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    White Oak Music Hall Rocks the Night

    White Oak Music Hall's opening night a rocking start for primo new concert venue

    Eric Sandler
    Apr 12, 2016 | 10:00 am

    For anyone even remotely interested in art or music, Saturday offered an overwhelming array of choices. With the annual Art Car Parade and a Justin Bieber concert happening downtown, some might have missed the debut of the White Oak Music Hall, Houston’s newest concert venue.

    Located in the near northside neighborhood just north of downtown and east of the Heights, White Oak Music Hall sits on a five acre tract that contains three performance venues and the recently opened Raven Tower ice house.

    On Saturday, the venue debuted its 3,000-person outdoor lawn concert area with a sold-out show by French electronic act M83. The band’s high-energy set that drew heavily from breakthrough album Hurry Up, We’re Dreaming as well as the recently released Junk had the crowd dancing from pretty much start to finish.

    Beyond the music, the concert gave attendees the opportunity to assess White Oak’s future as a performance venue, and that experience went well, too.

    By the time gates opened at 7:00 pm, a long line snaked from the entrance gate to a pedestrian bridge over White Oak Bayou with people eager to snag either a prime spot to stand in front of the stage or a choice spot on the lawn-covered hill. Once attendees moved through they line, they found approximately 15 stands for purchasing beverages (wine, beer, cocktails, water, and soft drinks) as well as two food trucks (Waffle Bus and The Burger Joint).

    Prices are reasonable, at least by concert standards. Beers only cost $6 to $8, cocktails are $8, and wine is $7, which is far below what a venue like House of Blues charges. Lines moved relatively swiftly, as long as people kept ordering beer. They could bog down if, say, a couple of people in a row ordered four cocktails each to take to friends. The resulting lines for the porta potties moved a little more slowly, natch.

    More than the amenities, the venue served as an excellent way to attend a concert. Sight lines offered a clear view of the stage, and the sound arrived clearly without being overwhelmingly loud. Listeners who paid attention (as opposed to those who talked through the show) could distinguish vocals and individual instruments. With a slight breeze and pleasant spring weather, the concert offered the fun atmosphere of a summer festival without the risk of heat stroke.

    Despite the neighborhood’s concerns, parking didn’t seem to be much of a challenge for most people. The venue offers both close-in paid lots and a slightly farther away free lot that patrons could access via a foot path. Entrepreneurially-minded property owners charged $10 to $20 for cars in nearby surface lots.

    Getting out was a more time-consuming process, of course. The number of cars trying to leave the venue mixed with an influx of Uber drivers to create a bit of a quagmire. Perhaps stationing officers all the way to I-45 to keep traffic moving would help improve flow. Taking METRORail and walking over from the Quitman station is another possibility, as is waiting for traffic to die down at the Raven Tower.

    Overall, the White Oak Music Hall made a very successful debut, and it’s reputation will surely grow once the two interior performance spaces are completed. The neighborhood’s concerns about parking and noise will have to be managed, but the venue certainly feels like a place Houstonians will be partying for years to come.

    M83 performed at the newly opened White Oak Music Hall Saturday night.

    M83 White Oak Music Hall
    Photo by Jason Daring
    M83 performed at the newly opened White Oak Music Hall Saturday night.
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    Movie Review

    New thriller Crime 101 majors in cool with Hemsworth at the wheel

    Alex Bentley
    Feb 13, 2026 | 4:15 pm
    Chris Hemsworth in Crime 101
    Photo courtesy of Amazon Content Services
    Chris Hemsworth in Crime 101.

    The career of actor Chris Hemsworth is a curious one, as it feels like he’s a huge star (mostly from playing Thor in Marvel movies) and not at the same time, with most of the non-MCU movies featuring him in a lead role failing to become big successes. But he still has a certain presence about him, which is why he’s being given another chance to prove his star power in the new thriller, Crime 101.

    Hemsworth plays Davis, a talented thief who knows how to get what he wants without resorting to violence. When a job early in the movie turns slightly sideways, it makes him think twice about working with his handler (Nick Nolte), who seems to prefer someone with a stronger touch, like the up-and-coming Ormon (Barry Keoghan).

    Davis is the main character, but two others who come into his orbit get their own subplots. Lou (Mark Ruffalo) is a slightly schlubby LAPD detective who’s convinced he knows the pattern of an unknown thief that likes to hit places close to Highway 101. Sharon (Halle Berry) works for a high-end insurance agency known for working with ultra-wealthy clients, the types who might be a great target for a thief like Davis.

    Written and directed by Bart Layton, the film has a decent propulsion to it that comes with most crime thrillers. Davis and Ormon represent the yin and the yang of criminal approaches, and and it’s interesting to see the juxtaposition between the two as their simmering rivalry heats up over the course of the film. When the film commits to actually showing its crimes, it has an excitement that’s worth watching.

    Unfortunately, Layton displays a real lack of focus, taking the audience into subplots with each of the three main characters that prove unnecessarily distracting. Lou’s marriage problems may explain his disheveled appearance, but there’s no need to see him deal with them with wife Angie (Jennifer Jason Leigh). Sharon’s troubles with her male-dominated company prove slightly pivotal, but still don’t merit the time put into exploring them.

    The most baffling subplot is Davis pursuing a relationship with Maya (Monica Barbaro), a woman he randomly meets. At different points in the movie, including many of his interactions with Maya, Davis seems like the most uncomfortable, antisocial person in the world. And yet he somehow morphs into a suave smooth-talker who’s able to convince anyone to do what he wants at other key points, making it unclear exactly what kind of person he really is.

    Hemsworth does relatively well in the lead role, but he’s still missing that certain something to make his character, and therefore the movie, truly compelling. The rest of the cast is fine, too, but each of them seem to be putting in just the minimal amount of effort to make the film watchable. Ruffalo and Barbaro come off the best, but with the talent in the cast (11 Oscar nominations and one win), they could have been used better.

    Crime 101 has most of the ingredients to be another great entry in the genre, and it succeeds when it actually decides to deliver on its promise. But too much of the film is spent on things that have no real bearing on plot or character development, leaving the movie in the middle of the pack.

    ---

    Crime 101 is now playing in the theaters.

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