The team that swept the Tony awards is tackling one of opera's greatest warhorses — Madame Butterfly — in a new Houston Grand Opera production.
Director Michael Grandage, designer Christopher Oram and lighting designer Neil Austin all won Broadway's highest honor Sunday night for their critically acclaimed production of Red. The story of Mark Rothko and his assistant during the two-year period when Rothko painted a series of murals for the Four Seasons restaurant won six Tonys, including best play, and garnered more awards than any production.
Reds originated at the Donmar Warehouse in London, where Grandage is artistic director. “As a production team we have worked almost exclusively in the theater,” Grandage said in a statement. “I’m excited to work with Houston Grand Opera on such an important and beautiful piece of the operatic repertory.”
It is the team's first opera for a U.S. company. The trio will stage the production to kick off HGO's new season Oct. 22. It will feature soprano Ana Maria Martínez in her role debut as Cio-Cio San and the HGO debuts of tenor Joseph Calleja (Pinkerton), baritone Levi Hernandez (Sharpless) and mezzo-soprano Lucy Schaufer (Suzuki).
Yoshi, Mario, and Luigi in The Super Mario Galaxy Movie.
When The Super Mario Bros. Movie came out in 2023, it had two big things going for it. Audiences had little experience with a fully-animated video game adaptation, and certainly not from a property as revered as Super Mario Bros. And coming from Illumination Entertainment and featuring an all-star cast, the massive budget for the film was on the screen, showing how much effort the filmmakers put into at least the visuals.
Three years later comes the sequel, The Super Mario Galaxy Movie, passing over a massive number of Mario games to go straight to 2007’s Super Mario Galaxy, originally put out for Nintendo’s Wii system. This time, the returning Mario (Chris Pratt), Luigi (Charlie Day), Princess Peach (Anya Taylor-Joy), and Toad (Keegan-Michael Key), now joined by Yoshi (Donald Glover), are sent on a mission to save Princess Rosalina (Brie Larson) from the evil clutches of Bowser Jr. (Benny Safdie), who’s trying to prove his worth to his dad, Bowser (Jack Black).
And that is about as much actual story there is to be found in a film that feels like a slog even at a brief 98 minutes. The filmmakers — directors Aaron Horvath and Michael Jelenic, co-directors Pierre Leduc and Fabien Polack, and writer Matthew Fogel — have lots of fun inserting references from a bunch of different Mario games, but they pay little attention to giving the characters anything to do that makes sense.
Instead, small groups are shuttled around different points in the galaxy — sometimes using game mechanics, sometimes not — to accomplish minor goals that are forgotten almost as soon as they’re named. Nothing they do rises to the level of exciting or even interesting; everything is merely an excuse to showcase another part of Mario lore for the masses.
It’s impossible to call the filmmaking lazy, as the visuals remain top notch and it’s clear the entire crew put a lot of effort into making every scene as appealing as possible. But the film is certainly cynical, throwing out empty treats like Fox McCloud (Glen Powell) or Bowser Jr.’s magic paintbrush to give Nintendo mega-fans a rush of serotonin without attaching those elements to anything substantial.
This critic has long railed against using big-name actors in voiceover roles, arguing that few people know or care whose voice they’re hearing in animated films. Somehow, this film makes the idea worse, as the voices of people like Key, Glover, and Safdie are changed so that you would never know it’s them, something that’s especially strange for Glover since Yoshi only says one word — “Yoshi.”
Even stranger is that, after making a joke in the first film about Mario not having an Italian accent, Pratt goes in and out of an accent in this film. At least he and Day feel like they’re having fun. Bowser is sidelined for a good amount of this film, giving Black not much to do overall. Taylor-Joy and Larson might as well be anonymous actors for all the impact they make on their roles.
The Super Mario Galaxy Movie is the worst kind of fan service, delivering a shiny product that might make some people feel good in the moment, but something that is forgotten the second they step out of the theater. If Nintendo is to continue adapting their properties, they’d do well to give their fans a film they want to see more than once.
---
The Super Mario Galaxy Movie is now playing in theaters.