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    Movies Are My Life

    An insider's guide to Houston's international film festival: Five don't-miss movies at WorldFest

    Joe Leydon
    Apr 14, 2013 | 6:01 am

    At the 2013 WorldFest/Houston International Film Festival — the 46th edition of the long-running cinematic exposition, running through April 21 at the AMC Studio 30 — it’s still the same old story: Too many movies, too little time.

    Still, some movies stand out as more see-worthy than others. While paging through the festival catalog and clicking through the festival website, I thought these five titles appeared especially promising.

    1) The Mystical Laws – Have to admit: Japanese anime features that aren’t the product of Studio Ghibli don’t usually rank high on my must-see lists at any festival. (I think my prejudice stems from seeing too many sci-fi fantasies in which the female leads were drawn to resemble bosomy Girl Scouts.)

    I think my prejudice stems from seeing too many sci-fi fantasies in which the female leads were drawn to resemble bosomy Girl Scouts.

    But this one looks so deliriously over-the-top, I’m willing to give it a try.

    For openers, there’s a provocative plot synopsis that begins: “202X. A military and economic superpower of Asia is rocked by a coup. Tathagata Killer, a man from the military division, has assumed the position of emperor and established the Godom Empire. The U.S., a former superpower, has now lost its power, and the United Nations is also helpless against this new threat in the world.”

    And for those of you who really do care about such things: Isamu Imakake, the director, was a key animator for the widely admired (not necessarily by me, you understand, but by a lot of other people) Cowboy Bebop. (9 p.m. Sunday)

    2) Breaking Through – Mayor Annise Parker is ready for her close-up. She’s one of several notable interviewed in director Cindy L. Abel’s documentary about the struggles and triumphs of LGBT elected officials throughout the United States. “I was surprised,” Abel recently told GayPolitics.com, “not only by the content of their stories, but the depth of emotion they showed when telling them.

    "Like when Oregon Secretary of State Kate Brown fought back tears remembering the agony of living in the closet and the terror of being exposed at work. And, off camera, Houston Mayor Annise Parker’s communications director almost fell off her chair in shock when Mayor Parker candidly shared how she dealt with being separated from her first love in high school.” (9 p.m. Monday)

    3) The Nowhere Son – Longtime Houston-based filmmaker San Banarje last appeared at WorldFest/Houston three years ago with Bodhisattva, his Bengali-language, English-subtitled drama about a young woman’s encounter with her estranged father years after her mother’s suicide. This year, he’s offering his latest feature, a thriller in which Banarje stars opposite renowned Indian actor Soumitra Chatterjee.

    The plot involves a physician’s desperate search for his father — a professor who disappeared after refusing to sell his ancestral home to land developers. (7 p.m. Tuesday)

    4) Almanya: Welcome to Germany – As immigration reform continues to be a hot-button issue, locally and nationally, it might be interesting to see how well immigrants in other countries are faring, assimilation-wise. Director Yasemin Samdereli’s well-received debut feature takes a seriocomic look at the shifting fortunes and divided loyalties of the extended family headed by Turkish-born Huseyin Yilamz, who brought his wife and children with him when he moved to Germany as a Gastarbeiter (guest worker) nearly 50 years ago.

    Much like my late Irish-born father, who always considered my birth in America to be a mere technicality, Huseyin maintains strong ties to the country he still thinks of as home, and feels his children and grandchildren should share his sense of national identity. But, well, not all of them do. (9 p.m. Wednesday and 9 p.m. April 20)

    5). First Dog – Way back at WorldFest 2009, Canadian-born writer-director Bryan Michael Stoller — author of, no kidding, Filmmaking for Dummies — won the Gold Remi Award for an original screenplay titled First Dog. Now he’s back with the completed film, a family-friendly comedy about a plucky young foster child (John-Paul Howard) who fortuitously finds the pet dog of the United States president when the Commander in Chief (Eric Roberts) accidentally leaves the pooch behind after visiting the youngster’s hometown.

    You might want to see this one to enjoy a movie outing with your kids, or maybe because Dolly Parton provided some original tunes for the soundtrack. But I admit: I’m curious to see how Eric Freakin’ Roberts — arguably the hardest working man in the entire history of direct-to-video genre cinema — pulls off playing the leader of the free world. (7 p.m. April 19 and 5 p.m. April 20)

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    Movie review

    Adam Scott explores creepy Irish hotel in moody horror movie Hokum

    Alex Bentley
    May 1, 2026 | 4:30 pm
    Adam Scott in Hokum
    Photo courtesy of Neon
    Adam Scott in Hokum.

    There are relatively few actors who can switch back and forth between comedy and drama easily, but Adam Scott is the rare exception. He’s equally as well known for starring in comedy projects like Parks & Recreation, Party Down, and Step Brothers as he is for dramas like Big Little Lies and Severance. He’s going the latter route again in the new horror film, Hokum.

    Scott plays author Ohm Bauman, who’s trying to finish his latest book. In an effort to avoid distractions and also pay tribute to his parents, he retreats to an Irish hotel where his mom and dad spent their honeymoon. Bauman, who is about as stand-offish as you can get, and the staff of the hotel are at odds almost right away, although Bauman finds a kind of kinship with Jerry (David Wilmot), a seemingly-homeless man he meets in a nearby forest.

    Bauman becomes intrigued with the story of the hotel’s closed-off honeymoon suite, which is said to be haunted. His curiosity, though, seems to trigger a variety of strange things, one of which ends with him in an extended stay at the hospital. He returns to the hotel determined more than ever to discover what’s really happening in the honeymoon suite, with things both normal and supernatural blocking his way at every turn.

    Written and directed by Irish filmmaker Damian McCarthy, the film’s approach to horror is both subtle and overt. On the good side is Bauman’s story, which gradually gets deeper as more is revealed about his past, especially the premature death of his mother. Bauman’s trauma over her loss influences his thinking and actions, and a possible connection between his current situation and his personal history broadens the scope of the plot.

    There is plenty of creepiness to be found in the film, starting with the dark and decrepit nature of the hotel itself. Any building where a particular room is off-limits naturally inspires intrigue, and McCarthy does a solid job of building tension. That’s why it’s strange and disappointing that he gives in to the lamest of horror tropes - a sudden appearance by an odd-looking person accompanied by a big screeching noise - on multiple occasions.

    The film is at its best when it features weird moments that are never or only slightly explained. A dead body in a rabbit suit is echoed by the unexplained broadcast from Bauman’s youth featuring a terrifying TV host with bulging eyes and rabbit ears. Bauman’s explorations take him into the hotel’s basement via a dumbwaiter, where he encounters all manner of strange things, including what seem to be witches. Because most of these things are left to the audience’s imagination, they hit harder in the moment.

    Scott is known to be understated in his acting, and that skill works well in this particular role. Although he clearly plays Bauman as freaked out, he never indicates panic, and that level-headedness makes his character someone you want to follow no matter how dark the path might be. The mostly-Irish supporting cast is not well-known, but Wilmot and Florence Ordesh make the most of their short time on screen.

    Hokum — a title that is also not explained — is a horror film that earns its bona fides through mood more than action. Even though not much of consequence happens throughout the film, it still keeps you on the edge of your seat trying to figure out what will happen next.

    ---

    Hokum is now playing in theaters.

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