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    Band aid

    New fundraising campaign rocks out support for Houston musicians

    Johnston Farrow
    May 6, 2020 | 1:45 pm
    The Grooves
    The Grooves is one of the many bands that will be helped by Band(ing) Together.
    Courtesy Gulf Coast Entertainment

    Hope is on the horizon for a group of nearly 40 Texas music acts after their concert schedule came to a grinding halt amidst the global COVID-19 pandemic.

    A major talent booking agency, Gulf Coast Entertainment, recently launched the Band(ing) Together fundraising campaign for Texas based artists that abruptly had shows canceled due to the global health emergency. More specifically, more than 50 contract cancellations representing more than $150,000 in lost or deferred revenue affected GCE artists.

    It's what spurred GCE principals Susie Criner and her daughter, Annie Eifler, to start the campaign to help offset some of the costs of the lost shows which make up a large chunk of income for musicians.

    "We've had a ton of events that we've had to reschedule or cancel completely," Eifler tells CultureMap. "If they get cancelled, the artists don't get any money and if they've been rescheduled, it's won't be until the spring of next year. We know our artists have to pay the bills and our artists are like our family."

    Some of the artists that will benefit from the campaign include a diverse set of groups that have been on the GCE roster for years, including the Spazmatics, The Grooves, the Honky Tonk Revivalists, DJ Senega, and the Zydeco Dots.

    Every donor who contributes to Band(ing)Together, regardless of the donation, will be entered into a random drawing to win a live, virtual performance consisting of two to three songs by Austin City Limits Hall of Fame member and acclaimed blues singer, Marcia Ball.

    The winner will be drawn and announced when the campaign concludes on Friday, May 8. Those who wish to donate before the Friday deadline can do so at the campaign's GoFundMe page.

    “Musicians are hurting right now to be sure, and I am pleased to be able to lend my support to this GoFundMe, created by my friend Susie Criner," Ball said in a statement. "We are ‘banding together’ all across the gulf coast during this time of need for our musician brothers and sisters.”

    Founded in 1979 by Criner, Gulf Coast Entertainment is a full-service entertainment consulting company specializing in nationally recognized artists and live music for weddings, non-profit galas, festivals, social and corporate events in Houston and beyond.

    This year, the company merged with EastCoast Entertainment to form a combined entity to represent more than 150 acts. While the future of live music is still up in the air, GCE is still taking calls about rescheduling gigs for its artists, and pivoting towards booking corporate events, private parties, and weddings in addition to setting up virtual performances.

    "We don't have a crystal ball, but what we do know is people still want to celebrate," Eifler says. "We're still getting calls for proposals, we're still getting interest in national entertainers, which is an interesting angle to this whole thing. National entertainers can't tour right now so the only way they can make money right now is through private and corporate events, so our clients have an incredible opportunity to capitalize on engaging national artists in a way we've never had the opportunity to do before."

    The relief effort is one of several that popped up over the last few weeks. In the Bayou City, the Houston Music Foundation has been raising thousands of dollars for grants for hundreds of artists that lost income over the last few months. Other major cities have similar organizations working to provide funds to those unable to play gigs.

    Acclaimed cover band The Spazmatics will be one of the groups aided by the Band(ing) Together GoFundMe campaign.

    The Spazmatics
    Photo courtesy of Vitruvian Park
    Acclaimed cover band The Spazmatics will be one of the groups aided by the Band(ing) Together GoFundMe campaign.
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    Movie Review

    Michelle Pfeiffer visits Houston in new Christmas movie Oh. What. Fun.

    Alex Bentley
    Dec 5, 2025 | 3:30 pm
    Michelle Pfeiffer in Oh. What. Fun.
    Photo courtesy of Amazon MGM Studios
    Michelle Pfeiffer in Oh. What. Fun.

    Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.

    That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.

    Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.

    Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.

    The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.

    The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.

    Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.

    Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.

    ---

    Oh. What. Fun. is now streaming on Prime Video.

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