Five Questions

The Bachelor Pad Weatherman reveals all: Jonathan Novack spills on his tell-all,his comedy career and Ali

Jonathan Novack in his Bachelor Pad pose.
Photo by Kevin Foley/ABC
Jonathan Novack back in his real weatherman days.
Say it with Novack's latest T-shirt!

Jimmy Kimmel and everyone else may refer to him as "The Weatherman" but we still think of Jonathan Novack as our hometown heartthrob.

He may not have won Ali's heart on The Bachelorette, but he's returning to TV Monday in a hybrid reality competition and dating show called The Bachelor Pad (airing on ABC at 7 p.m.). Novack gave an exclusive interview to CultureMap about Houston, his future, and his thoughts on Ali and Roberto.

CultureMap: This must have been a crazy summer for you. What are you up to now that The Bachelor Pad is wrapped?

Jonathan Novack: I've been out to L.A., where I had some meetings, shot the 'Men Tell All' episode, found a place to live in West Hollywood and did some stand-up at the HaHa Comedy Club.

I also just had a show last week at the Houston Improv with Slade Ham, who was headlining. I did about 10-11 minutes — it was awesome, went really great. Next week, Aug. 12-15, I'm performing at The Laff Spot opening for Jimmie Walker.

Since the show, I started blogging, tweeting, I've been delving into social networking, selling T-shirts that say 'I heart the weatherman' to benefit the ASPCA, trying to figure out some charity-type things I can do, seeing what I can get involved with out in L.A. I've been in Houston for three years and it's hard to leave. I feel rooted here, I'm bummed. I've got a lot of friends here, it's been a really good time in my life.

CM: Have you always wanted to break into the entertainment business?

JN: I've been in the news business on-air for nine years, and I've always wanted to do entertainment-type stuff, whether it was an Antique Roadshow segment on Channel 2 or hosting the local version of The Biggest Loser. I feel like now is the time to see if I can bridge over to entertainment.

If I'm in Houston the challenges are much more difficult. People know me now, I've got my agent, a publicist, and if I want to go I've got to do it now. I'm sticking with TV though, auditioning for hosting gigs and things like that.

CM: What did you think about The Bachelorette finale? Do you think Ali made the right choice with Roberto?

JN: I said it from the beginning, from when I got sent home, people would ask me who I thought Ali would be with or should be with and I said Roberto. He was the most stand-up guy in the house, and they seemed to have a connection. I'm glad it worked out for Ali — I couldn't be happier for them.

CM: Is it different to watch yourself on these shows? Was there anything they didn't air that you would have liked to show?

JN: It's tough to watch, when I see it on TV, to be honest. It's interesting. It's totally different than seeing myself if I'm doing a weather cast. For starters I have no control. Since I've started in the news business I've always been the one to put a story together, and with this I have to kinda sit back and see what gets aired.

As far as what didn't make it to TV, there was a thing that happened between Jesse B. and Craig M. I don't think people realized Craig M. was trying to get into a fight with him and for that reason people thought it was just me and him, but the only reason I said anything to Ali was because the guy was seriously off his rocker and trying to start stuff with everyone. I don't know if they had the time to show a lot of that, though.

CM: How did you come to be on the show?

JN: I was nominated for the show a year and a half ago and they called me up. I never watched it, I didn't know who was on it, but I did a little investigating. I knew Ali and Gia, and was hoping one of them would be Bachelorette, but you don't know who it's going to be, so you go into it as an experience, and maybe it'll work out with whoever they pick, but you have to just say, "Hey, this is a life experience and lets see what happens."

Check out a Pad peek and get more of the shirtless Novack:

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Movie Review

New comedy I Want Your Sex saddles an all-star cast with a dull story

Photo courtesy of Magnolia Pictures

Cooper Hoffman and Olivia Wilde in I Want Your Sex.

Writer/director Gregg Araki has been making provocative movies for nearly 40 years, releasing his debut — Three Bewildered People in the Night — in 1987. Most of them have had plotlines that revolved around sex in one way or another, and for his latest — his first film in 12 years — he’s putting it right there in the title, I Want Your Sex.

Elliot (Cooper Hoffman) is an aimless twenty-something who can’t even afford the rent for his apartment with best friend, Apple (Chase Sui Wonders). Thankfully, he finds a job at the gallery of artist Erika Tracy (Olivia Wilde), who is open with her sexuality both in her artwork and in her day-to-day life. That soon includes Elliot, whom she convinces to enter into a dominant-submissive relationship with her, with sessions taking place both at work and her home.

Elliot, who’s in a going-nowhere coupling with Minerva (Charli XCX), is more than willing to participate, both because it lets him feel something he doesn’t get normally and because Erika offers a perspective on sex that’s much different from people of his generation. But as he gets in deeper with her, he starts to lose a sense of himself, going down a path in which he finds himself talking to police detectives Zem (Johnny Knoxville) and Zola (Margaret Cho).

Araki does his level best to make I Want Your Sex into a broad comedy, and early on it seems as if he might succeed. The deadpan way that sexual objects appear in the film (a penis-shaped rug in Elliot and Apple’s apartment, a vagina artwork with chewed gum as the medium) make for amusing sight gags. He also makes Elliot the bewildered other in multiple twosomes, with Minerva being the funniest, as she’s way more interested in studying than his ham-fisted attempts at sex.

It’s clear that Araki wants the film to be a commentary on the generational differences about sex, but he fumbles his own idea. It starts with an on-the-nose conversation between Erika and Elliot, and continues with the various dalliances, which seem to be more about making Elliot look and feel ridiculous than giving true insight. Their encounters certainly open his mind about what sex can be, but their one-note nature makes them repetitive and frankly boring, odd considering the acts in which the two engage.

The uninspired storytelling makes the 90-minute film drag way more than it should. Araki includes a few other characters to try to vary the tone of the film, including gallery workers Zap (Mason Gooding) and Vikktor (Daveed Diggs), but their early promise yields little results. The framing device of Elliot’s interview with the detectives never works, especially because Araki completely neuters the personalities of Cho and Knoxville for seemingly no good reason.

The cast as a whole goes to waste. Hoffman is showing the promise of his late father (Philip Seymour Hoffman), and even though he’s appealing here, the material pulls him down. Wilde just made her own provocative movie about sex (The Invite), and this one pales in comparison despite her heightened performance. Wonders, Charli XCX, and Gooding are all young stars who deserve to be showcased much better than they are in this film.

A film called I Want Your Sex is announcing itself as daring and alluring, but this film contains almost none of those qualities. Instead, it’s a slog that only occasionally has something interesting to show or say, mostly relying on the power of its actors to hold viewers’ attention — and failing at even that.

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I Want Your Sex is now playing in select theaters.