Are you sitting down? I hope so, because Houston native Dennis Quaid and Newsweek have a scoop for you.
In the 1970s and 80s, Dennis Quaid and other people in Hollywood used cocaine.
"WHAT?!" you're probably thinking. "Not the Dennis Quaid in Jaws 3-D. No. Never. This must be a mistake."
But it's true. In the '70s, and '80s some in Hollywood were not afraid to use illegal drugs — thankfully we've got that problem cleaned up now!
"Cocaine was even in the budgets of movies, thinly disguised. It was petty cash, you know? It was supplied, basically, on movie sets because everyone was doing it. People would make deals. Instead of having a cocktail, you’d have a line," Quaid writes in an essay titled "My Favorite Mistake."
It's hard to believe the kind of people who would use drugs could be making movies like Willy Wonka and the Chocolate Factory or The Rocky Horror Picture Show, but we don't think Quaid — who studied drama at the University of Houston — would make up such a charge.
There is one piece of the story that's hard to believe, though. According to Quaid, he made hits like The Right Stuff and The Big Easy while in the throes of addiction, but he filmed Wilder Napalm sober after completing rehab. Seriously.
"You think, 'Well, if I do the right thing and clean up my life, it’ll get better.' No, it got worse! In 1990 I did Wilder Napalm, which came out and went down the tubes. But that time in my life — those years in the ’90s recovering — actually chiseled me into a person," Quaid writes.
What's next? Finding out Warren Beatty was a ladies' man?
The impact that writer/director/producer James L. Brooks has made on Hollywood cannot be understated. The 85-year-old created The Mary Tyler Moore Show, personally won three Oscars for Terms of Endearment, and was one of the driving forces behind The Simpsons, among many other credits. Now, 15 years after his last movie, he’s back in the directing chair with Ella McCay.
The similarly-named Emma Mackey plays Ella, a 34-year-old lieutenant governor of an unnamed state in 2008 who’s on the verge of becoming governor when Governor Bill (Albert Brooks) gets picked to be a member of the president’s Cabinet. What should be a happy time is sullied by her needy husband, Ryan (Jack Lowden), her agoraphobic brother, Casey (Spike Fearn), and her perpetually-cheating father, Eddie (Woody Harrelson).
Despite the trio of men competing to bring her down, Ella remains an unapologetic optimist, an attitude bolstered by her aunt Helen (Jamie Lee Curtis), her assistant Estelle (Julie Kavner), and her police escort, Trooper Nash (Kumail Nanjiani). The film follows her over a few days as she navigates the perils of governing, the distractions her family brings, and the expectations being thrust upon her by many different people.
Brooks, who wrote and directed the film, is all over the place with his storytelling. What at first seems to be a straightforward story about Ella and her various issues soon starts meandering into areas that, while related to Ella, don’t make the film better. Prime among them are her brother and father, who are given a relatively small amount of screentime in comparison to the importance they have in her life. This is compounded by a confounding subplot in which Casey tries to win back his girlfriend, Susan (Ayo Edebiri).
Then there’s the whole political side of the story, which never finds its focus and is stuck in the past. Though it’s never stated explicitly, Ella and Governor Bill appear to be Democrats, especially given a signature program Ella pushes to help mothers in need. But if Brooks was trying to provide an antidote to the current real world politics, he doesn’t succeed, as Ella’s full goals are never clear. He also inexplicably shows her boring her fellow lawmakers to tears, a strange trait to give the person for whom the audience is supposed to be rooting.
What saves the movie from being an all-out train wreck is the performances of Mackey and Curtis. Mackey, best known for the Netflix show Sex Education, has an assured confidence to her that keeps the character interesting and likable even when the story goes downhill. Curtis, who has tended to go over-the-top with her roles in recent years, tones it down, offering a warm place of comfort for Ella to turn to when she needs it. The two complement each other very well and are the best parts of the movie by far.
Brooks puts much more effort into his female actors, including Kavner, who, even though she serves as an unnecessary narrator, gets most of the best laugh lines in the film. Harrelson is capable of playing a great cad, but his character here isn’t fleshed out enough. Fearn is super annoying in his role, and Lowden isn’t much better, although that could be mostly due to what his character is called to do. Were it not for the always-great Brooks and Nanjiani, the movie might be devoid of good male performances.
Brooks has made many great TV shows and movies in his 60+ year career, but Ella McCay is a far cry from his best. The only positive that comes out of it is the boosting of Mackey, who proves herself capable of not only leading a film, but also elevating one that would otherwise be a slog to get through.
