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    Letter from LA

    Signs of Life: Widowed with a child at 25, my sister-in-law survived throughstrong family ties

    Ellie Knaus
    Apr 17, 2011 | 9:50 am
    • Natalie Taylor and son, Kai Taylor
      Photo by Brett Mountain
    • Josh and Natalie Taylor
    • Natalie with her newborn, Kai Taylor

    I joke that I married my husband for his family. They’re remarkable characters as illustrated in my sister-in-law Natalie Taylor's new memoir Signs of Life (Broadway Books, $24). Natalie was a 24-year-old high school English teacher and expecting her first child when her husband passed away. Her memoir is an inspiring, honest, and laugh out loud funny account of her nearly simultaneous crash-courses in widowhood and motherhood.

    It takes a village to raise a child. Natalie assembles a stellar cast. Her parents, siblings, in-laws, and friends help her cope and raise her son. This is how I was inducted into that village before Natalie knew she'd need one.

    I met a boy in a bar in L.A. in May. He took me to meet his family in Michigan in June. Dad/Vito is a burly man with a thick mustache (to hide hockey scars) and punishing bear hugs. Mom/Lynn is a natural beauty with enthusiasm to spare, who keeps her figure by mowing the lawn while rocking out to her iPod.They were college sweethearts, and after raising four kids, they're still crazy for each other.

    The moment I first stepped into their home, I thought: So, this is what Dorothy was prattling on about! Fridge photos were proof of all the happy moments: Homecoming dances, college graduations, his sister Natalie and brother-in-law Josh dancing at their wedding the December before. It was clear this was a magic family. I wanted to be adopted immediately. A month later, we were engaged.

    Over the next year, we planned our wedding. I asked my husband's three sisters to be my bridesmaids. We chose baby-bump friendly empire-waist bridesmaid dresses as Natalie, the middle sister, was expecting her first child. Adam asked his sisters' husbands to be his co-best men. The ceremony would be a family affair on top of Aspen Mountain.

    And then, our lives came to a halt. Josh fell and hit his head while carveboarding (a modified skateboard used to practice snowboarding and surfing). He was pronounced dead at age 27 on Father’s Day with a baby boy on the way. With six weeks until our wedding, my new family was broken.

    Natalie addressed over a thousand people at Josh's memorial. She stood in a black maternity dress and read the following:

    …My older brother Adam is getting married this July. A few months ago Adam and his fiancée Ellie created a website featuring all of the wedding party with small, concise biographies. Josh’s biography reads as follows:

    QUESTION: If Superman and the Flash raced to the end of the Universe, who would win? ANSWER: Josh Taylor. Yes, the groom’s Brother from Another Mother is a superhero. If Lance Armstrong, Indiana Jones, Jack Bauer, Emeril, and the cast of Jackass had a baby—a blond barrel-chested baby who was addicted to Moomer’s ice cream—it would be Josh or Diz (or “Dizzle” if you’re addressing him formally).

    Anytime our wedding came up, all I could think was who wants to toast to love and eat cake? Happily ever after? What a joke.

    I thought maybe we should postpone the wedding. I didn’t have cold feet. I felt the opposite of cold feet. Natalie mentioned building a family compound. That wasn't radical enough for me. I wanted to build a commune where we would not only live together, but where I could monitor where everyone was at all times. The Sztykiel's basement would do. Walls could be padded. All risk would be averted. Not even driving would be allowed.

    But then, one evening, I logged onto our wedding website for the first time since the accident. There was one single new comment on the guest page. From Josh. He had posted it just days before he passed. For the first time, I read about how he couldn't wait for our wedding. He wrote how he planned to rent a bike to screech down the mountain after the ceremony. He signed the post “Dizzle.” Josh believed in love and family and living big. He did not believe in padded walls and safety nets.

    The note was his blessing. It was a sign.

    Six weeks later, I married the Sztykiels on top of a mountain. I was just beginning my marriage and Natalie was seven months pregnant and a widow. She wore her plum chiffon bridesmaid dress, gripped a bouquet of poppies, and forced herself to smile in the wedding portraits. She did it for us. You could feel our family's raw love for one another. I took a vow that I would cherish these people as dearly as Josh had.

