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    Art and About

    Kissless in New York: It's darker than Glee and giving Houston actors anoff-Broadway adventure

    Joel Luks
    Aug 17, 2011 | 7:02 pm
    • Photo by Joel Luks

    Do you remember the first time you kissed? For real, I mean.

    None of this slobber on the cheek business, but the first time you felt what it means to kiss someone you felt tingly about? That's one of those teenage milestones that begins a journey into the social complexities of adulthood.

    Kissless — a musical taking shape right here in Houston that will make its debut at the 2011 New York Musical Theatre Festival off Broadway in six performances from Sept. 28 to Oct. 8 — might seem like it's a work about that specific moment, but it's much more than that.

    Kissless may seem like the stereotypical, happy, Glee-esque musical, but its surprise and shocking ending morphs any carefree aura into lifelong lessons.

    I found out how much more during a routine Art and About adventure.

    Camera and microphone on hand, I went to the Houston Family Arts Center, where rehearsals are now in full swing. I got an opportunity to chat with the cast and learn about the play, the actors' aspirations and what it means to be debuting in New York.

    Most shows at the New York Musical Theatre Festival are cast out of New York. This one is Houston based and mainly made up of young actors, from teenagers upwards to mid-twenties. Getting the chance to perform off-Broadway is something many seasoned performers dream of but never achieve.

    Whatever the young hopefuls lack in experience, they are certainly making up in rehearsal hours, perfecting their characters' intentions and understanding their inner struggles, experimenting with blocking and improving their vocals.

    At their age, they can really relate to the storyline and the themes of cliques — jocks, goths, nerds and rednecks — stereotypes, alienation and loss. On the surface, Kissless may seem like the stereotypical, happy, Glee-esque musical, but its surprise and shocking ending morphs any carefree aura into lifelong lessons that everyone — children, students and adults — need to learn, and relearn.

    When Summer, a misfit goth, is forced to live with Derek, a hyper jock, their burgeoning romance causes angst and turmoil at Forest Glen High School. As the characters struggle to come to terms with their self-imposed labels and situations, youth naivete comes to a crashing halt with the discovery of a classmate's death.

    Life, sometimes, doesn't go on. Seize today as tomorrow may just not be here. Live life to the fullest. That's the message that writer Chance McClain wanted to put forth in this genre mixer that brings pop, rock, country, traditional Broadway tunes and a dash of jazz hands together.

    "I had a story inside that wanted to get out, the regular live life to the fullest story," McClain said. "An underlying theme is the loss of a teen. It's really sad and you never know how to deal with it. I wanted to find away to tell the story of how kids deal with death."

    Kissless began as a short story in March 2010 before morphing into a musical last August. After staged readings at the Houston Family Art Center and Texas Repertory Theatre and some tweaks, the audience responded well — laughing when they were meant to laugh and crying during tender moments.

    "The community is paying for us to go to New York," McClain said. "We are trying to raise $100,000 to send 27 performers plus the creative and the production team for two weeks. When people hear about our show, they realize there is something special here. That along with Houston pride, has earned us significant support."

    To sponsor Kissless, interested donors can support the cast's efforts online or by participating in the musical's upcoming golf tournament at Wildcat Golf Club on Sept. 8.

    For McClain, it is a dream come true.

    "I feel humble and unworthy. It's happening and I just can't stop smiling."

    The cast comments on going to New York:

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    In Memoriam

    Legendary Texas singer-songwriter Joe Ely dies at 78

    KVUE Staff
    Dec 16, 2025 | 2:00 pm
    Joe Ely
    Joe Ely/Facebook
    Joe Ely was a major figure in Texas' progressive country scene.

    Joe Ely, the legendary songwriter, singer and storyteller whose career spanned more than five decades, has died from complications related to Lewy Body Dementia, Parkinson’s disease, and pneumonia. He was 78.

    In a statement posted to his Facebook page, Ely died at his home in Taos, New Mexico, with his wife, Sharon, and daughter, Marie, at his side.

    Born February 9, 1947, in Amarillo, Texas, Ely was raised in Lubbock and became a central figure among a generation of influential West Texas musicians. He later settled in Austin, helping shape the city’s reputation as a hub for live music.

    As with many local legends, it's hard to tease out what specifically made Ely's time in Austin so great; Austin treasures its live music staples, so being around and staying authentic from the early days is often the most important thing an artist can do.

    Ely got his local start at One Knight Tavern, which later became Stubb's BBQ — the artist and the famous venue share a hometown of Lubbock. He alternated nights with emerging guitar great Stevie Ray Vaughn. He built his own recording studio in Dripping Springs, and kept close relationships with other Texas musicians. Later in his career, Ely brought fans into the live music experience, publishing excerpts from his journal and musings on the road in Bonfire of Roadmaps (2010), and was inducted into the Austin City Limits Hall of Fame in 2022. Austin blues icon Marcia Ball was among Ely's friends who played the induction show.

    "Joe Ely performed American roots music with the fervor of a true believer who knew music could transport souls," said Kyle Young, CEO of the Country Music Hall of Fame and Museum.

    In the 1970s, Ely signed with MCA Records, launching a career that included decades of recording and touring around the world. His work and performances left a lasting impact on the music scene and influenced a wide range of artists, including the Clash and Bruce Springsteen, according to Rolling Stone.

    "His distinctive musical style could only have emerged from Texas, with its southwestern blend of honky-tonk, rock & roll, roadhouse blues, western swing, and conjunto. He began his career in the Flatlanders, with fellow Lubbock natives Jimmie Dale Gilmore and Butch Hancock, and he would mix their songs with his through 50 years of critically acclaimed recordings. [...]"

    --

    Read the full story at KVUE.com. CultureMap has added two paragraphs of context about the Austin portion of Ely's career.

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