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    Top Chef episode 13 recap

    Top Chef recap: Houston's cheftestant heads to finals as another frontrunner heads home

    Eric Sandler
    May 27, 2022 | 10:28 am
    Evelyn Garcia will compete for the Top Chef title.
    Evelyn Garcia will compete for the Top Chef title.
    Photo by David Moir Bravo

    This week Top Chef delivered one of its strongest episodes of the season. No gimmicky sponsored challenges or goofy product tie-ins — just the season’s four best cooks using their intelligence and experience to create magical dishes that delight the judges. In the end, subtle differences in execution send one of the chefs packing.

    The episode begins with our four finalists visiting El Charro, described as the oldest family-owned Mexican restaurant in America, where proprietor Carlotta Flores introduces them to carne seca. For their final Quickfire Challenge, the cheftestants must used the air-dried beef to create a dish.

    Houstonian Evelyn Garcia knows the ingredient well. Rather than recreate a dish from her childhood, she goes with a more offbeat preparation by pairing the carne seca with creamy grits and a chayote relish. Chef Sarah, who compares the ingredient to the deer jerky she made with her fiancee, wins the Quickfire by creating a carne seca gravy with polenta, morel mushrooms, and blackberries. She earns an extra 30 minutes in the Elimination Challenge.

    “I want my chefs to taste it,” Flores gushes about Sarah’s creation.

    Chefs Buddha and Damarr serve less successful dishes. The fried tortilla in Buddha’s inverted tostada is criticized for being too greasy, while Damarr’s grilled avocado with carne seca is faulted for its lack of texture.

    For the Elimination Challenge, the chefs have three hours to create two dishes, one sweet and one savory, that utilize two of Tucson’s signature ingredients: cactus and the chiltepin pepper. They’re taken to a garden where Top Chef: Portland contestant and Tucson resident Maria Mazon introduces them to all of their options. While three of the cheftestants are encountering these ingredients for the first time, chef Evelyn knows them well.

    “It’s crazy to think this challenge boils down to two ingredients that I grew up eating,” she says. “That’s what stands between me and the finale.”

    All four chefs create standout dishes that have the judges raving. Any of them would make a worthy winner.

    Buddha makes a Thai-style tom yum with turnip wrapped dumplings, calamari noodles and prawns that utilizes chiltepin instead of the usual Thai chiles. He follows it with a cactus cake with cactus seed ice cream and prickly pear snow.

    Sarah serves lamb with chiltepin vinaigrette and chiltepin chimichurri, grape salad, and smoked yogurt followed by a cactus tart with saguaro flower ice cream and cactus caramel.

    Evelyn channels her childhood with a nopal relleno with shrimp purée, raw nopal, and marigold. Her dessert is a sour orange and sweet lime curd with saguaro pod meringue, prickly pear granita, basil flowers, and quince.

    Finally, Damarr offers a pork shoulder glazed in chiltepin and prickly pear bbq sauce, pikliz with chiltepin, grilled nopales, and red bean purée. For dessert, he serves a prickly pear cake glazed with prickly pear topped with buttermilk cheese, saguaro and frozen mango.

    “It’s the silence of really good food,” Tom Colicchio says as the group samples Buddha’s and Sarah’s savory dishes. “No one’s talking. Everyone’s eating. These dishes are extraordinary.”

    The raves continue throughout the meal. The assorted guests, including Top Chef season 10 winner Kristen Kish, praising the chefs for the dishes flavors and colorful presentations.

    Ultimately, the judges select Evelyn as the week’s winner. “I would eat that dish again and again,” Colicchio says about her relleno.

    Sadly, it’s the end of the road for Damarr. The judges fault his pork shoulder for lacking chiltepin flavor. It seems like a small error, but that’s all it takes at this stage in the competition.

    Heading into the final, all three chefs have shown enough culinary brilliance that any of them could win. Buddha feels like a slight favorite, but it would be fitting for a Houstonian to finally earn the Top Chef title.

