Edgy, insightful, and a little fed up with pretty much everything, comedian/actor/podcaster Bill Burr has earned a loyal following for his deadpan takes on pop culture, sports, and society as a whole. “When are mom and dad gonna stop arguing over gender-neutral bathrooms you can hang an AR-15 in?” he asks.
Houston Burr fans can catch takes such as these when he hits Toyota Center on September 9 for the second leg of his new (Slight Return) tour. Burr will also make Texas stops at American Airlines Center in Dallas, on September 10, the Moody Center in Austin on December 16, and AT&T Center in San Antonio on December 17 — the last date on his 53-city tour.
The Grammy-nominated comedian regularly sells out venues internationally; his Monday Morning Podcast is one of the most downloaded comedy podcasts available. He’ll host his new Netflix special, Bill Burr Presents: Friends Who Kill on June 6. He just wrapped filming the feature, Old Dads, which he will star in and also co-wrote and directed.
A streaming presence, Burr’s animated Netflix series, F Is For Family, just ended its fifth and final season starring Bill, Laura Dern, Justin Long, and Sam Rockwell. He also boasts a Roku series, Bill Burr Presents: Immoral Compass. Last September, Bill was seen in a guest role on the hit FX on Hulu series, Reservation Dogs, and he made a fan-loved appearance on the Disney+ streaming smash, The Mandalorian.
Burr also popped up in Hollywood features with A-listers in The Front Runner, Daddy’s Home, Heat, and Stand Up Guys. Breaking Bad fans know him well as Kuby.
On August 21, Burr will make history as the first comedian to perform at Fenway Park.
Aaron Taylor-Johnson and Alfie Williams in 28 Years Later.
The 2000s brought two of the best zombie movies ever made in 28 Days Later and 28 Weeks Later. Both films, despite being made by different filmmakers, featured intense action with fast-moving zombies, harrowing sequences, and real emotional connections with their main characters. Now the original director and writer — Danny Boyle and Alex Garland — have returned with the first of a possible three sequels, 28 Years Later.
The rage virus from the first two films that turns humans into insatiable monsters has successfully been contained to the United Kingdom, and one group of survivors has managed to band together on a small island off the coast of England. We’re introduced to the group through Jamie (Aaron Taylor-Johnson), his wife, Isla (Jodie Comer), and his son, Spike (Alfie Williams).
Isla is sick with an unknown illness, while Jamie is set to take the 12-year-old Spike on his first trip to the mainland to hunt zombies. That trip not only gives Spike an education as to the different types of feral zombies that now populate England, but also a clue that other people have survived there. When he discovers that one of them may be a doctor, he makes plans to take his mother there in hopes of finding a cure for whatever ails her.
While the first two films were notable for their brisk pace that kept the potency of the stories high, Boyle and Garland almost go in the opposite direction for much of this film. The first 90 minutes are relatively slow, with only a couple of sequences that raise the blood pressure. The final half hour or so go a long way toward filling that void, so it’s clear that the filmmakers were biding their time for the story to come in the sequel. A bit more balance in this film would have served them well, though.
What they do show involves some weird, wild stuff that is objectively upsetting, even for fans of the genre. The zombies have evolved in strange ways, giving them a variety of body shapes and abilities to suit the environment in which they live. These storytelling choices may thrill some and have others scratching their heads. Another human character living on his own (played by Ralph Fiennes), appears to have gone the way of Colonel Kurtz in Apocalypse Now, with a revelation that is bone-chilling.
Boyle, who’s directed everything from Trainspotting to Slumdog Millionaire, doesn’t have a signature style, and he makes some choices in this film that test your patience. He occasionally employs an odd technique in which the film stutters, for a lack of better term. It’s a bit jarring, especially since it doesn’t seem to improve the storytelling. He also inserts scenes from older films involving medieval warfare that emulate the bow-and-arrow weaponry used by characters in this film, but the exact connection he’s trying to make is unclear.
The young Williams has a lot put on his shoulders in the film, and he proves to be up to the task of carrying the story. He isn’t precocious or annoying, instead reacting almost exactly like you’d expect a boy of his age to do when faced with extreme situations. Taylor-Johnson and Comer are good complements for him, drawing him out with their polar opposite characters. Fiennes makes a huge impression in the final act of the film, while Jack O’Connell makes a very brief appearance, teasing a bigger role to come.
It’s difficult to fully judge 28 Years Later because it’s designed to only give you part of the story; part 2, The Bone Temple, is due in 2026, while a third film will follow if the first two do well. This film has its moments and winds up on the positive side of the ledger, but it’s also a frustrating experience that could have used a more stand-alone story.