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    Movie Talk

    A better Wedding Crashers: The Internship is the funniest movie of the year

    Alex Bentley
    Jun 7, 2013 | 1:02 pm
    A better Wedding Crashers: The Internship is the funniest movie of the year
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    Film critics don’t often acknowledge it, but making a successful movie is a hard business. As with most art forms, there’s almost nothing new, so in order for their work to be appreciated, filmmakers have to do their best to put a fresh spin on stories that can often be as old as the medium.

    That’s exactly what everyone involved with The Internship has done. The main plot is tried and true, that of the underdog outcasts fighting to overcome their lot in life and/or those who would oppose them.

    But it’s the manner in which that story is executed that sets the film apart. Vince Vaughn and Owen Wilson, previously seen together in Wedding Crashers, have teamed up again, this time playing Billy and Nick, two downsized salesmen who seize upon a chance to be interns at Google as their ticket back to gainful employment.

    The premise is far-fetched, but that ends up being one of the film’s greatest strengths.

    The premise is farfetched, but that ends up being one of the film’s greatest strengths. Having two older people trying to make it in a young man’s game, especially one like Google, provides ample opportunity for jokes about Billy and Nick being out of touch with the world they thought they knew.

    The supporting characters are off-the-wall enough to be genuinely quirky but not so much that they’re completely unbelievable. And whoever made Max Minghella the main tormentor earns a gold star for subliminal casting. Minghella is best known for his role in The Social Network as a partner of the Winklevoss twins, but he shines even brighter here.

    Great supporting cast aside, it's the chemistry between Vaughn and Wilson that truly makes the movie sing. Vaughn, who also co-wrote the film, talks a mile a minute, while Wilson takes the more laid-back approach, but both come off as the best friend of everyone they meet. This combination makes for a consistently funny film from beginning to end — a rarity these days.

    Because it follows the underdog-makes-good plot to the letter, the film loses a bit of steam toward the end. And a superfluous romance between Nick and Dana (Rose Byrne), a Google higher-up, is sweet but vastly underdeveloped, adding little to the product as a whole.

    But those minor faults can be brushed away, leaving what’s easily the best comedy to come out this year. The Internship will have thousands of people wanting to work for Google — and also begging for a Vaughn-Wilson reunion in the near future.

    Working at Google is portrayed as the paradise it probably is in The Internship.

    The Internship
    The Internship Facebook
    Working at Google is portrayed as the paradise it probably is in The Internship.
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    Movie Review

    Star TV producer James L. Brooks stumbles with meandering movie Ella McCay

    Alex Bentley
    Dec 12, 2025 | 2:30 pm
    Emma Mackey in Ella McCay
    Photo courtesy of 20th Century Studios
    Emma Mackey in Ella McCay.

    The impact that writer/director/producer James L. Brooks has made on Hollywood cannot be understated. The 85-year-old created The Mary Tyler Moore Show, personally won three Oscars for Terms of Endearment, and was one of the driving forces behind The Simpsons, among many other credits. Now, 15 years after his last movie, he’s back in the directing chair with Ella McCay.

    The similarly-named Emma Mackey plays Ella, a 34-year-old lieutenant governor of an unnamed state in 2008 who’s on the verge of becoming governor when Governor Bill (Albert Brooks) gets picked to be a member of the president’s Cabinet. What should be a happy time is sullied by her needy husband, Ryan (Jack Lowden), her agoraphobic brother, Casey (Spike Fearn), and her perpetually-cheating father, Eddie (Woody Harrelson).

    Despite the trio of men competing to bring her down, Ella remains an unapologetic optimist, an attitude bolstered by her aunt Helen (Jamie Lee Curtis), her assistant Estelle (Julie Kavner), and her police escort, Trooper Nash (Kumail Nanjiani). The film follows her over a few days as she navigates the perils of governing, the distractions her family brings, and the expectations being thrust upon her by many different people.

    Brooks, who wrote and directed the film, is all over the place with his storytelling. What at first seems to be a straightforward story about Ella and her various issues soon starts meandering into areas that, while related to Ella, don’t make the film better. Prime among them are her brother and father, who are given a relatively small amount of screentime in comparison to the importance they have in her life. This is compounded by a confounding subplot in which Casey tries to win back his girlfriend, Susan (Ayo Edebiri).

    Then there’s the whole political side of the story, which never finds its focus and is stuck in the past. Though it’s never stated explicitly, Ella and Governor Bill appear to be Democrats, especially given a signature program Ella pushes to help mothers in need. But if Brooks was trying to provide an antidote to the current real world politics, he doesn’t succeed, as Ella’s full goals are never clear. He also inexplicably shows her boring her fellow lawmakers to tears, a strange trait to give the person for whom the audience is supposed to be rooting.

    What saves the movie from being an all-out train wreck is the performances of Mackey and Curtis. Mackey, best known for the Netflix show Sex Education, has an assured confidence to her that keeps the character interesting and likable even when the story goes downhill. Curtis, who has tended to go over-the-top with her roles in recent years, tones it down, offering a warm place of comfort for Ella to turn to when she needs it. The two complement each other very well and are the best parts of the movie by far.

    Brooks puts much more effort into his female actors, including Kavner, who, even though she serves as an unnecessary narrator, gets most of the best laugh lines in the film. Harrelson is capable of playing a great cad, but his character here isn’t fleshed out enough. Fearn is super annoying in his role, and Lowden isn’t much better, although that could be mostly due to what his character is called to do. Were it not for the always-great Brooks and Nanjiani, the movie might be devoid of good male performances.

    Brooks has made many great TV shows and movies in his 60+ year career, but Ella McCay is a far cry from his best. The only positive that comes out of it is the boosting of Mackey, who proves herself capable of not only leading a film, but also elevating one that would otherwise be a slog to get through.

    ---

    Ella McCay opens in theaters on December 12.

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