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    Movie Review

    Spelling the Dream gives spotlight to Indian American champions

    Alex Bentley
    Jun 2, 2020 | 5:00 pm
    Spelling the Dream gives spotlight to Indian American champions
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    The 2002 documentary Spellbound, which chronicled the quests of eight kids competing in the 1999 Scripps National Spelling Bee, was one of the rare documentaries to capture the hearts of critics, moviegoers, and Oscar voters. Eighteen years later, the new Netflix documentary Spelling the Dream showcases a new generation of spellers, one comprised chiefly of one particular group: Indian Americans.

    Prior to Nupur Lala winning the 1999 Bee, competitors of South Asian descent had won only two of the previous 71 competitions. Since that time, they have become the dominant force, winning 15 more times, including the last 12 years in a row (Erin Howard shared the 2019 title with seven other competitors, all Indian Americans). The film explores the hows and the whys of group’s supremacy, and it’s not necessarily for the reasons you might expect.

    Much like Spellbound, Spelling the Dream goes into detail about the journeys of four children on their way to the 2017 Scripps National Spelling Bee. However, the film complements their stories with interviews featuring a variety of prominent Indian Americans, including Dr. Sanjay Gupta, journalist Fareed Zakaria, comedian Hari Kondabolu, and more.

    Directed by Sam Rega, the film shows how Indian Americans have continued to draw inspiration by the group’s growing success, including earlier wins by 1985 champion Balu Natarajan and 1988 champion Rageshree Ramachandran. The four kids featured differ in age, but they all share a love of learning, a dedication necessary to spelling thousands of words correctly, and families who guide, but never push, them toward success.

    Rega and his team do a wonderful job at drawing out the personalities of the spellers, showing their home lives and their different preparations for the competition. This is especially true in the case of Akash Vukoti, who became the first-ever first grader to qualify for the Bee in 2016. When Akash demonstrates his ability to correctly spell a 45-letter word, he does so with highly entertaining hand flourishes embellished with on-screen graphics that make it clear what an impressive feat it is.

    Unfortunately, not everyone sees the Indian American dominance as a good thing, and the film takes care to address the racist backlash that has come with so many members of the group winning the competition. But the supportiveness and camaraderie shown within the spelling bee community is a good indication that more people appreciate these kids’ talents than care about what they look like or where they come from.

    The film gets competition-heavy toward the end, which is to be expected, but consequently that section lacks the insight of the rest of the film. Still, watching each kid tackle supremely difficult words with ease never ceases to astonish, and it’s a nice replacement for this year’s competition, which was canceled due to the ongoing coronavirus pandemic.

    Spelling the Dream makes the case that, due to their upbringing and other factors, Indian Americans know the value of hard work and what will come because of it. There is rarely anything more inspiring than that.

    ---

    Spelling the Dream debuts on Netflix on Wednesday, June 3.

    Ashrita Gandhari in Spelling the Dream.

    Ashrita Gandhari in Spelling the Dream
    Photo courtesy of Netflix
    Ashrita Gandhari in Spelling the Dream.
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    Movie Review

    Michelle Pfeiffer visits Houston in new Christmas movie Oh. What. Fun.

    Alex Bentley
    Dec 5, 2025 | 3:30 pm
    Michelle Pfeiffer in Oh. What. Fun.
    Photo courtesy of Amazon MGM Studios
    Michelle Pfeiffer in Oh. What. Fun.

    Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.

    That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.

    Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.

    Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.

    The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.

    The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.

    Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.

    Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.

    ---

    Oh. What. Fun. is now streaming on Prime Video.

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