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    You've got the power

    Houston Arts Alliance kick-starts donations to small arts groups with onlinefundraising platform

    Joel Luks
    Aug 9, 2012 | 6:00 am

    Though nonprofit administrators often cite the "economic climate" and a "shrinking donor base" as the cause of fundraising difficulties, a record number of million dollar galas took place during Houston's 2011-12 social season — with a major chunk of change going to major arts groups.

    But just as big spenders are letting go of cash, there's a growing trend of modest benefactors who are willing to give between $50 and $130 as long as they can be witness to the impact of their pledge — and they are prepared to donate online, according to the Arts & Science Council of Charlotte-Mecklenburg, a North Carolina arts organization that tapped into that market.

    When the Houston Arts Alliance (HAA) learned about these facts and figures — and took into consideration the city's network of 500 nonprofit arts and cultural organizations — it embarked on an eight-month search for a hyper-local crowdfunding platform to support its constituents.

    The search is over.

    "We see power2give.org as a tremendous tool to engage new donors by allowing them to support very specific projects across disciplines easily."

    Sponsored by HAA with funding by Bank of America and the Anchorage Foundation of Texas, the Houston site of power2give.org launched on Thursday.

    Power2give.org is available for companies with an IRS 501(c)3 determination that operate in Houston's 12-county region, an extension of HAA's current service area of Harris County.

    "We are delighted to provide a new region-wide platform to help augment public funding and encourage individual arts philanthropy," HAA CEO Jonathon Glus said in a statement. "We see power2give.org as a tremendous tool to engage new donors by allowing them to support very specific projects across disciplines easily."

    Among the first 19 projects from 14 organizations to sign on are Musiqa for two classical music commissions; ArtBridge Houston for art supplies for homeless children; Houston Arts & Media to develop a website dedicated to history about the birth of Texas; Houston Institute for Culture for a mentoring program for young women; and the Bay Area Houston Ballet & Theatre for a program that melds arts, science and technology.

    The web-based program was first designed by Charlotte-Mecklenburg's council in response to changes in philanthropic behavior. The commitee scrutinized popular national platforms like Indiegogo, Kickstarter, GoFundMe, RocketHub, Fondomat, Rock The Post, Peerbackers and Sponsume and took successful elements from each.

    Moreover, when another of its studies revealed that 85 to 90 percent of arts patrons weren't donors, power2give.org sought to capitalize on the shift in giving to those who are interested in the arts already.

    "Basically, what we are trying to do is to encourage organizations to post projects that need funding on power2give.org," Richard Graber, director of programs and services, tells CultureMap. "HAA will then try to secure other funders to match every dollar you or I would contribute toward a project, and funders will have the option to choose which projects appeal to them. Donations will go an additional mile."

    "HAA will try to secure other funders to match every dollar you or I would contribute toward a project, and funders will have the option to choose which projects appeal to them."

    Power2give.org is not available for individual artists or those working through fiscal sponsorship.

    "Individual artists have been very successful at using the larger, national sites," Graber says. "Right now, we are not offering that option, but we are definitely open to that possibility in the future."

    The cost to participating groups is 12 percent of the monies raised. Those fees are needed to subsidize HAA's administrative costs and dues levied by the Arts & Science Council of Charlotte-Mecklenburg.

    "Nonprofit companies are very comfortable sending grant proposals to foundations and granting organizations," Graber says. "But this pitch has to be clever, attractive, fun and light. Part of our services include an application review to help organizations navigate through this learning curve."

    Other markets that have already adopted power2give.org include Dane County, Wisc.; Greensboro, N.C.; Kentucky and Southern Indiana; Miami, Fla.; and Winston-Salem, N.C. Graber says the site is gaining momentum.

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    Movie Review

    Reminders of Him taps into grief, grace, and the power of moving on

    Alex Bentley
    Mar 13, 2026 | 10:30 am
    Maika Monroe and Tyriq Withers in Reminders of HIm
    Photo by Michelle Faye / Universal Pictures
    Maika Monroe and Tyriq Withers in Reminders of HIm.

    Texas author Colleen Hoover has gone from being a popular writer to a full-on celebrity in the 2020s. The new film Reminders of Him marks the third adaptation of her books in just 19 months (a fourth, Verity, is scheduled for release in October 2026). All of her books that have been adapted so far — most notably It Ends With Us — are female-led stories that feature elements of romance and trauma, catnip for studios looking to appeal to the underserved demographic of women.

    Leading the way in this film is Kenna Rowan (Maika Monroe), who returns to her hometown of Laramie, Wyoming after spending years in prison for killing her boyfriend, Scotty (Rudy Pankow), in a car accident. That relationship resulted in a daughter, Diem (Zoe Kosovic), whom Kenna gave birth to while imprisoned and is now being raised by her grandparents, Patrick (Bradley Whitford) and Grace (Lauren Graham).

    Yearning to be a part of Diem’s life, Kenna tries to reconnect with Patrick and Grace, only to be rebuffed by Scotty’s best friend, Ledger (Tyriq Withers), a former NFL player who now owns a local bar. In running interference, Ledger starts to become closer to Kenna, discovering that her tragic mistake shouldn’t be the only thing that defines her.

    Directed by Vanessa Caswill and written by Lauren Levine, the film features mostly surface level examinations of its themes and average performances, yet it winds up being effective thanks to a willingness not to rush through its storytelling beats. The filmmakers take the slow and steady approach toward the coupling of Kenna and Ledger, setting up their bond through a series of heart-to-heart conversations that makes any romance feel earned.

    The majority of the focus is on Kenna reclaiming her place in the world, and on Ledger coming to terms with the fact that the person who killed his best friend is not inherently a bad person. The film definitely could have gone deeper in its explorations of grief and anger, but the sheer amount of time it takes in addressing the characters’ doubts and fears turns out to be sufficient for a film that’s not aiming to be considered a dramatic masterpiece.

    It also helps that Caswill and Levine do a solid job of establishing the variety of characters that inhabit the film. Kenna and Ledger don’t always feel like fully-formed people, but they become so through their interactions with each other and the other townspeople. Lady Diana (Monika Myers), a girl with Down syndrome who lives in Kenna’s apartment complex, and Roman (Nicholas Duvernay), Ledger’s co-worker at his bar, help to broaden the appeal of the two leads.

    Monroe has, to this point, been best known for starring roles in horror films like It Follows and Longlegs. While she does somewhat well in this role, her delivery is often more flat than you’d expect for a character going through what she does. Withers thankfully doesn’t remind viewers of his recent bomb Him, demonstrating a crossover appeal that should serve him well in the future. Whitford and Graham don’t get to do much, but their combined experience gives their roles exactly what is needed.

    It may sound like damning with faint praise, but Reminders of Him is a competently made film that knows how to serve its core audience without insulting anyone who may not automatically be all-in for such a story. The filmmakers don’t try to force any of the key moments down the audience’s throat, and that stands out in a genre that’s not always known for its subtlety.

    ---

    Reminders of Him opens in theaters on March 13.

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