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    Net Battleground

    Who should control the Internet? The government faces off against cablecompanies

    Bill Van Rysdam
    May 9, 2010 | 12:30 am
    • Will the leader of the free leader be the leader of the Internet? That's whatRepublicans argue could happen.
      Photo by Pete Souza/The White House
    • The FCC is trying to be less heavyhanded — while still gaining control from thecable companies.

    Is the government trying to take over the Internet? The Federal Communications Commission is looking at a plan that would enact a policy of “Net Neutrality”, where companies that provide access to the Internet would not be allowed to block certain sites or direct you to sites of their choosing.

    As Culturemap wrote about back in April; A U.S. Court of Appeals ruled the FCC “overstepped” its authority when it ruled against Comcast doing just that. Now the FCC is offering a compromise on how it regulates high-speed Internet access for broadband companies. The new regulations will only apply to broadband companies in an attempt to not appear “heavy handed”.

    Companies like Google and Skype say the rules are needed to prevent broadband providers from becoming online gate keepers. The proposed plan is expected to be challenged by the big phone and cable companies and is already facing opposition from Republicans at the FCC and in Congress.

    FCC Chairman Julius Genachowski said the new regulations will allow the FCC to move forward and “support policies that advance our global competitiveness and preserve the Internet as a powerful platform for innovations.” John Boehner, The House Republican leader from Ohio said the FCC’s proposal amounts to “a government takeover of the Internet”.

    It reminds me of the days of the old west when ranchers started using barbed wire. The move was designed to protect their property, but it also blocked access to cattlemen trying to get their herds to market. The days of the open range were changed forever and the Internet could face the same fate if the broadband companies win.

    The issue is likely headed back to the courts with the broadband companies complaining that restrictions on what they do could discourage them from investing in their lines. The FCC will soon seek public comment on the proposal, and it will be very interesting to see who joins sides with the FCC and who doesn’t.

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    Movie Review

    Timothée Chalamet cements star status in new movie Marty Supreme

    Alex Bentley
    Dec 23, 2025 | 4:30 pm
    Timothée Chalamet
    Courtesy
    Timothée Chalamet

    In a time when true movie stars seem to be going extinct, Timothée Chalamet has emerged as an exception to the rule. Since 2021 he has headlined blockbusters like the two Dune movies and Wonka, and also earned an Oscar nomination for playing Bob Dylan in A Complete Unknown (his second nomination following 2018’s Call Me By Your Name). Now, he’s almost assured to get his third nomination for the stellar new film, Marty Supreme.

    Chalamet plays Marty Mauser, a world-class table tennis player living in New York. But reducing Marty to his best skill doesn’t do him justice, as he’s also a motormouth schemer who will do almost anything to achieve his dreams. He doesn’t have any qualms about wooing married women like neighbor Rachel (Odessa A’zion) or actress Kay Stone (Gwyneth Paltrow), or hiding his true ping pong skills to win money in scams with friends like Wally (Tyler the Creator).

    Marty is seemingly on the go the entire movie, whether it’s trying to convince Kay’s millionaire husband Milton Rockwell (Kevin O’Leary) to fund his table tennis ambitions; or trying to track down the dog of Ezra (Abel Ferrara), a man he accidentally injures; or trying to avoid the ire of the boss at the shoe store where he works. Just when you think he might slow down, he’s off to the races on another plan or adventure.

    Directed by Josh Safdie and written by Safdie and frequent co-writer Ronald Bronstein, the film is an almost continuous blast of pure energy for 2 ½ hours. So many different things happen over the course of the film that the story defies conventional narratives, and yet the throughline of Marty keeps everything tightly connected. His particular type of brash behavior turns much of the film into a comedy as he does and says things that are both shocking and thrilling.

    Another thing that makes the movie sing is the fantastic characterization by Safdie and Bronstein. Almost every person who is given a speaking line in the film has a moment where they pop, which speaks to airtight dialogue that the writers have created. Characters will be introduced and then disappear for long stretches of time, and yet because they make such an impression the first time they’re on screen, it’s easy to pick up their thread right away.

    Safdie, as he’s done previously with brother Bennie (Uncut Gems), calls on a host of well-known non-actors or people with interesting faces/vibes to inhabit supporting roles, and to a person they are crucial to the film’s success. O’Leary (of Shark Tank fame), rapper Tyler the Creator, director Ferrara, magician Penn Jillette, and fashion designer Isaac Mizrahi each deliver knockout performances. The relative unknowns who play smaller roles are just as impressive, making each beat of the film feel naturalistic.

    Leading the way is the powerhouse performance by Chalamet. For one person to believably play both the famously reserved Dylan and also a firecracker like Marty is astonishing, and this role cements Chalamet’s status as his generation’s movie star. A’zion is a rising star who gets great moments as Marty’s on-again/off-again love interest. Paltrow pops in and out of the film, lighting up the screen every time she appears. Fran Drescher as Marty’s mom and Sandra Bernhard as a neighbor also pay dividends in small roles.

    Josh Safdie’s first solo directorial effort is unlike any other movie this year, or maybe even this century. Thanks to its breakneck storytelling, a magnificent performance by Chalamet, and countless intangibles that Safdie employs expertly, the film smacks viewers in the face repeatedly and demands that they come back for more.

    ---

    Marty Supreme opens in theaters on December 25.

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