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White Oak Music Hall Rocks the Night

White Oak Music Hall's opening night a rocking start for primo new concert venue

Eric Sandler
Apr 12, 2016 | 10:00 am

For anyone even remotely interested in art or music, Saturday offered an overwhelming array of choices. With the annual Art Car Parade and a Justin Bieber concert happening downtown, some might have missed the debut of the White Oak Music Hall, Houston’s newest concert venue.

Located in the near northside neighborhood just north of downtown and east of the Heights, White Oak Music Hall sits on a five acre tract that contains three performance venues and the recently opened Raven Tower ice house.

On Saturday, the venue debuted its 3,000-person outdoor lawn concert area with a sold-out show by French electronic act M83. The band’s high-energy set that drew heavily from breakthrough album Hurry Up, We’re Dreaming as well as the recently released Junk had the crowd dancing from pretty much start to finish.

Beyond the music, the concert gave attendees the opportunity to assess White Oak’s future as a performance venue, and that experience went well, too.

By the time gates opened at 7:00 pm, a long line snaked from the entrance gate to a pedestrian bridge over White Oak Bayou with people eager to snag either a prime spot to stand in front of the stage or a choice spot on the lawn-covered hill. Once attendees moved through they line, they found approximately 15 stands for purchasing beverages (wine, beer, cocktails, water, and soft drinks) as well as two food trucks (Waffle Bus and The Burger Joint).

Prices are reasonable, at least by concert standards. Beers only cost $6 to $8, cocktails are $8, and wine is $7, which is far below what a venue like House of Blues charges. Lines moved relatively swiftly, as long as people kept ordering beer. They could bog down if, say, a couple of people in a row ordered four cocktails each to take to friends. The resulting lines for the porta potties moved a little more slowly, natch.

More than the amenities, the venue served as an excellent way to attend a concert. Sight lines offered a clear view of the stage, and the sound arrived clearly without being overwhelmingly loud. Listeners who paid attention (as opposed to those who talked through the show) could distinguish vocals and individual instruments. With a slight breeze and pleasant spring weather, the concert offered the fun atmosphere of a summer festival without the risk of heat stroke.

Despite the neighborhood’s concerns, parking didn’t seem to be much of a challenge for most people. The venue offers both close-in paid lots and a slightly farther away free lot that patrons could access via a foot path. Entrepreneurially-minded property owners charged $10 to $20 for cars in nearby surface lots.

Getting out was a more time-consuming process, of course. The number of cars trying to leave the venue mixed with an influx of Uber drivers to create a bit of a quagmire. Perhaps stationing officers all the way to I-45 to keep traffic moving would help improve flow. Taking METRORail and walking over from the Quitman station is another possibility, as is waiting for traffic to die down at the Raven Tower.

Overall, the White Oak Music Hall made a very successful debut, and it’s reputation will surely grow once the two interior performance spaces are completed. The neighborhood’s concerns about parking and noise will have to be managed, but the venue certainly feels like a place Houstonians will be partying for years to come.

M83 performed at the newly opened White Oak Music Hall Saturday night.

M83 White Oak Music Hall
Photo by Jason Daring
M83 performed at the newly opened White Oak Music Hall Saturday night.
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Movie Review

Despicable Me sequel Minions & Monsters keeps franchise's goofy vibe

Alex Bentley
Jun 30, 2026 | 4:00 pm
Henry and James in Minions & Monsters
Photo courtesy of Illumination & Universal Pictures
Henry and James in Minions & Monsters.

The Despicable Me franchise is one of the most enduring of the 21st century, now reaching its seventh film in the past 16 years with the release of Minions & Monsters. The Minions, which were originally mere sidekicks to the supervillain Gru, have now arguably become the face of the franchise, even more so when they get their own movie.

Minions & Monsters purports to give even more history for the little yellow pill-shaped beings who want nothing more than to serve bad guys. Instead of fan favorites like Kevin, Stuart, and Bob leading the way, this film features James, a Minion who can’t stop causing chaos, and his best friend, Henry (all Minions are voiced by series creator Pierre Coffin).

After a prologue showing the Minions teaming up with various baddies over centuries, the group shows up in early 20th century Hollywood, gaining attention from filmmakers like Max (Christoph Waltz) and producer brothers Frank and Edward (both voiced by Jeff Bridges). They quickly rise up the ranks, with adventures coming to involve actress Debbie (Zoey Deutch), robot Dort (Jesse Eisenberg), and a Cthulhu named Goomi (Trey Parker).

Co-directed by Coffin and Patrick Delage and co-written by Coffin and Brian Lynch, the film is the loosest one of the franchise to date, using a barely-there story as an excuse to have the Minions engage in as much mayhem as possible. The prologue is the most successful part of the film, as they meet a cyclops, wizard, bank robber, and more, with each sequence getting wilder and funnier.

The 90-minute film is just as interested in entertaining kids with its craziness as it is in giving adults references to early film history. Among the films and actors that get shout-outs are the first-ever movie, The Horse in Motion, Georges Méliès’ A Trip to the Moon, Charlie Chaplin, Buster Keaton, and more. Whether including those historical relics will have kids wanting to seek out the real deals is questionable, but at least it shows the filmmakers know they owe a debt to the greats of the past.

The second half of the film becomes less coherent as the Minions split into different factions. James, Henry, and a hard-of-hearing Minion named Ed go in one direction to make a monster movie, while a larger group led by their antagonist named Dick goes in another. There’s no real purpose to either side’s journey other than to serve up laughs through the Minionese language (which seems to lean toward Spanish, as one scene acknowledges) and their antics.

Anyone purposefully going to a Minions movie likely enjoys Coffin’s performance of each character, each of which is subtly different. The rest of the cast, while star-laden, never truly sounds like the actors portraying them, which is strange when you have distinctive voices like Waltz, Bridges, and Eisenberg. The only people who stand out are Allison Janney as the narrator, Bobby Moynihan, and a cameo by George Lucas.

While Minions & Monsters doesn’t offer up an overly compelling reason for existing, it’s also harmless fun that has the side benefit of exposing kids to bits of film history that they might not have known existed. It also tries something different from the tried-and-true format of previous films, and experimentation should be appreciated even if it’s not fully successful.

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Minions & Monsters opens in theaters on July 1.

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