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    Transplanted to Fenway

    The Houston Astros are horrific and absolutely no one cares: Can we get one boo?

    Rick Sawyer
    May 7, 2010 | 4:52 pm
    • Because he plays for the team that no one gets upset about, Carlos Lee's mammothstruggles have largely been ignored.
    • Meanwhile, Boston's David Ortiz finds his every strikeout analyzed in a realbaseball town.
    • Barbara and George Bush are beyond super loyal fans — they actually went to aDiamondbacks-Astros game this week — but most everyone else is sleeping.

    The first thing a Houstonian will notice about Fenway Park is how quiet it is. I'm not talking about the crowd: The Fenway Faithful are just as obstreperous and loutish as you've heard they are.

    The ballpark itself is quiet.

    There are no hunting horns and desperate pleas to "get loud." Nobody needs to be told to get out of their seat when the count is 3-and-2 and there are two outs. Red Sox fans do it instinctively, which, for somebody who spent his formative years in the Astrodome, is just shocking.

    In the three years I have lived in Boston (after spending most of my life in Houston), I've learned that baseball on Yawkey Way is almost literally a life-and-death concern. A common joke when the Sox are in a slump suggests that there's a traffic jam on the Tobin Bridge because of all the Sox fans who are trying to jump off.

    Baseball in Houston? Yeah ... not so much.

    The 9-19 Astros have already managed to reel off two eight-game losing streaks this season — and it's the first week of May. Brad Mills' team lost for the ninth time in 10 games last night, Lance Berkman is asking to be traded (in the nicest way possible), Carlos Lee is hitting .202 (with one home run and nine RBI in 27 games) and looking ahead to retirement ... and nobody cares.

    This pitiful state has hardly created a blip in Houston — let along an outcry.

    Meanwhile, in Boston, the Red Sox are 15-14 and the skies in Boston are pitch black on even sunny days. The once-beloved Big Papi (slugger David Ortiz) is all but being driven out of town — even though he's hit four times as many home runs as Carlos Lee so far and Josh Beckett (widely considered one of the top pitchers in baseball) is under fire for a slow start.

    And back to the yawns of the few Astros fans who actually attend games ...

    It hasn't always been that way, of course. In 1986, during the Astros' single most exciting season, baseball fever hit Space City like an orange, yellow, and blue plague. Elementary school classes sent letters to pitcher Mike Scott reassuring him that they, at least, didn't believe that he scuffed his pitches.

    Foley's and Mervyn's stores were fighting to keep Jetsons T-shirts, Charlie Kerfeld's favorite, on the racks, and Jose Cruz could have been elected mayor. The Houston Police Department even joined the Astros' 40-man roster one late night when they hauled in a clutch of eventual World Champion Mets after a drunken bar brawl that the cops may have actually instigated.

    The magical year of 2005, when the Astros made their sole World Series appearance, inspired its own enthusiasms. Biggio, Oswalt, and Clemens could do no wrong, and Brad Lidge, who snatched defeat out of the clutches of victory during Game 2 of the World Series, couldn't show his face south of Conroe without hearing a round of boos.

    But since then? Houston could care less about its squad. Test yourself. How many games has Wandy Rodriguez lost this season?

    In Boston, they can tell you how long Adrian Beltre went without a home run (24 games ). They can tell you what Josh Beckett's favorite put-out pitch is. (The Spring High School alumnus has a wicked curveball.) And they can certainly tell you how much the team had to pay just to get the rights to negotiate with Daisuke Matsuzaka. Even in the fallow times, back when Tim Wakefield was the ace, the Sox could count on a stadium full of people telling the Yankees that they suck.

    What's wrong with Houston?

    Idols forgotten

    It just isn't a Major League town. Houston's fickle relationship with its professional sports teams is hardly news to the fan who remembers when Bud Adams finally ended the city's love-hate relationship with the Oilers in the favor of "hate," but the Astros when they're mediocre can't muster half the support that the Texans got back when they're terrible.

    Can it be that a slow game like baseball can't hold the attention of a city that's accustomed to topping 80 while cruising down 290?

    Surely not. Houston's high schools host matchups that could rival those in baseball breeding grounds like Santo Domingo and suburban California. Rice University is a perennial contender at the College World Series. Could it be that the fault rests with the Astros themselves?

    The team does a terrible job of marketing its icons. The Sox have Ted Williams, Cy Young, Carlton Fisk, and Luis Tiant. The Astros have Craig Biggio and Jeff Bagwell.

