QFest showcases films such as the gripping Why Can't I Be Me?
Photo courtesy of QFest
For 23 years, Houston’s popular QFest has showcased iconic, trailblazing LGBTQ films and even peculiar, tawdry cult classics. But for its 24th year, like so many other in-person events, the festival is moving to screens for a virtual experience.
QFest 2020 announced on August 19 that it will run virtually Thursday, September 10 through Monday September 14. The event will be hosted by Cinenso and be available to online pass holders in Houston and across North America, EU countries, and Australia.
“In this time of COVID and with political and economic uncertainty, we’re excited to partner with Cinenso to give us a rare opportunity to showcase QFest and Houston to an international audience,” said Kristian Salinas, executive and artistic director, in a statement.
Not surprisingly, the festival lineup has yet to be announced. Organizers note that the complete lineup, as well as QFest Festival Pass information, will be available online on September 1.
The annual festival presents programs by, about, and of interest to the gay, lesbian, bisexual, transgender and queer community. QFest is a sponsored project of Aurora Picture Show, a 501c3 presenting artist-made, non-commercial film and video, and dedicated to expanding the cinematic experience and promoting the understanding and appreciation of the moving image.
Houston Arts Alliance and City of Houston partially fund the event, along with assistance by The John Steven Kellett Foundation.
With 12 Oscar nominations in the past 12 years in multiple categories, Bradley Cooper has turned into not only an acclaimed actor, but also a touted filmmaker. Given that pedigree, it might be difficult to remember that he first gained recognition as a comedy star in movies like Wedding Crashers, Yes Man, and The Hangover series. For his latest directorial effort, he has married comedy with drama in Is This Thing On?.
Unlike the previous two films he directed, Cooper only has a supporting role, ceding the lead to Will Arnett. He plays Alex Novak, who, as the film begins, is starting the process of divorce from his wife of 20 years, Tess (Laura Dern). Forced to move to a depressing apartment in New York City and only getting limited time with his two kids, Alex finds the unexpected outlet of stand up comedy when he signs up for open mic night at the famous Comedy Cellar.
The film follows Alex as he continues to pursue comedy while still having to see Tess on a regular basis, thanks to a shared custody agreement and get-togethers with friends like Balls and Christine (Cooper and Andra Day) and Stephen and Geoffrey (real life couple Sean Hayes and Scott Icenogle). While the comedy serves as a form of counseling for Alex, truly moving on proves more difficult than expected.
The film, co-written by Cooper with Arnett and Mark Chappell, is loosely based on the real-life story of British comedian John Bishop, so one of the biggest things they needed to get right was the comedy itself. Alex’s marital situation lends his comedy more of a confessional style than actual jokes, and his evolution in that space is done well. Shooting in the actual Comedy Cellar and populating the club with real comedians like Amy Sedaris, Jordan Jensen, Reggie Conquest, and more gives those scenes an extra dose of realism.
As if to underscore the personal and emotional nature of the story, Cooper and cinematographer Matthew Libatique make liberal use of closeups with handheld cameras. The camera is constantly moving around and often seems to be right in the actors’ faces, something that is most noticeable when Alex is performing. As if the stories Alex was telling weren’t intimate enough, having Arnett's entire face fill the frame forces the audience to pay attention to what his character is saying.
If there is something to knock about the film, it’s a lack of dramatic stakes. While there’s natural tension between Alex and Tess due to the divorce, it’s way less than in a movie like, say, Marriage Story. There’s also a sneaking suspicion that Cooper was just looking to have fun with the film, casting himself as the comic sidekick and working with good friends like Arnett and Hayes. If ever there was a good hang divorce movie, this is it.
Arnett rarely gets to be in movies, much less as the lead, but he ably embodies this somewhat dramatic part. It helps that he’s given a great scene partner like Dern, who knows when to dial her acting up or down for a particular situation. Cooper and Day are also good despite their story being slightly superfluous, and Christine Ebersole and Ciarán Hinds as Alex’s parents lend the film some extra gravitas.
Is This Thing On? is a much different type of film from Cooper’s first two directorial efforts, A Star is Born and Maestro, and it’s nice to see the filmmaker offer something new. It has a relatable story for anyone who has ever been married while offering an element of uniqueness with someone discovering an undiscovered skill late in life.
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Is This Thing On? opens wide in theaters on January 9.