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    10th Anniversary celebration

    Tommy Tune Awards brings back Broadway's Logan Keslar to celebrate Houston'shigh school talent

    Karen Labuca
    Apr 22, 2012 | 7:30 am
    • The 10th annual Tommy Tune Awards for excellence in high school musicals isaround the corner, set for 7:30 p.m. Tuesday.
      Photo by Bruce Bennett
    • Amid performances by nominated troupes and mashups of students hoping to garnertitles, one of the 15 crystal trophies isn't what high schoolers are hoping totake home. Pictured here are the 2011 Best Featured Performer, Leading andSupporting Actors.
      Photo by Bruce Bennett
    • What they want is one of the coveted eight scholarships. The 2011 scholarshipwinners pose with TUTS CEO and president John Breckenridge.
      Photo by Bruce Bennett
    • New this year is a grand opening number and a 10th anniversary lithographsketched by Tune, who will serve also as presenter.
      Photo by Bruce Bennett

    Returning to the Hobby Center hallways and stage, Logan Keslar is right at home.

    Keslar — a native Houstonian, graduate of the High School for the Performing and Visual Arts and performer at TUTS' Humphreys School since the age of ten — has grown into a Broadway star.

    He has appeared in the New York productions of A Chorus Line, West Side Story, and Dreamgirls and he's currently on tour with musical revival of La Cage Aux Folles, which makes a two week stop in Houston from April 24 through May 6.

    CultureMap caught up with the budding Broadway star at the Hobby Center as he prepared for the Tommy Tune Awards. Watching Stratford High School's Will Rogers Follies rehearse onstage, Keslar was stricken with nostalgia.

    "I played him in high school," pointing out the male lead who was busy tossing a lasso, "I remember we had to learn all those roping techniques. . . . Is he going to jump through the lasso? Oh no! I would jump through, not to brag," Keslar joked before spontaneously singing along.

    "This event though is really for the kids to be recognized. At their age I was fortunate to be exposed to the business and learned to be professional at all times. I got to see how the entire process worked and also made great connections, so when I went to New York I wasn't lost because I always applied what I learned,"Keslar said.

    "It's wonderful to come back home and to perform in front of my relatives who weren't able to make it up to New York. This is their chance to see me. This is my home theater."

    La Cage Aux Folles is a critically acclaimed, three-time Tony award-winning musical which stars Golden Globe nominee George Hamilton and Broadway veteran Christopher Sieber. Keslar landed a coveted spot in the ensemble.

    "I got five callbacks out of over 3000 people. This role always felt right. I was able to perform twice on the Tony's, on Good Morning America and to dance in a bikini on Regis and Kelly" Keslar said. "I'm very fortunate though to have this moment from all the hard work that I've done. It's not only that, I have faith and a strong moral support from my family, my mentors from The Humphreys School and HSPVA. It's nice to be back so they can also be part of my success."

    When asked if there were any local hotspots he was homesick for, Keslar admitted, "I have to go to Niko Niko's and check out the thrift shops on Westheimer. I also want to drive by my high school and of course visit the Galleria!"

    Keslar and other Houston theater alums gathered at TUTS for the 10th Tommy Tune Awards. It's a night when the best high school musical productions from all over Houston are honored.

    Best musical nominees for The Pajama Game, Friendswood High School seniors Anna Drake and Jon Olansen were filled with excitement for the night. "It's really cool to perform on this stage" Olansen told CultureMap. "We have this legacy at our school, our producer has been with us since 1969 so it's a huge deal and we're glad to be part of this experience," Drake added.

    It's a big night for the students and the presence of a former student like Keslar is a testament to how The Humphreys School creates both strong ties and nurtures strong talent. For the tenth anniversary, Tommy Tune himself will make a special guest appearance as a presenter.

    They told me "You're our star" when I first found out ten years ago that they were naming the award after me," Tune told CultureMap. "I'll always choose theater over film or television. It's a calling and what I was meant to do so I'm very grateful."

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    Movie Review

    28 Years Later revives zombie franchise for new generation

    Alex Bentley
    Jun 20, 2025 | 5:00 pm
    Aaron Taylor-Johnson and Alfie Williams in 28 Years Later
    Photo by Miya Mizuno
    Aaron Taylor-Johnson and Alfie Williams in 28 Years Later.

    The 2000s brought two of the best zombie movies ever made in 28 Days Later and 28 Weeks Later. Both films, despite being made by different filmmakers, featured intense action with fast-moving zombies, harrowing sequences, and real emotional connections with their main characters. Now the original director and writer — Danny Boyle and Alex Garland — have returned with the first of a possible three sequels, 28 Years Later.

    The rage virus from the first two films that turns humans into insatiable monsters has successfully been contained to the United Kingdom, and one group of survivors has managed to band together on a small island off the coast of England. We’re introduced to the group through Jamie (Aaron Taylor-Johnson), his wife, Isla (Jodie Comer), and his son, Spike (Alfie Williams).

    Isla is sick with an unknown illness, while Jamie is set to take the 12-year-old Spike on his first trip to the mainland to hunt zombies. That trip not only gives Spike an education as to the different types of feral zombies that now populate England, but also a clue that other people have survived there. When he discovers that one of them may be a doctor, he makes plans to take his mother there in hopes of finding a cure for whatever ails her.

    While the first two films were notable for their brisk pace that kept the potency of the stories high, Boyle and Garland almost go in the opposite direction for much of this film. The first 90 minutes are relatively slow, with only a couple of sequences that raise the blood pressure. The final half hour or so go a long way toward filling that void, so it’s clear that the filmmakers were biding their time for the story to come in the sequel. A bit more balance in this film would have served them well, though.

    What they do show involves some weird, wild stuff that is objectively upsetting, even for fans of the genre. The zombies have evolved in strange ways, giving them a variety of body shapes and abilities to suit the environment in which they live. These storytelling choices may thrill some and have others scratching their heads. Another human character living on his own (played by Ralph Fiennes), appears to have gone the way of Colonel Kurtz in Apocalypse Now, with a revelation that is bone-chilling.

    Boyle, who’s directed everything from Trainspotting to Slumdog Millionaire, doesn’t have a signature style, and he makes some choices in this film that test your patience. He occasionally employs an odd technique in which the film stutters, for a lack of better term. It’s a bit jarring, especially since it doesn’t seem to improve the storytelling. He also inserts scenes from older films involving medieval warfare that emulate the bow-and-arrow weaponry used by characters in this film, but the exact connection he’s trying to make is unclear.

    The young Williams has a lot put on his shoulders in the film, and he proves to be up to the task of carrying the story. He isn’t precocious or annoying, instead reacting almost exactly like you’d expect a boy of his age to do when faced with extreme situations. Taylor-Johnson and Comer are good complements for him, drawing him out with their polar opposite characters. Fiennes makes a huge impression in the final act of the film, while Jack O’Connell makes a very brief appearance, teasing a bigger role to come.

    It’s difficult to fully judge 28 Years Later because it’s designed to only give you part of the story; part 2, The Bone Temple, is due in 2026, while a third film will follow if the first two do well. This film has its moments and winds up on the positive side of the ledger, but it’s also a frustrating experience that could have used a more stand-alone story.

    ---

    28 Years Later is now playing in theaters.

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