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    trillest parade ever

    Houston hip-hop legend Bun B named grand marshal of Art Car Parade

    Steven Devadanam
    Mar 25, 2022 | 4:15 pm
    Bun B The Ion
    Bun B greets adoring fans at the Art Car Parade announcement event.
    Photo by Alex Montoya

    Houston rap legend Bun B is having the best month ever.

    He just made history with his epic H-Town Takeover at the Houston Livestock Show and Rodeo as the first Black male headliner from Houston (read our review of the big night here) that featured a who’s-who of Houston hip-hop. Speaking of the rodeo, Bun debuted his fan favorite Trillburgers there. This weekend, he is performing an intimate Rock the Bells show Sunday, March 27.

    Now, Houston’s Unofficial Mayor will head up the city’s official tribute to all things auto and audacious. Bun B will serve as the grand marshal of the 35th Annual Art Car Parade, the organization announced. The beloved parade rolls out downtown on Saturday, April 9, the centerpiece event of the annual Art Car Weekend (April 7-10).

    “It’s a great time to be Bun B in Houston,” the local icon noted with a laugh at innovation and community hub The Ion, where the announcement ceremony took place. “It’s a great thing for families, and we haven’t had a lot of opportunities in Houston to really have a great event where everyone and their family could come out and enjoy it, but the Art Car Parade is going to provide us that and I’m so proud and honored to be the 2022 grand marshal.”

    Other luminaries and celebs who have marshaled the iconic parade include Dan Aykroyd, J.J. Watt, Cheech Marin, The Art Guys, Annise Parker, Kinky Friedman, Lynn Wyatt, and George Clinton.

    To that end, Bun B (born Bernard Freeman in Port Arthur, Texas) is more than deserving of the title. The pioneering rhymesmith fostered the Southern and Texas rap movement as the founding member of the seminal dup Underground Kingz with his fellow emcee, the late Pimp C. He has sold millions of albums and become an pop culture phenom, sharing his keen wisdom and insight on music, politics, film, dining, car culture, sneaker culture, academia, and social justice (witness his work at the downtown George Floyd march).

    “I can’t think of a better person to serve as Grand Marshal for the 2022 Art Car Parade,” emphasized Mark Sullivan, co-Chair of The 35th Annual Art Car Parade Weekend. “Both Bun B and the Orange Show are united in collectively speaking to Houston’s singular spirit, which is one that celebrates diversity, individuality and artistic expression. I can’t think of anyone more on brand for Houston’s most treasured parade than our most beloved global ambassador, and I can’t wait to see him rolling through downtown in a bright slab car with top down, rims spinning, and music slow, low, and bangin.”

    Fittingly for a trill, Bun-marshaled parade, this year’s event will feature more than 250 artfully crafted cars and a large contingent of “slow, loud, and bangin” slab cars — much like the ones Bun B rolled out onto rodeo dirt during his Takeover show.

    Other new attractions include more than 100 new and never-before-seen Art Cars from around the country such as Riders, bike and skater groups, wheeled contraptions, bejeweled roadsters and custom-crafted classics along with the fur-covered, metal-modified, fire-breathing varieties, according to a press release. The event was canceled in 2020 and 2021 due to the pandemic.

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    news/entertainment

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    Movie Review

    Heartfelt movie The Life of Chuck adapts optimistic Stephen King story

    Alex Bentley
    Jun 13, 2025 | 5:30 pm
    Tom Hiddleston in The Life of Chuck
    Photo courtesy of NEON
    Tom Hiddleston in The Life of Chuck.

    Just like actors, once a filmmaker becomes known for a certain genre, it can be difficult to escape that pigeonholing. Writer/director Mike Flanagan has worked for 20 years in both film and television, and literally every project he’s done has been related to horror. He’s finally breaking out with The Life of Chuck, which is ironically based on a short story of the same name by Stephen King.



    Told in three chapters in reverse order, the film is almost impossible to describe without giving away its magic. The first section centers on Marty (Chiwetel Ejiofor), a teacher grappling, like everyone around him, with what seems to be the world falling apart. He’s comforted to a degree by reuniting with his ex-wife, Felicia (Karen Gillan), but is also baffled by multiple ads touting the retirement of Charles “Chuck” Krantz (Tom Hiddleston) after “39 great years.”

    The second section consists of little more than a slightly younger Chuck happening upon Taylor (The Pocket Queen), a drummer busking on a street corner, giving Chuck and a younger woman, Janice (Annalise Basso), the inspiration to start dancing. The final section goes back to the childhood of Chuck (Benjamin Pajak), where he’s raised by his grandparents (Mark Hamill and Mia Sara), discovers dance as an outlet, and wonders about various small mysteries.

    Flanagan finds a way to deliver a lot of story with relatively little effort. Using a wry narrator (Nick Offerman), a limited number of locations, and a series of great small performances, he creates an intriguing premise with few straightforward answers. The structure of the film is designed to confuse the viewer until just the right moment, and the revelation forces you to reexamine everything that came before.

    The biggest accomplishment by Flanagan is making what are essentially three short films and having each of them resonate equally. The film contains elements of science fiction, although the first section may hit a bit too close to home for some of those watching. All three sections, though, have a heartwarming bent to them that sells their central idea without becoming overly saccharine.

    To do so, each of the characters have to connect in a short amount of time. The casting of the film is crucial, and not only does that department succeed with the main roles, but a series of small roles are filled expertly as well. Carl Lumbly as a funeral home owner, David Dastmalchian and Harvey Guillen as parents of students, Matthew Lillard as Marty’s neighbor, Q’orianka Kilcher as Chuck’s wife, and Jacob Tremblay as a teenage Chuck are just a few of the recognizable actors that do yeoman’s work in their brief time on screen.

    Hiddleston is only prominently featured in the second chapter, but his performance there and in small glimpses throughout makes a big impression. Ejiofor is given the star turn in the first chapter and he absolutely kills, both in moments by himself and in scenes with Gillan, with whom he has great chemistry. Hamill, making a rare non-voiceover appearance outside of the Star Wars universe, and Sara, in her first notable role in 11 years, are also very memorable in the final chapter.

    The Life of Chuck is a film that’s filled with emotion, but the full impact of the story is not felt until the final moments. It has a mysterious journey that is initially frustrating, but the performances keep the film going until it gets to its satisfying payoff.

    ---

    The Life of Chuck is now playing in theaters.

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