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    Transplanted to Fenway

    The Houston Astros are horrific and absolutely no one cares: Can we get one boo?

    Rick Sawyer
    May 7, 2010 | 4:52 pm
    • Because he plays for the team that no one gets upset about, Carlos Lee's mammothstruggles have largely been ignored.
    • Meanwhile, Boston's David Ortiz finds his every strikeout analyzed in a realbaseball town.
    • Barbara and George Bush are beyond super loyal fans — they actually went to aDiamondbacks-Astros game this week — but most everyone else is sleeping.

    The first thing a Houstonian will notice about Fenway Park is how quiet it is. I'm not talking about the crowd: The Fenway Faithful are just as obstreperous and loutish as you've heard they are.

    The ballpark itself is quiet.

    There are no hunting horns and desperate pleas to "get loud." Nobody needs to be told to get out of their seat when the count is 3-and-2 and there are two outs. Red Sox fans do it instinctively, which, for somebody who spent his formative years in the Astrodome, is just shocking.

    In the three years I have lived in Boston (after spending most of my life in Houston), I've learned that baseball on Yawkey Way is almost literally a life-and-death concern. A common joke when the Sox are in a slump suggests that there's a traffic jam on the Tobin Bridge because of all the Sox fans who are trying to jump off.

    Baseball in Houston? Yeah ... not so much.

    The 9-19 Astros have already managed to reel off two eight-game losing streaks this season — and it's the first week of May. Brad Mills' team lost for the ninth time in 10 games last night, Lance Berkman is asking to be traded (in the nicest way possible), Carlos Lee is hitting .202 (with one home run and nine RBI in 27 games) and looking ahead to retirement ... and nobody cares.

    This pitiful state has hardly created a blip in Houston — let along an outcry.

    Meanwhile, in Boston, the Red Sox are 15-14 and the skies in Boston are pitch black on even sunny days. The once-beloved Big Papi (slugger David Ortiz) is all but being driven out of town — even though he's hit four times as many home runs as Carlos Lee so far and Josh Beckett (widely considered one of the top pitchers in baseball) is under fire for a slow start.

    And back to the yawns of the few Astros fans who actually attend games ...

    It hasn't always been that way, of course. In 1986, during the Astros' single most exciting season, baseball fever hit Space City like an orange, yellow, and blue plague. Elementary school classes sent letters to pitcher Mike Scott reassuring him that they, at least, didn't believe that he scuffed his pitches.

    Foley's and Mervyn's stores were fighting to keep Jetsons T-shirts, Charlie Kerfeld's favorite, on the racks, and Jose Cruz could have been elected mayor. The Houston Police Department even joined the Astros' 40-man roster one late night when they hauled in a clutch of eventual World Champion Mets after a drunken bar brawl that the cops may have actually instigated.

    The magical year of 2005, when the Astros made their sole World Series appearance, inspired its own enthusiasms. Biggio, Oswalt, and Clemens could do no wrong, and Brad Lidge, who snatched defeat out of the clutches of victory during Game 2 of the World Series, couldn't show his face south of Conroe without hearing a round of boos.

    But since then? Houston could care less about its squad. Test yourself. How many games has Wandy Rodriguez lost this season?

    In Boston, they can tell you how long Adrian Beltre went without a home run (24 games ). They can tell you what Josh Beckett's favorite put-out pitch is. (The Spring High School alumnus has a wicked curveball.) And they can certainly tell you how much the team had to pay just to get the rights to negotiate with Daisuke Matsuzaka. Even in the fallow times, back when Tim Wakefield was the ace, the Sox could count on a stadium full of people telling the Yankees that they suck.

    What's wrong with Houston?

    Idols forgotten

    It just isn't a Major League town. Houston's fickle relationship with its professional sports teams is hardly news to the fan who remembers when Bud Adams finally ended the city's love-hate relationship with the Oilers in the favor of "hate," but the Astros when they're mediocre can't muster half the support that the Texans got back when they're terrible.

    Can it be that a slow game like baseball can't hold the attention of a city that's accustomed to topping 80 while cruising down 290?

    Surely not. Houston's high schools host matchups that could rival those in baseball breeding grounds like Santo Domingo and suburban California. Rice University is a perennial contender at the College World Series. Could it be that the fault rests with the Astros themselves?

