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    A film with no bite

    Is it ridiculous to complain about historical inaccuracies in a movie calledAbraham Lincoln: Vampire Hunter?

    Tyler Rudick
    Jun 21, 2012 | 6:00 pm
    • Abraham Lincoln: Vampire Hunter opens in 3D this Friday across the country.
    • Erin Wasson as vampy vampire Vadoma and Benjamin Walker as the Great Emancipator
      Photo by Stephen Vaughan/2012 Twentieth Century Fox Film Corp.
    • For the screenplay adaptation, Seth Grahame-Smith pares down hissurprisingly-convincing novel enough to rendered the historical Lincolnunrecognizable.
    • Oh, Abe . . . love to know what you're thinking about all this.
      Portrait by Anthony Berger/Wiki

    Apparently, all those people who told me a B.A. in history was a waste of time were right. There are truly no jobs out there for historians — a sad reality made all the more real after seeing Abraham Lincoln: Vampire Hunter, a film steeped in so many historical inaccuracies, I think I believe more in vampires now than I do in the existence of the 16th president.

    But before launching into a review of the Tim Burton-produced film, which opens Friday, I should be upfront about a few things.

    • Full disclosure #1: I loved the original 2010 book by Seth Grahame-Smith and the way it wove this conspiratorial vampire plot through Lincoln's well-documented life, covering everything from the sudden death of Abe's first love Ann Rutledge to his complicated relationship with Mary Todd to his debilitating bouts of depression. The story is even cleverly framed around Lincoln's apparent loathing of his father.
    • Full disclosure #2: I had an internship with a Lincoln scholar in college and learned very quickly just how obsessed people were about the Great Emancipator, not so much for the man's political accomplishments but for his emotional honestly and agonizing self-doubt.

    Now, for reasons unknown, Grahame-Smith decided to cut about two-thirds of Lincoln's bio from his film adaptation of novel. Sure, there are obvious time constraints when squeezing a manuscript into a 90-minute movie. But where's Ann Rutledge? What happened to the melancholy and the poems Abe would publish in newspapers from time to time? Basically, where's the mysterious and tortured Lincoln we all love?

    Instead, Grahame-Smith and director Timur Bekmambetov give us a circle-bearded superhero, complete with an ax that turns into a gun and martial arts skills potent enough to punch through brick walls. Honest Abe, played by Benjamin Walker, dukes it out in extended battle scenes with camera shots that follow musket balls through their victims and those inexplicably deep bass notes you hear in one of Transformers movies.

    Director Timur Bekmambetov give us a ci rcle-bearded superhero, complete with an ax that turns into a gun and martial arts skills potent enough to punch through brick walls.

    The main story revolves around the death of Lincoln's mother, who died in 1818 from tainted milk . . . or a vampire. After years of training under vampire and hunting mentor Henry, Abe vows to take revenge on the monsters only to discover a larger vampire conspiracy to create a system where slaves become a constant source of food. Lincoln puts away his ax for politics and pushes a staunch abolitionist platform as a lawyer, state representative and president.

    But as the movie undercuts his personal struggles, Lincoln is sadly far less likeable on the screen than he is in the novel or the historical record. Same goes with the supporting characters like Henry (Dominic Cooper), who's converted from the book's father-figure role to that of a mean-spirited coach. The cinematic Mary Todd (Mary Elizabeth Winstead) is a tough-talking companion with whom Lincoln has one child, rather than the real-life four, three of who died at young ages.

    Age-old friend Joshua Speed, a historically controversial figure in Lincoln's life, becomes a painfully loyal co-hunter and White House cabinet member in the film, although actor Jimmi Simpson (McPoyle Liam in It's Always Sunny in Philadelphia) adds a level of creepiness that makes Speed one of the more memorable characters in the production.

    To give credit where credit is due, the vampires are impressively scary (especially in 3D) — aggressive Nosferatu-looking beasts rather than the classy glitter-in-the-sun vamps of recent years. Other than that, you've been warned.

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    Movie Review

    Matt Damon and Ben Affleck square off in Netflix crime thriller The Rip

    Alex Bentley
    Jan 16, 2026 | 2:30 pm
    Ben Affleck and Matt Damon in The Rip
    Photo by Claire Folger/Netflix
    Ben Affleck and Matt Damon in The Rip.

    For as closely tied together as Matt Damon and Ben Affleck are, it might come as a surprise how few times they’ve led a movie together. They’ve appeared alongside each other in Good Will Hunting, The Last Duel, and Air, but the only time they were on equal footing in a story was Kevin Smith’s Dogma. So the fact that they are the two true stars of the new Netflix movie The Rip makes it a rare opportunity for the longtime friends to square off against each other.

    Damon and Affleck play Lt. Dane Dumars and Detective Sgt. J.D Byrne, respectively, the two highest ranking members of a Miami police department squad that specializes in drug and drug money raids. A tragedy to begin the film already has the team — which includes Detectives Mike Ro (Steven Yeun), Numa Baptiste (Teyana Taylor), and Lolo Salazar (Catalina Sandina Moreno) — on edge, with the FBI and DEA breathing down their neck.

    Going off a tip, Dumars gathers the team to raid a house in nearby Hialeah that is supposed to have a stash of a relatively small amount of money. But when they get to the house occupied only by Desiree Molina (Sasha Calle), they discover close to $20 million. The team, required by law to count the money on site, must not only fight the urge to skim a little off the top for themselves, but also worry about the Cartel and other agencies that might want a slice of the pie.

    Written and directed by Joe Carnahan, the film is a surprisingly effective crime thriller made even better by its high-quality cast, which also includes Kyle Chandler as a DEA agent. The story is designed for the audience to not know who’s trustworthy until the last possible second, and the various twists and turns it takes are well done, with barely a hint of narrative cheating.

    Taking place entirely at night, the mood is set right from the start, with the only surprise being that Carnahan didn’t add in rain for extra effect. He keeps things tense with a number of subtle elements, including having the house located in a seemingly deserted cul-de-sac. This allows for the characters to remain on high alert at all times, with anything out of the ordinary — an unexpected noise, a flashing light, etc. — adding to the stress of the situation.

    The only element that could have used a bit more of a punch-up is the characterization. The story is set up to cast suspicion on almost everybody, making it tougher to understand exactly what type of person each of them is. As the two leads, more time is spent with Dumars and Byrne, leaving everyone else with slightly underwhelming arcs. It’s to the credit of the actors that everyone else below Damon and Affleck is still compelling.

    Damon and Affleck play their sometimes friendly, sometimes adversarial roles well, showing an ease together that’s a result of their friendship and the acting skills they’ve honed over 30+ years. Taylor, an Oscar hopeful for One Battle After Another, and Oscar nominee/Emmy winner Yeun have a pedigree that elevates their supporting roles. Chandler, Moreno, and Calle each get just enough to demonstrate why they were cast in their respective roles.

    Damon and Affleck have had their individual ups and downs throughout their careers, but when they choose to work together, the results are usually good-to-great, as they are in The Rip. It’s a different take on a crime thriller that features a story that will keep viewers guessing until the very end.

    ---

    The Rip is now streaming on Netflix.

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