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    College Crooners

    The anti-Eminem revolution: Who needs a recording studio when you've got a dormroom and a Macintosh?

    Caroline Gallay
    May 30, 2010 | 2:51 pm
    • Asher Roth arguably started it all
    • Mike Posner finally trades his dorm room for a professional studio
    • Kinetics & One Love are two Cornellians with fratty sensibilities
    • Sam Adams is the latest college-bred rapper to hit my radar

    Gregg Michael Gillis, better known by his stage name, Girl Talk, might've been the first. The former biomedical engineer from Case Western, raised in the suburbs of Pittsburgh, began producing mashups on his laptop in high school and continued his self-made music career throughout college.

    Now there's a generation of young musicians self-producing albums from the comfort of their dorm rooms and finding mainstream success. A far cry from the Eminem comparisons many have been drawing (being Caucasian and fans of spoken verse are the only real similarities), this new breed of rappers hail from some of the nation's most competitive universities. With catchy original beats (though many sample established hits), newly relatable lyrics (these guys rap about dollar slices and Coors, not rims and gang violence), and devoted campus followings, these hardly-struggling artists are rerouting the path to success.

    And If they don't make it? Well, they've got those degrees to fall back on.

    If Eminem paved the way for white rappers, Asher Roth arguably cleared the path for the privileged with his ubiquitous anthem, "I Love College." The album hit No. 1 on iTunes, and its first single was the soundtrack to my senior year. Raised in a suburb of Philadelphia, Roth was signed during his sophomore year at West Chester University after sending some tracks via MySpace to an Atlanta-based promoter for Jermaine Dupri's So So Def label.

    "I Love College" by Asher Roth feat. Chamillionaire

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    Mike Posner, currently a senior at Duke University, spent much of his underclassman career holed up in his dorm room, writing and producing his three mixtapes. He's only recently found mainstream success with his radio hit "Cooler Than Me," although he's been on college-kid playlists and on the radar of collaborators like Wale and Kid Cudi for years. Posner signed a major deal with J-Records last year, but chose to return to Duke and complete his dual degrees in sociology and business.

    "Drug Dealer Girl" by Mike Posner and The Brain Trust

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    Kinetics & One Love, more commonly known (at least to their mothers) as Jeremy Dussolliet and Tim Sommers, are Sigma Alpha Epsilons at Cornell University whose hit "Airplanes" is getting tons of radio play. Their debut album, Fading Back to Normal, was released last summer. As with these other artists, Kinetics & One Love's college experience factors heavily into their sound. Their bio reads: "It doesn't hurt that the two go to an Ivy League university: One Love's extensive training in music theory and classical composition is evident in the beats, while Kinetics's lyrics breathe socially conscious and provocative themes, topped with a touch of frat boy humor and sarcasm."

    "Fading" by Kinetics & One Love feat. Christine Dominguez

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    The latest college-bred bad boy to blow up my iPod is Sammy Adams, a Bostonian who first gained fame with his sample of/response to Asher Roth's hit, entitled "I Hate College." Born in Cambridge, Mass., Adams (born Samuel Adams Wisner) played soccer at Trinity College before releasing his self-produced EP, Boston's Boy, which hit the top of iTunes' hip-hop digital albums chart. He's being courted by several major labels and recently signed to be represented my William Morris Endeavor Entertainment.

    "Driving Me Crazy" by Sam Adams

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    Movie Review

    Robert Pattinson and Zendaya face pre-marriage jitters in The Drama

    Alex Bentley
    Apr 3, 2026 | 3:00 pm
    Robert Pattinson and Zendaya in The Drama
    Photo courtesy of A24
    Robert Pattinson and Zendaya in The Drama.

    Robert Pattinson and Zendaya will be seen together a lot at the movies in 2026, with mega-films like The Odyssey and Dune: Part Three coming out later in the year. But fans can get a much more intimate look at the two stars in a film that offers a unique take on relationship struggles, The Drama.

    Emma (Zendaya) and Charlie (Pattinson) are a New York couple who are engaged to be married. After a quick-but-effective montage of their courtship, the story joins them as they are just days away from their wedding. As they get all the details like music, flowers, and food finalized, a visit to the caterer with married friends Rachel (Alana Haim) and Mike (Mamoudou Athie) proves fateful.

    A few too many drinks leads to each member of the group deciding to divulge the worst thing they’ve ever done. While each story is slightly shocking, Emma’s takes the cake, so much so that Charlie starts to question their relationship. As they get closer to the wedding date, Charlie finds it increasingly difficult to get beyond Emma’s revelation, with each real or imagined conversation threatening to derail their previously tight bond.

    Written and directed by Kristoffer Borgli, the film is provocative, funny, and cringey as it tries to get to the center of human dynamics. Charlie, Rachel, and Mike have starkly different reactions to Emma’s story, and the way those play out over the course of the film provides, well, the drama. The harder Charlie tries to justify Emma’s past, the more his underlying feelings start to eat at him, causing friction not just between him and Emma, but in other parts of his life, as well.

    Strangely, especially for a character played by Zendaya, Emma recedes more than expected. Her explanations for her previous actions are timid at best, and she mostly seems to be waiting for Charlie to forgive her instead of questioning why she needs forgiveness. Borgli favors the male side of the equation, and in so doing he doesn’t dig as deep into the root of the issue as he could have.

    Still, the downward spiral at the center of the story has a propulsive nature to it, and each successive step proves to be both hard to watch and impossible to turn away from. It also helps that Borgli manages the tone well, keeping interactions between characters relatively light so that the film doesn’t turn into one like Marriage Story.

    Pattinson, who gets to use his own British accent for once, put on an interesting performance that is much better than his last two roles in Mickey 17 and Die My Love. He has good chemistry with Zendaya, who manages to shine despite being laden with a role that doesn’t play entirely to her strengths. Haim and Athie do good work in small roles, while Hailey Grace and Hannah Gross make an impact in brief appearances.

    The situation in which Emma and Charlie find themselves in The Drama is not one to be wished on anyone, but it’s presented well by Borgli, keeping tensions high for the bulk of the film. Despite the two main characters not given completely equal footing, the story finds a way to get to a satisfactory ending.

    ---

    The Drama opens in theaters on April 3.

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