    Evelyn Garcia will compete for the Top Chef title.

    Top Chef Houston episode 13
    Photo by David Moir/Bravo
    Evelyn Garcia will compete for the Top Chef title.
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    Movie Review

    Avatar: Fire and Ash returns to Pandora with big action and bold visuals

    Alex Bentley
    Dec 18, 2025 | 5:00 pm
    Oona Chaplin in Avatar: Fire and Ash
    Photo courtesy of 20th Century Studios
    Oona Chaplin in Avatar: Fire and Ash.

    For a series whose first two films made over $5 billion combined worldwide, Avatar has a curious lack of widespread cultural impact. The films seem to exist in a sort of vacuum, popping up for their run in theaters and then almost as quickly disappearing from the larger movie landscape. The third of five planned movies, Avatar: Fire and Ash, is finally being released three years after its predecessor, Avatar: The Way of Water.

    The new film finds the main duo, human-turned-Na’vi Jake Sully (Sam Worthington) and his native Na’vi wife, Neytiri (Zoë Saldaña), still living with the water-loving Metkayina clan led by Ronal (Kate Winslet) and Tonowari (Cliff Curtis). While Jake and Neytiri still play a big part, the focus shifts significantly to their two surviving children, Lo’ak (Britain Dalton) and Tuk (Trinity Jo-Li Bliss), as well as two they’ve essentially adopted, Kiri (Sigourney Weaver) and Spider (Jack Champion).

    Miles Quaritch (Stephen Lang), who lives on in a fabricated Na’vi body, is still looking for revenge on Jake, and he finds help in the form of the Mangkwan Clan (aka the Ash People), led by Varang (Oona Chaplin). Quaritch’s access to human weapons and the Mangkwan’s desire for more power on the moon known as Pandora make them a nice match, and they team up to try to dominate the other tribes.

    Aside from the story, the main point of making the films for writer/director James Cameron is showing off his considerable technical filmmaking prowess, and that is on full display right from the start. The characters zoom around both the air and sea on various creatures with which they’ve bonded, providing Cameron and his team with plenty of opportunities to put the audience right there with them. Cameron’s preferred viewing method of 3D makes the experience even more immersive, even if the high frame rate he uses makes some scenes look too realistic for their own good.

    The story, as it has been in the first two films, is a mixed bag. Cameron and co-writers Rick Jaffa and Amanda Silver start off well, having Jake, Neytiri, and their kids continue mourning the death of Neteyam (Jamie Flatters) in the previous film. The struggle for power provides an interesting setup, but Cameron and his team seem to drag out the conflict for much too long. This is the longest Avatar film yet, and you really start to feel it in the back half as the filmmakers add on a bunch of unnecessary elements.

    Worse than the elongated story, though, is the hackneyed dialogue that Cameron, Jaffa, and Silver have come up with. Almost every main character is forced to spout lines that diminish the importance of the events around them. The writers seemingly couldn’t resist trying to throw in jokes despite them clashing with the tone of the scenes in which they’re said. Combined with the somewhat goofy nature of the Na’vi themselves (not to mention talking whales), the eye-rolling words detract from any excitement or emotion the story builds up.

    A pre-movie behind-the-scenes short film shows how the actors act out every scene in performance capture suits, lending an authenticity to their performances. Still, some performers are better than others, with Saldaña, Worthington, and Lang standing out. It’s more than a little weird having Weaver play a 14-year-old girl, but it works relatively well. Those who actually get to show their real faces are collectively fine, but none of them elevate the film overall.

    There are undoubtedly some Avatar superfans for which Fire and Ash will move the larger story forward in significant ways. For anyone else, though, the film is a demonstration of both the good and bad sides of Cameron. As he’s proven for 40 years, his visuals are (almost) beyond reproach, but the lack of a story that sticks with you long after you’ve left the theater keeps the film from being truly memorable.

    ---

    Avatar: Fire and Ash opens in theaters on December 19.

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