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    With Eschenbach and Houston Symphony Wednesday night

    Reckless and controlled, Versace-wearing Lang Lang shakes up the classical musicscene

    Theodore Bale
    Apr 13, 2010 | 8:00 pm

    In a classical music scene where artists must increasingly distinguish themselves by means other than artistry, Lang Lang isn’t having any problems.

    Last year, Lang became a household name (at least, in many countries in the world) after he appearing in the opening ceremonies of the Beijing Olympic Games. But he’s not resting on his laurels this year, at least not when it comes to fashion.

    In press photos for his upcoming tour with the Schleswig-Holstein Festival Orchestra, he’s wearing his preferred Adidas LL sneakers, his perfectly punked-out hair framing a head thrown back in musical inspiration. What does he choose from the closet when he’s got a show that night?

    “I like to wear Versace on stage,” he told me recently via e-mail.

    “Bravo,” I thought to myself. If only more pianists would acknowledge that music is also theater.

    Wait, the “Schleswig-Holstein” Festival Orchestra? Before you think that’s some kind of agricultural group celebrating those black-and-white cows who want to move to California, let me explain. The Schleswig-Holstein Festival Orchestra is a youth orchestra. Well, sort of a youth orchestra. The auditions to get in are tough, to say the least. None of its members is older than 27 years, like Lang, who was born in June, 1982.

    Houstonians will have a rare chance to hear Lang and the ensemble play Wednesday night as part of the Houston Symphony season at Jones Hall. In addition to the Prokofiev Third Piano Concerto, the program includes Prokofiev’s “Classical Symphony” and Beethoven’s “Seventh Symphony", all conducted by former Houston Symphony music director Christoph Eschenbach.

    I find Lang intriguing, in part, not only because he is stylish but because as an artist he is often reckless. I don’t mean that he’s sloppy; rather, he knows how to take risks while still making the piano behave. It’s always in good taste, yet there is a sense of danger in his playing. In an interview on YouTube, Lang describes his efforts as “very emotional, but in control.”

    I think the “control” part is always lurking back there somewhere, however at the same time a devil with a pitchfork is coaxing the right side of his brain to go a little further. It is for these reasons that I am anxious to hear him perform the Prokofiev Third, a concerto that the composer began working on just around the time Stravinsky’s “Rite of Spring” premiered in Paris.

    In our e-mail correspondence, Lang agreed with my description of the concerto’s third movement (“Allegro, ma non troppo” or “fast, but not too fast”) as a sort of argument between the soloist and the orchestra.

    “It’s a very exciting, and strange humor argument,” he said. But I wanted him to explain further. What is the exact nature of the argument, and when he “plays” this argument, is he expressing himself or is he expressing Prokofiev? “I’m trying to express my sincerity to what Prokofiev wrote on the score,” he replied very simply.

    Those who might like to listen to the piece before the performance are encouraged to check out Evgeny Kissin’s Grammy Award-winning recording with Vladimir Ashkenzy conducting. That is, unless you prefer to stay on Lang’s wavelength. His favored pianists for the Prokofiev Third are Gray Graffman and Martha Argerich.

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    Movie Review

    Clichéd rom-com You, Me & Tuscany can't get by on Italian charm alone

    Alex Bentley
    Apr 9, 2026 | 2:00 pm
    Halle Bailey and Regé-Jean Page in You, Me & Tuscany
    Photo by Giulia Parmigiani/Universal Pictures
    Halle Bailey and Regé-Jean Page in You, Me & Tuscany.

    The romantic comedy has become an endangered species in movie theaters, as most of those that are released these days go to streamers like Netflix. While there have been a few recent successful rom-coms in theaters, they are few and far between. All of which is to say that a movie like the new You, Me & Tuscany faces an uphill battle before it’s even released.

    Halle Bailey (The Little Mermaid) stars as Anna, a former culinary school student who’s struggling in the wake of her mother's death. When she has a chance meeting with an Italian man named Matteo (Lorenzo de Moor) in New York, her dream of going to the Italian region of Tuscany is reignited. Using her last $500 and a plane ticket her mom bought her, she makes her way to Italy looking for an adventure.

    With nowhere to stay and knowing Matteo’s villa is unoccupied, she finds a key and makes herself at home. When she finds an engagement ring soon before she’s discovered by Matteo’s family, she decides to pretend to be his fiancée. The more time she spends with them, the bigger the lie becomes, especially when she starts falling for Matteo’s adopted brother, Michael (Regé-Jean Page).

    Directed by Kat Coiro and written by husband-and-wife team Ryan and Kristin Engle, the film at times feels like it’s not even trying to be good. While the set-up of the premise is okay, the story quickly turns into an eye-rolling mess when Anna shows up in Italy. Not one bit of the character’s story is believable, and even though Michael catches her in an early lie, every member of the family accepts her at face value despite the abundant red flags.

    Of course, many rom-coms are not based in reality, and the filmmakers lean into the genre’s tropes, almost as if they were saying, “We know this makes no sense - just roll with it!” Surprisingly, the gambit works for the most part, as the odd pairing of an American woman, an English-Italian man, and his fully Italian family is enjoyable despite the many groan-worthy moments they produce. The sweet way in which the family brings in a woman still going through grief almost balances out the shoddy way in which the story is told.

    Naturally, there are precisely zero surprises about where the plot is heading, as Anna and Michael grow closer despite knowing they should resist the other. Strangely, though, the filmmakers don’t go all-in on the budding relationship, choosing to slow-roll things save for one notable sexy scene in a vineyard. Coiro and the Engles play up the family aspect as much as the romance aspect, and that choice allows the film to survive for longer than it should have.

    Bailey, a singer-turned-actor, has not yet found her stride on the acting side of things. Her line deliveries are often stilted and her timing is off in key moments. This doesn’t help her chemistry with older Page, who seems to be getting by on vibes and looks alone. The most enjoyable actors in the film are all Italian, including Marco Calvani, Isabella Ferrari, and Paolo Sassanelli.

    There are glimpses of a fully successful film in You, Me & Tuscany, enough to keep it watchable for its entire 104-minute running time. But then they have the Italian grandmother say a gobsmacking line like “If you wanna tap-a that ass, you should tap-a that ass,” and you remember exactly what type of film you’re watching.

    ---

    You, Me & Tuscany opens in theaters on April 10.

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