    The Houston franchise has featured two of the game's all-time great pitchers ever — Nolan Ryan and Roger Clemens — and Mr. No Hitter and The Rocket aren't associated with Houston at all in the minds of most fans. Ryan went so far as to enter the Hall of Fame wearing a Texas Rangers uniform. No Bostonian in his right mind would ever forget a slight like that.

    Craig Biggio is an outside contender for the Hall of Fame, but can you really imagine anybody else in an Astros uniform in Cooperstown?

    Minute Maid Park is nice — once you forget the bitter memories of Enron — but it's no Fenway. And Drayton McLane is no John Henry, as this last offseason proves.

    Perhaps the day will come when the Astros are no longer run like a discount shoe factory and things like winning percentage, tradition, and prestige will join the bottom line among the concerns of the front office.

    Until then, Astros games are going to be just another line item on an oil executive's expense report and a place to take the kids, instead of a reason to be proud to live in Houston.

    Yes, no one cares. Why are you surprised?

    unspecified
    news/entertainment

    Movie Review

    Star TV producer James L. Brooks stumbles with meandering movie Ella McCay

    Alex Bentley
    Dec 12, 2025 | 2:30 pm
    Emma Mackey in Ella McCay
    Photo courtesy of 20th Century Studios
    Emma Mackey in Ella McCay.

    The impact that writer/director/producer James L. Brooks has made on Hollywood cannot be understated. The 85-year-old created The Mary Tyler Moore Show, personally won three Oscars for Terms of Endearment, and was one of the driving forces behind The Simpsons, among many other credits. Now, 15 years after his last movie, he’s back in the directing chair with Ella McCay.

    The similarly-named Emma Mackey plays Ella, a 34-year-old lieutenant governor of an unnamed state in 2008 who’s on the verge of becoming governor when Governor Bill (Albert Brooks) gets picked to be a member of the president’s Cabinet. What should be a happy time is sullied by her needy husband, Ryan (Jack Lowden), her agoraphobic brother, Casey (Spike Fearn), and her perpetually-cheating father, Eddie (Woody Harrelson).

    Despite the trio of men competing to bring her down, Ella remains an unapologetic optimist, an attitude bolstered by her aunt Helen (Jamie Lee Curtis), her assistant Estelle (Julie Kavner), and her police escort, Trooper Nash (Kumail Nanjiani). The film follows her over a few days as she navigates the perils of governing, the distractions her family brings, and the expectations being thrust upon her by many different people.

    Brooks, who wrote and directed the film, is all over the place with his storytelling. What at first seems to be a straightforward story about Ella and her various issues soon starts meandering into areas that, while related to Ella, don’t make the film better. Prime among them are her brother and father, who are given a relatively small amount of screentime in comparison to the importance they have in her life. This is compounded by a confounding subplot in which Casey tries to win back his girlfriend, Susan (Ayo Edebiri).

    Then there’s the whole political side of the story, which never finds its focus and is stuck in the past. Though it’s never stated explicitly, Ella and Governor Bill appear to be Democrats, especially given a signature program Ella pushes to help mothers in need. But if Brooks was trying to provide an antidote to the current real world politics, he doesn’t succeed, as Ella’s full goals are never clear. He also inexplicably shows her boring her fellow lawmakers to tears, a strange trait to give the person for whom the audience is supposed to be rooting.

    What saves the movie from being an all-out train wreck is the performances of Mackey and Curtis. Mackey, best known for the Netflix show Sex Education, has an assured confidence to her that keeps the character interesting and likable even when the story goes downhill. Curtis, who has tended to go over-the-top with her roles in recent years, tones it down, offering a warm place of comfort for Ella to turn to when she needs it. The two complement each other very well and are the best parts of the movie by far.

    Brooks puts much more effort into his female actors, including Kavner, who, even though she serves as an unnecessary narrator, gets most of the best laugh lines in the film. Harrelson is capable of playing a great cad, but his character here isn’t fleshed out enough. Fearn is super annoying in his role, and Lowden isn’t much better, although that could be mostly due to what his character is called to do. Were it not for the always-great Brooks and Nanjiani, the movie might be devoid of good male performances.

    Brooks has made many great TV shows and movies in his 60+ year career, but Ella McCay is a far cry from his best. The only positive that comes out of it is the boosting of Mackey, who proves herself capable of not only leading a film, but also elevating one that would otherwise be a slog to get through.

    ---

    Ella McCay opens in theaters on December 12.

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