupts as “Higher” starts. Stapp was in his element, pyro shooting off, his silver jewelry dangling, taking in the crowd, like he didn’t expect such a response.

    Possibly the last true rock power ballad ever recorded, “One Last Breath,” got the biggest screams of the night; it might also be the Gen-Z “Don’t Stop Believing” as long as we’re making wildly controversial statements. [Editor’s note: Isn’t that Mr. Brightside? -ES]

    Welcome back, Creed, from pop-culture purgatory, and props for what might have been the loudest RodeoHouston show in years.

    SETLIST

    Bullets
    Torn
    Are You Ready?
    My Own Prison
    What If
    One
    With Arms Wide Open
    Higher
    One Last Breath
    My Sacrifice

    Creed concert RodeoHouston

    Courtesy of Houston Livestock Show and Rodeo

    Singer Scott Stapp serenades the RodeoHouston crowd.

    rodeohoustonhouston livestock show and rodeoconcert review
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