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    Movie Review

    Avengers: Endgame is everything Marvel fans could want and more

    Alex Bentley
    Apr 25, 2019 | 3:45 pm
    Avengers: Endgame is everything Marvel fans could want and more
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    What each viewer will want out of Avengers: Endgame depends on their devotion to the Marvel Cinematic Universe. I used to decry Marvel for compelling fans to see each and every one of the previous 21 movies to keep up with the larger storyline connecting them all. In this film, all of that prior knowledge finally comes to a head, and to say that it rewards loyal viewers is an understatement.

    Picking up in the aftermath of Thanos’ (Josh Brolin) infamous snap that turned half of all living creatures into dust in Avengers: Infinity War, the surviving Avengers must regroup and see if there is any way forward. The road map ahead will require all of the brainpower of heroes like Tony Stark/Iron Man (Robert Downey, Jr.), Bruce Banner/Hulk (Mark Ruffalo), and Natasha Romanoff/Black Widow (Scarlett Johansson), combined with the brute strength of Steve Rogers/Captain America (Chris Evans), Thor (Chris Hemsworth), and Carol Danvers/Captain Marvel (Brie Larson).

    And that is about all that’s safe to say about the plot. However, given that there’s another Spider-Man movie coming out this summer, and plans have already been made for sequels to both Black Panther and Guardians of the Galaxy, it’s no spoiler to say that those characters — almost all of whom were killed in Infinity War — and others return in Endgame. But how they return is best left to discover upon viewing.

    The film, as you can tell by the title, represents the end of an era for MCU Phase One characters like Iron Man, Captain America, Thor, Hulk, Black Widow, and Hawkeye (Jeremy Renner), no matter what actually happens to them individually. That naturally brings up a lot of emotion, but how directors Joe and Anthony Russo and writers Christopher Markus and Stephen McFeely deploy those feelings is a welcome surprise.

    What the filmmakers, along with producer Kevin Feige, have learned over the course of these movies is that smaller is usually better. There’s a time and place for epic scenes — and this film contains the most epic of epic scenes — but the audience won’t care about the outcome of those battles if the filmmakers haven’t taken the time to allow us to connect with the characters.

    Over and over again, Avengers: Endgame offers up small moments that contain huge amounts of emotion. These moments can be heartbreaking, hilarious, or infuriating, but they all serve the purpose of seeing each character — no matter their species — in a human light. That even goes for Thanos, and when you can make the audience feel empathy for a giant purple guy who’s destroyed half the universe, you know you’re doing something right.

    Much of what happens could rightly be called fan service, but Feige and the other protectors of the MCU have proven, especially in the last three years, that they know how to shape scenes without ever forcing the issue. Thus, no matter how many times they call back to previous films or pair characters in unlikely but cheer-worthy ways, each moment feels earned and respectful of the audience’s intelligence.

    A movie like this is as sprawling as they come, and yet they still find a way to incorporate almost every main character in a meaningful manner. There are a few notable misses, and Hawkeye still seems to get short shrift despite having his most usage to date, but it will be the rare fan who doesn’t come away satisfied with how his or her favorite character is used in the film.

    Avengers: Endgame is everything Marvel fans could want and more. It will be interesting to see how the MCU moves into the future after the events in the film, but woe be upon anyone who doubts their ability to adapt and succeed mightily.

    Robert Downey, Jr. in Avengers: Endgame.

    Robert Downey, Jr. in Avengers: Endgame
    Photo courtesy of Walt Disney Studios
    Robert Downey, Jr. in Avengers: Endgame.
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    Movie Review

    Masters of the Universe reboot mistakes nostalgia for good filmmaking

    Alex Bentley
    Jun 5, 2026 | 4:30 pm
    Nicholas Galitzine in Masters of the Universe
    Photo courtesy of Amazon MGM Studios
    Nicholas Galitzine in Masters of the Universe.

    Most children who grew up in the '80s were either a fan of or knew about Masters of the Universe. The property, based on a line of toys from Mattel, spawned a popular-if-short-lived animated TV series, comic books, a comic strip, magazines, and a 1987 live action film starring Dolph Lundgren. It is now the latest IP to get a nostalgic reboot in the form of a new blockbuster film.

    Nicholas Galitzine stars as Prince Adam of the planet Eternia, who as a child is exiled to Earth to protect the Sword of Power from invaders led by the evil Skeletor (voiced by Jared Leto). Years later, Adam is now working in the human resources department of a generic company, well-versed in corporate speak but disconnected from his heritage other than a never-ending desire to find the sword he lost when he crash-landed on Earth.

    Spoiler alert, he recovers the sword and is soon thereafter rescued from Earth by childhood friend Teela (Camila Mendes). Adam’s return to Eternia is less-than-stellar, as the citizens have difficulty believing he’s the long-lost prince, especially because he initially can’t harness the power of the sword. Naturally, he figures it out eventually, leading to a number of face-offs between him and Skeletor’s minions.

    Directed by Travis Knight (Bumblebee) and written by a four-person writing team, the film is yet another cynical attempt at exploiting a certain group’s nostalgia without putting any effort into actually making a good movie. The very first scene of the film is a CGI-filled battle between characters that have barely been introduced, much less explained to the audience. For longtime fans, this will be no issue. For everyone else, though, it immediately signals that the filmmakers don’t care about making them care about anyone or anything in the story.

    Instead, they substitute actual character development with a campy and self-deprecating vibe that’s in line with the original series. That’s all well and good if the intended audience was solely 50-year-olds, but for a movie that presumably wants to bring in younger audiences, it’s a choice that never fully comes through. Some characters try to be funnier than others, and most of the “jokes” land with a thud since the tone hasn’t been properly established.

    Worst of all, there are never any meaningful stakes in the film. Adam is impervious to damage, something that would have been truly funny if commented upon, but instead is just treated as fact for no good reason. Skeletor is not intended to be a fearsome villain, as he often bumbles through scenes or line deliveries, but the lack of a truly terrible enemy keeps the story stuck in neutral. Combined with bloodless PG-13 fight scenes with no sense of realness to them, there is rarely anything about which to get excited.

    Galitzine has turned heads as both a gay (Red, White & Royal Blue) and straight (The Idea of You) romantic interest, but he can never find his footing as the leading man here. The film never allows him to develop into a true action hero, so instead he comes across as a pretender most of the time. Mendes is okay, but she, too, isn’t given the opportunity to become much more than a sidekick. Idris Elba is entirely wasted as Teela’s father Duncan. Leto lets loose, which works because he’s the only character without a recognizable face.

    There may be a world in which rebooting Masters of the Universe makes sense, but it does not exist when the film that is offered doesn’t even try to appeal to anyone who doesn’t have a deeply ingrained knowledge of the decades-old property. By relying on nostalgia instead of good filmmaking, the film may get good box office returns on opening weekend, but it’s difficult to imagine that it will endure.

    ---

    Masters of the Universe opens in theaters on June 5.

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