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    Music matters

    Tex-Mex & record store on singer Charlie Mars' agenda before Mucky Duckappearance

    Reid Schroder
    May 30, 2012 | 9:31 am
    • Charlie Mars
      Charlie Mars/Facebook
    • Charlie Mars/Facebook

    Charlie Mars has traveled the country from coast to coast, palled around with the likes of Bob Schneider and Mary-Louise Parker and released five albums (with another one coming just a few months away). His songs sound like the kind of music James Taylor would have played if Taylor had come of age during Ryan Adams’ version of the aughts.

    In fact, Mars has recently been recording and touring with keyboardist John Ginty (of Adams’ old band, Whiskeytown), placing Mars a few short degrees away from the Adams connection.

    Mars' songs sound like the kind of music James Taylor would have played if Taylor had come of age during Ryan Adams’ version of the aughts.

    As Mars’ body of work continues to grow, it’s exciting news that the young musician is beginning to make the most of the Texas music scene. He has two albums at Jack Rock’s Hill Country studio and wrapped up a couple of residency stints at Austin’s Saxon Pub last year.

    With a voice that’s equal parts smoky haze and honey glaze, it’s no wonder that Mars, a Mississippi native, can find inspiration amongst Austin’s laid-back, southern vibes.

    Most of Mars’ familiarity with the Texas music scene centers on the Hill Country, but he should feel right at home while playing a special solo set at McGonigel's Mucky Duck Thursday night.

    The songwriter isn’t a complete stranger to Houston, having opening for Marc Broussard at House of Blues in 2010, but The Mucky Duck’s atmosphere will offer something that not all venues can; that communal experience that often happens when the music fills a room that isn’t much larger than a spacious den.

    Knowing all of this about Mars, I was eager to chat with him about some of his impressions of the Bayou City thus far. Throughout the conversation, he was keen to talk Mexican food and record stores, and even let me in on a little bit of what to expect from his upcoming show.

    “A performance is a great opportunity to build a bridge between the audience and the performer. I love that connection," Mars said during a recent phone conversation, adding that he really looks forward to playing at McGonigel’s.

    In past visits he wasted no time finding Houston’s long-time music mecca, Cactus Music. Now you can count him among the many musicians who can’t get enough of the store. According to Mars, Cactus is a “killer store. The way it ought to be.”

    In past visits Mars wasted no time finding Houston’s long-time music mecca, Cactus Music. Now you can count him among the many musicians who can’t get enough of the store.

    He was equally enthusiastic about our authentic Tex-Mex, a cuisine that seems to be irresistible to any visitor I’ve ever met. He says Houston Tex-Mex is “comparable if not better than Mexican food in Austin.”

    Upon reading that comment, I’m sure that Culture Map readers will have a handful of restaurants that will help guide Mars firmly in the Houston camp, so please feel free to comment (*cough* El Real and El Tiempo *cough*).

    Throughout the conversation, I got the sense that Mars is hopeful that Thursday’s show will be the first of many here in Houston. He plans to come back with his full band later in the fall to promote his forthcoming album, Blackberry Light, and hopes to become more familiar with our city with every new visit.

    Though his new album will feature many of the same musicians as 2009’s Like a Bird, Like a Plane, he will be reworking the new material for a quieter solo acoustic performance Thursday evening. When asked what fans should expect, Mars promised a set full of material from Blackberry Light, but longtime fans can expect older favorites as well.

    If past performances are any indication, expect much more than songs. Mars loves building those bridges to his audience through stories, jokes, and onstage banter, so the night is sure to be lively at the Duck.

    Charlie Mars plays at McGonigel's Mucky Duck on Thursday at 7:30 p.m. Advance tickets $20; at the door $22. Click here for more details.

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    news/entertainment

    Movie Review

    Sheriff Bob Odenkirk is back in over-the-top new action movie 'Normal'

    Alex Bentley
    Apr 17, 2026 | 2:30 pm
    Bob Odenkirk in Normal
    Photo courtesy of Magnolia Pictures
    Bob Odenkirk in Normal.

    Screenwriter Derek Kolstad, who wrote the first three John Wick movies, has essentially had a blank check to do what he wants in the movie landscape since 2014. In recent years that has meant writing the action series Nobody for Bob Odenkirk, who has turned from a comedian into an unlikely action star in his sixties. Kolstad and Odenkirk are teaming up again in Normal.

    A film that tries to evoke Fargo in multiple ways, Normal finds Ulysses Richardson (Odenkirk) serving as a temporary sheriff for the small town of Normal, Minnesota after the previous sheriff died. Knowing he’s just a steward until a new sheriff is elected, Ulysses takes a live-and-let-live approach to the job, letting the deputies (Ryan Allen and Billy MacLellan) do the grunt work and trying to stay out of everyone’s way, including Mayor Kibner (Henry Winkler).

    A bank robbery attempt by two non-citizens upsets his best-laid plans in more ways than he can imagine. Not only is he forced to confront a crime not often seen in a town like Normal, but the robbery uncovers secrets that turn the film into an all-out bloodbath. Soon, almost everyone in town becomes involved in what comes to resemble a war, along with — you guessed it — Yakuza henchmen from Japan.

    Directed by Ben Wheatley and written by Kolstad, the film is a slight twist on the everyman-turned-hero character Odenkirk played in the two Nobody films. While Ulysses is in law enforcement, he prefers to use words instead of weapons, and it’s only when he’s pushed to the brink that he crosses that line. Naturally, his skills are beyond what anyone would expect of him, allowing him to match up well with people half his age.

    The film is not a comedy in the traditional sense, but instead aims for laughs by catching the audience off-guard with its ultraviolence. Some characters are dispatched in shockingly unexpected ways, with one of the only natural reactions to the jarring nature of their deaths being laughter. That’s not necessarily the case for other killings, which range from blasé to sadistic, and the only reason they count as entertainment is because the filmmakers have primed the audience to accept them as such.

    After a relatively solid setup, where Wheatley and Kolstad seem to take their time getting to know the main characters, the second half of the film is pure action that dispenses with good storytelling. Like many action movies, there are double crosses, surprise revelations, and more, but the filmmakers don’t seem to care about making sense of any character arcs. All they care about is delivering mayhem, and they succeed on that front.

    Odenkirk has perfected the mild-yet-intimidating nature of his action characters, and it is satisfying to see him get the better of those who have done him wrong. He doesn’t run or jump like fellow 63-year-old Tom Cruise, but — with the help of fast-paced editing — he still makes for a credible action hero. The only other actors of any note in the film are Winkler, who’s a nice presence with his sardonic personality, and Lena Headey, whose small role doesn't match up with her experience.

    You have to have a certain mindset to enjoy a film like Normal, but if you can abide its over-the-top bloodiness, it’s a serviceable action film. Few would have expected Odenkirk to take on these kinds of roles at this late stage of his career, but he’s making the most of his opportunities.

    ---

    Normal opens in theaters on April 17.

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    news/entertainment

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