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    Movie Review

    Avengers: Endgame is everything Marvel fans could want and more

    Alex Bentley
    Apr 25, 2019 | 3:45 pm
    Avengers: Endgame is everything Marvel fans could want and more
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    What each viewer will want out of Avengers: Endgame depends on their devotion to the Marvel Cinematic Universe. I used to decry Marvel for compelling fans to see each and every one of the previous 21 movies to keep up with the larger storyline connecting them all. In this film, all of that prior knowledge finally comes to a head, and to say that it rewards loyal viewers is an understatement.

    Picking up in the aftermath of Thanos’ (Josh Brolin) infamous snap that turned half of all living creatures into dust in Avengers: Infinity War, the surviving Avengers must regroup and see if there is any way forward. The road map ahead will require all of the brainpower of heroes like Tony Stark/Iron Man (Robert Downey, Jr.), Bruce Banner/Hulk (Mark Ruffalo), and Natasha Romanoff/Black Widow (Scarlett Johansson), combined with the brute strength of Steve Rogers/Captain America (Chris Evans), Thor (Chris Hemsworth), and Carol Danvers/Captain Marvel (Brie Larson).

    And that is about all that’s safe to say about the plot. However, given that there’s another Spider-Man movie coming out this summer, and plans have already been made for sequels to both Black Panther and Guardians of the Galaxy, it’s no spoiler to say that those characters — almost all of whom were killed in Infinity War — and others return in Endgame. But how they return is best left to discover upon viewing.

    The film, as you can tell by the title, represents the end of an era for MCU Phase One characters like Iron Man, Captain America, Thor, Hulk, Black Widow, and Hawkeye (Jeremy Renner), no matter what actually happens to them individually. That naturally brings up a lot of emotion, but how directors Joe and Anthony Russo and writers Christopher Markus and Stephen McFeely deploy those feelings is a welcome surprise.

    What the filmmakers, along with producer Kevin Feige, have learned over the course of these movies is that smaller is usually better. There’s a time and place for epic scenes — and this film contains the most epic of epic scenes — but the audience won’t care about the outcome of those battles if the filmmakers haven’t taken the time to allow us to connect with the characters.

    Over and over again, Avengers: Endgame offers up small moments that contain huge amounts of emotion. These moments can be heartbreaking, hilarious, or infuriating, but they all serve the purpose of seeing each character — no matter their species — in a human light. That even goes for Thanos, and when you can make the audience feel empathy for a giant purple guy who’s destroyed half the universe, you know you’re doing something right.

    Much of what happens could rightly be called fan service, but Feige and the other protectors of the MCU have proven, especially in the last three years, that they know how to shape scenes without ever forcing the issue. Thus, no matter how many times they call back to previous films or pair characters in unlikely but cheer-worthy ways, each moment feels earned and respectful of the audience’s intelligence.

    A movie like this is as sprawling as they come, and yet they still find a way to incorporate almost every main character in a meaningful manner. There are a few notable misses, and Hawkeye still seems to get short shrift despite having his most usage to date, but it will be the rare fan who doesn’t come away satisfied with how his or her favorite character is used in the film.

    Avengers: Endgame is everything Marvel fans could want and more. It will be interesting to see how the MCU moves into the future after the events in the film, but woe be upon anyone who doubts their ability to adapt and succeed mightily.

    Robert Downey, Jr. in Avengers: Endgame.

    Robert Downey, Jr. in Avengers: Endgame
    Photo courtesy of Walt Disney Studios
    Robert Downey, Jr. in Avengers: Endgame.
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    Movie Review

    Sheriff Bob Odenkirk is back in over-the-top new action movie 'Normal'

    Alex Bentley
    Apr 17, 2026 | 2:30 pm
    Bob Odenkirk in Normal
    Photo courtesy of Magnolia Pictures
    Bob Odenkirk in Normal.

    Screenwriter Derek Kolstad, who wrote the first three John Wick movies, has essentially had a blank check to do what he wants in the movie landscape since 2014. In recent years that has meant writing the action series Nobody for Bob Odenkirk, who has turned from a comedian into an unlikely action star in his sixties. Kolstad and Odenkirk are teaming up again in Normal.

    A film that tries to evoke Fargo in multiple ways, Normal finds Ulysses Richardson (Odenkirk) serving as a temporary sheriff for the small town of Normal, Minnesota after the previous sheriff died. Knowing he’s just a steward until a new sheriff is elected, Ulysses takes a live-and-let-live approach to the job, letting the deputies (Ryan Allen and Billy MacLellan) do the grunt work and trying to stay out of everyone’s way, including Mayor Kibner (Henry Winkler).

    A bank robbery attempt by two non-citizens upsets his best-laid plans in more ways than he can imagine. Not only is he forced to confront a crime not often seen in a town like Normal, but the robbery uncovers secrets that turn the film into an all-out bloodbath. Soon, almost everyone in town becomes involved in what comes to resemble a war, along with — you guessed it — Yakuza henchmen from Japan.

    Directed by Ben Wheatley and written by Kolstad, the film is a slight twist on the everyman-turned-hero character Odenkirk played in the two Nobody films. While Ulysses is in law enforcement, he prefers to use words instead of weapons, and it’s only when he’s pushed to the brink that he crosses that line. Naturally, his skills are beyond what anyone would expect of him, allowing him to match up well with people half his age.

    The film is not a comedy in the traditional sense, but instead aims for laughs by catching the audience off-guard with its ultraviolence. Some characters are dispatched in shockingly unexpected ways, with one of the only natural reactions to the jarring nature of their deaths being laughter. That’s not necessarily the case for other killings, which range from blasé to sadistic, and the only reason they count as entertainment is because the filmmakers have primed the audience to accept them as such.

    After a relatively solid setup, where Wheatley and Kolstad seem to take their time getting to know the main characters, the second half of the film is pure action that dispenses with good storytelling. Like many action movies, there are double crosses, surprise revelations, and more, but the filmmakers don’t seem to care about making sense of any character arcs. All they care about is delivering mayhem, and they succeed on that front.

    Odenkirk has perfected the mild-yet-intimidating nature of his action characters, and it is satisfying to see him get the better of those who have done him wrong. He doesn’t run or jump like fellow 63-year-old Tom Cruise, but — with the help of fast-paced editing — he still makes for a credible action hero. The only other actors of any note in the film are Winkler, who’s a nice presence with his sardonic personality, and Lena Headey, whose small role doesn't match up with her experience.

    You have to have a certain mindset to enjoy a film like Normal, but if you can abide its over-the-top bloodiness, it’s a serviceable action film. Few would have expected Odenkirk to take on these kinds of roles at this late stage of his career, but he’s making the most of his opportunities.

    ---

    Normal opens in theaters on April 17.

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