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    Sneak Peek at MFAH

    Charles M. Russell defies the usual cowboy art cliches: This real cowboy wields a sharp eye

    Steven Thomson
    Jun 3, 2010 | 6:58 pm
    "Carson's Men" (1913) by Charles M. Russell

    Engulfing compositions of pioneers, cavalry and indigenous tribes engaging in the American story of Manifest Destiny are what make Charles M. Russell's paintings among the most striking works on display this season at the Museum of Fine Arts, Houston. "Cowboy art" typically conjures notions of kitsch mid-century entertainment or villainizing depictions of the plight of the American Indian.

    But the pieces in "The Masterworks of Charles M. Russell: A Retrospective," opening Sunday at the MFAH, are not this variety of cowboy art. Rather, these 60 paintings and precious bronze works, dating from the first two and a half decades of the 20th century, indicate the nuanced eye of a self-taught American painter who was as much a cowboy as a chronicler of a fading fantasy of the wide-open West.

    Russell may be cornered into the label of "cowboy artist." However, he is not the machismo-obsessed frontiersman of Hollywood westerns, but the cowboy as iconoclast — a rogue cultural observer who began his career escaping at age 16 from his upper echelon St. Louis family to work at a sheep ranch in what was then the Montana Territory. He entered the cow-handling arena during the trade's twilight, and as his painting progressed, his attachment to the former West appeared more clearly on his canvas.

    Russell's familiarity with frontier culture shines on such animated works as Camp Cook's Troubles, in which he wove one of the show's most dynamic arrangements of animals, crooks and the eternal landscape: A smoldering fire ignites the cries of a horse as it tosses off its rider's hat into the sky. To the right and left, a pioneer flashes a knife and a bandit is knocked to the ground. The prominent elements in the foreground — an abandoned yellow smock and upturned ax — add intrigue to the painting's story, while unconsciously directing the viewer's eye around the circular composition.

    The tumult takes place no more than two yards from the observer, yet the backdrop of pink and lavender-soaked mountains at sunset remains miles in the distance.

    It's an enrapturing glimpse of the adventure that embodied the American West just before Russell's time and still constitutes the region's popular iconography. While this is the sort of rough and tumble tableau that most associate with cowboy art, it's just the beginning of Russell's range of expression.

    "Russell is not just a painter — he's a storyteller," explains Emily Ballew Neff, MFAH curator of American Painting and Sculpture.

    For Neff, one of Russell's most stirring tales takes form in Meat's Not Meat Till It's in the Pan. The hunter's red plaid jacket indicate an Easterner, clearly out of his element, reconciling with his hunt. He hovers, perplexed, above his prey at the edge of a cliff — devastatingly out of reach. The soaring geography of the region is made all the more poignant by a bird freely navigating the abyss below. The towering halls of the Beck Building's exhibition space couldn't be a more fitting venue for communicating this vision of the Western landscape's unyielding power.

    Raw emotions like those expressed in this painting — powerlessness, isolation — have been depicted for centuries by artists, but with Russell's paintbrush, they become entirely American.

    "The Masterworks of Charles M. Russell: A Retrospective" is on view at MFAH June 6 to August 29.

    "Camp Cook's Troubles" (1912) by Charles M. Russell

    unspecified
    news/entertainment

    HOWDY, DOCTORS

    Grey's Anatomy spins off new medical drama led by Houston-born showrunner

    Kimberly Reeves
    May 22, 2026 | 1:00 pm
    Grey's Anatomy
    Photo via Meg Marinis/Instagram
    Showrunner Meg Marinis poses with actor Kevin McKidd, who recently exited Grey's Anatomy after more than a decade playing Dr. Owen Hunt.

    ABC is bringing the Grey's Anatomy universe to Texas with a new one-hour rural medical drama co-created by longtime showrunner Meg Marinis. Marinis was born in Houston and is an alum of both the Kinkaid School and the University of Texas at Austin.

    According to an exclusive report from Deadline, which production company Shondaland shared on social media, the untitled series has received a straight-to-series order from ABC and will follow a team at a rural West Texas medical center described as “the last chance for care before miles of nowhere.”

    The series marks the first Grey’s Anatomy franchise show set outside the West Coast, and it's the first that's not centered around an existing main character from the original series.

    The new drama will be co-created by Shonda Rhimes and Marinis, who has spent nearly two decades working on Grey’s Anatomy. She joined the series during its third season as a production assistant before rising through the ranks to become a researcher, writer, executive producer, and now showrunner.

    "This opportunity will bring new characters and stories to life that will embody the same heart, emotion, and connection audiences have loved from Grey’s for more than two decades, all set in my home state of Texas,” Marinis said in a statement announcing the series. "I am so grateful to Shonda Rhimes for creating this dynamic world and feel so fortunate that I get to be a part of it.”

    Marinis’ path to running one of television’s biggest franchises started in Austin. In an interview with Shondaland last year, she recounted moving to Los Angeles during her final semester at UT through the university’s UTLA entertainment program, which allows students to complete coursework while interning in the industry. While finishing school, she interned at Universal before landing a production assistant role on Grey’s Anatomy in 2006.

    Marinis has also woven Texas experiences into the flagship series itself in recent years. According to Deadline, she personally knew families affected by the Camp Mystic tragedy and rewrote part of a recent Grey’s Anatomy episode after becoming emotional while working on the script.

    The West Texas setting is particularly timely, as rural healthcare access remains a growing issue across the state. According to the Texas Hospital Association, more than 20 rural Texas hospitals have closed since 2010, while roughly a quarter of the state’s remaining rural hospitals are considered at risk of closure.

    By centering the new series on what ABC describes as “the last chance for care before miles of nowhere,” the franchise could bring national attention to healthcare access challenges facing communities across West Texas and other rural parts of the state.

    The new series joins a long lineage of Texas-set television dramas, though not all were actually filmed in the state. Grey’s Anatomy itself is famously set in Seattle while primarily filmed in the Los Angeles area. Friday Night Lights became closely associated with Austin through extensive local filming, while series like Dallas often recreated Texas from California sound stages, with exteriors of Southfork Ranch serving as the Ewings' fictitious home. Walker, Texas Ranger, meanwhile, became one of the best-known examples of a network drama heavily filmed across Texas itself.

    Even after more than 20 years on the air, Grey’s Anatomy remains one of television’s most durable franchises. According to ABC, the drama is now the longest-running primetime medical drama in television history and continues to rank among the network’s strongest scripted performers.

    Ellen Pompeo, who stars as Dr. Meredith Grey in the original series, is attached as an executive producer, and the new drama is expected to premiere in 2027.

    tv showshealthhospitals
    news/entertainment

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