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    it's all going to be OK

    Ease up on the indie angst: Aurora Picture Show isn't going anywhere

    Steven Devadanam
    May 25, 2010 | 3:18 pm
    • The Aurora Picture Show's former site is up for sale.
      Greater Houston Convention and Visitors Bureau
    • The Aurora Picture Show's new location

    The indie art world has been set afire by a Monday blog post on Swamplot, which many have interpreted as a declaration of the shuttering of the beloved Aurora Picture Show. Have no fear - the microcinema is here to stay.

    "The Swamplot post has nothing to do with Aurora," explains the nonprofit's curator, Mary Magsamen.

    Indeed, with a headline like "Goodbye, Aurora Picture Show," readers might be misled to believe that they should say "goodbye" to the Aurora Picture Show. A closer reading reveals that the theater's original home, on Aurora Street in Sunset Heights, is being sold by the organization's original self-proclaimed "high priestess," Andrea Grover. The structure was originally a church, and operated as a theater for 10 years until 2008.

    On the building up for sale, Magsamen says, "We haven't used the church there for almost two years. When Andrea Grover retired from our organization, she retired the church with it."

    Since then, Aurora has expanded audiences as a migrant theater. "We're doing well - alive and kicking," Magsamen adds. Underground flick enthusiasts can catch their magic at such venues as The Menil Collection, Super Happy Fun Land and Frenetic Theater. We're particularly excited about next month's "Extremely Shorts 13: Works 3 Minutes and Under."

    As documented on Swamplot, Grover did a fabulous job with the space - some rooms are even Unhappy Hipsters-worthy. Otherwise, much of the original church elements remain, including pew seating and a "disused baptistry." Grover is selling the house and departing from the Houston art scene, leaving open many questions about what her next move will be.

    unspecified
    news/entertainment

    Movie Review

    Michelle Pfeiffer visits Houston in new Christmas movie Oh. What. Fun.

    Alex Bentley
    Dec 5, 2025 | 3:30 pm
    Michelle Pfeiffer in Oh. What. Fun.
    Photo courtesy of Amazon MGM Studios
    Michelle Pfeiffer in Oh. What. Fun.

    Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.

    That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.

    Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.

    Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.

    The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.

    The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.

    Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.

    Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.

    ---

    Oh. What. Fun. is now streaming on Prime Video.

    moviesfilm
    news/entertainment
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