    The team does a terrible job of marketing its icons. The Sox have Ted Williams, Cy Young, Carlton Fisk, and Luis Tiant. The Astros have Craig Biggio and Jeff Bagwell.

    The Houston franchise has featured two of the game's all-time great pitchers ever — Nolan Ryan and Roger Clemens — and Mr. No Hitter and The Rocket aren't associated with Houston at all in the minds of most fans. Ryan went so far as to enter the Hall of Fame wearing a Texas Rangers uniform. No Bostonian in his right mind would ever forget a slight like that.

    Craig Biggio is an outside contender for the Hall of Fame, but can you really imagine anybody else in an Astros uniform in Cooperstown?

    Minute Maid Park is nice — once you forget the bitter memories of Enron — but it's no Fenway. And Drayton McLane is no John Henry, as this last offseason proves.

    Perhaps the day will come when the Astros are no longer run like a discount shoe factory and things like winning percentage, tradition, and prestige will join the bottom line among the concerns of the front office.

    Until then, Astros games are going to be just another line item on an oil executive's expense report and a place to take the kids, instead of a reason to be proud to live in Houston.

    Yes, no one cares. Why are you surprised?

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    Movie review

    Nick Jonas and Paul Rudd chase their dreams in music-heavy Power Ballad

    Alex Bentley
    Jun 8, 2026 | 10:30 am
    Nick Jonas and Paul Rudd in Power Ballad
    Photo by David Cleary for Lionsgate
    Nick Jonas and Paul Rudd in Power Ballad.

    Writer/director John Carney is one of the great purveyors of movies featuring music (as opposed to musicals) in the 21st century. Starting with Once in 2007 (which was turned into a Broadway musical several years later), he has made music-themed stories like Begin Again, Sing Street, Flora and Son, and now Power Ballad.

    Rick Power (Paul Rudd) is a former wannabe rock star who is now the lead singer of “Ireland’s #1 Wedding Band,” The Bride & Grooves. While they mostly play smaller weddings, a gig at a country estate leads to an encounter with Danny Wilson (Nick Jonas), a former boy band member struggling to make it as a solo artist. Rick and Danny wind up bonding in a booze- and pot-filled jam session, sharing various song ideas.

    After returning to Los Angeles and desperate for a hit, Danny steals one of Rick’s songs, which miraculously turns into the No. 1 “How to Write a Song (Without You).” Rick, initially overjoyed that something he wrote has become big, is crushed when he finds out Danny didn’t give him credit. His quest to find a way to prove his worth sends him into a spiral, upending the ordinary life he had built.

    Co-written by Peter McDonald, the film is a nice exploration of two men trying to hold on to their music dreams. Their individual circumstances could not be more different, but each of them knows the ups and downs of the business as well as the other, as well as the ineffable magic of creating that one great song. While the music scenes are hit-and-miss because of a reliance on lip synching, the scene featuring Rick and Danny trading ideas is electric with creativity.

    Oddly, though, the film could have used a bit less music and more of a focus on the two men’s personal lives. Rick wound up living in Ireland after falling in love with his future wife, Rachel (Marcella Plunkett), while on tour with his former American band. He spends a decent amount of time with her and his daughter, Aja (Beth Fallon), but his story needed a few more family scenes to drive the point home. Danny’s personal life is all but nonexistent, giving his arc less impact than it could have had.

    Instead of loved ones, Carney and McDonald try to give Rick and Danny more depth through friends and business associates. Rick’s bandmate Sandy (McDonald) is a ride-or-die kind of guy for him, but his presence is only good for a few humorous distractions. Danny’s manager Mac (Jack Reynor) is difficult to parse, as he goes to bat for Danny on multiple occasions, but also seems to keep him at arm’s length.

    It’s long been joked that Rudd never ages, and that youthfulness serves him well in this role, in which his character is supposed to be much younger than his actual age of 57. His energy and enthusiasm make his character appealing throughout, even when Rick starts to go off the deep end. Jonas is decent in his role, selling the music side well, but there might be a reason his character doesn’t have many scenes requiring him to show emotions.

    While Power Ballad has all the hallmarks of another great Carney music movie, it’s missing a few pieces that could have put it over the top. It’s still a fun film with an insanely catchy song at its center, but it’s not quite as memorable as most of the filmmaker’s previous efforts.

    ---

    Power Ballad is now playing in theaters.

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