    Over the next year, Natalie kept a journal as a means of dealing with her grief. Her memoir Signs of Life emerged from these entries.It overflows with wonderful characters from literature, pop culture, and the suburbs of Detroit. It’s a window into the world of my magic family and a testament to their resilience. You will laugh and cry with them and wish they were your family too.

    It's true: I totally married my husband for his family.

    You can follow former Houstonian Ellie Knaus' adventures at EllieinLA.com.

    See the video about the book, SIgns of Life, which is available at Amazon and bookstores.

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    Movie Review

    Star TV producer James L. Brooks stumbles with meandering movie Ella McCay

    Alex Bentley
    Dec 12, 2025 | 2:30 pm
    Emma Mackey in Ella McCay
    Photo courtesy of 20th Century Studios
    Emma Mackey in Ella McCay.

    The impact that writer/director/producer James L. Brooks has made on Hollywood cannot be understated. The 85-year-old created The Mary Tyler Moore Show, personally won three Oscars for Terms of Endearment, and was one of the driving forces behind The Simpsons, among many other credits. Now, 15 years after his last movie, he’s back in the directing chair with Ella McCay.

    The similarly-named Emma Mackey plays Ella, a 34-year-old lieutenant governor of an unnamed state in 2008 who’s on the verge of becoming governor when Governor Bill (Albert Brooks) gets picked to be a member of the president’s Cabinet. What should be a happy time is sullied by her needy husband, Ryan (Jack Lowden), her agoraphobic brother, Casey (Spike Fearn), and her perpetually-cheating father, Eddie (Woody Harrelson).

    Despite the trio of men competing to bring her down, Ella remains an unapologetic optimist, an attitude bolstered by her aunt Helen (Jamie Lee Curtis), her assistant Estelle (Julie Kavner), and her police escort, Trooper Nash (Kumail Nanjiani). The film follows her over a few days as she navigates the perils of governing, the distractions her family brings, and the expectations being thrust upon her by many different people.

    Brooks, who wrote and directed the film, is all over the place with his storytelling. What at first seems to be a straightforward story about Ella and her various issues soon starts meandering into areas that, while related to Ella, don’t make the film better. Prime among them are her brother and father, who are given a relatively small amount of screentime in comparison to the importance they have in her life. This is compounded by a confounding subplot in which Casey tries to win back his girlfriend, Susan (Ayo Edebiri).

    Then there’s the whole political side of the story, which never finds its focus and is stuck in the past. Though it’s never stated explicitly, Ella and Governor Bill appear to be Democrats, especially given a signature program Ella pushes to help mothers in need. But if Brooks was trying to provide an antidote to the current real world politics, he doesn’t succeed, as Ella’s full goals are never clear. He also inexplicably shows her boring her fellow lawmakers to tears, a strange trait to give the person for whom the audience is supposed to be rooting.

    What saves the movie from being an all-out train wreck is the performances of Mackey and Curtis. Mackey, best known for the Netflix show Sex Education, has an assured confidence to her that keeps the character interesting and likable even when the story goes downhill. Curtis, who has tended to go over-the-top with her roles in recent years, tones it down, offering a warm place of comfort for Ella to turn to when she needs it. The two complement each other very well and are the best parts of the movie by far.

    Brooks puts much more effort into his female actors, including Kavner, who, even though she serves as an unnecessary narrator, gets most of the best laugh lines in the film. Harrelson is capable of playing a great cad, but his character here isn’t fleshed out enough. Fearn is super annoying in his role, and Lowden isn’t much better, although that could be mostly due to what his character is called to do. Were it not for the always-great Brooks and Nanjiani, the movie might be devoid of good male performances.

    Brooks has made many great TV shows and movies in his 60+ year career, but Ella McCay is a far cry from his best. The only positive that comes out of it is the boosting of Mackey, who proves herself capable of not only leading a film, but also elevating one that would otherwise be a slog to get through.

    ---

    Ella McCay opens in theaters on December 12.

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