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    ZZ Top at RodeoHouston

    Revere The Beards: ZZ Top's hometown boys rock RodeoHouston with an '80s vibe

    Tarra Gaines
    Mar 22, 2017 | 5:44 am

    No matter what generation you’re from, there are times when it just feels good to get your '80s on. And if you’re a Texan — especially a Houstonian — there’s no better way to experience pure, undiluted '80s rock than to inject some live ZZ Top into your life.

    Luckily for 59,142 fans at the Houston Livestock Show and Rodeo Tuesday night, those Houston boys still know how to deliver an old-fashioned, high-energy rock concert to their hometown.

    While several decades might have passed since ZZ Top brought their decidedly Texas twang-infused rock to MTV — back during those days of old when the M actually stood for Music — the band is not only still touring and recording. They even hold the record for longest performing rock band with the original members. They used that experienced to light up the revolving rodeo stage Tuesday night, sometimes literally, as what rocking '80s concert didn’t also include a killer light show?

    Those ultra-sharp dressed, bearded men, bassist Dusty Hill and guitarist Billy Gibbons, took the stage in shiny rhinestone studded jackets ready to vibrate NRG Stadium to their rocking will. While drummer Frank Beard still has the power to beat the house down, he was more bluntly dressed in T-shirt and jeans, looking a little like he just rolled out of drummer bed.

    The band might have come to international fame in the '80s, but they definitely know their way around 20th-century music and their set seemed a sampling of multiple decades of great Americana tunes.

    They opened the concert with “Act Naturally," a Johnny Russell song first recorded by Buck Owens. Midway through, they dug even deeper to hit American musical roots with a growling version of the old Merle Travis folk song standard “Sixteen Tons” and then launched into one of the highlights of the night, “Folsom Prison Blues,” with Dusty Hill practically channeling Johnny Cash.

    They wouldn’t disappoint fans of their own hits, of course, and took the crowd for a ride on down to “La Grange.” They spent their own sweet musical time admiring a fine pair of “Legs” (especially ones she knows what to do with), and gave ample argument for the aesthetic power of a good pair of “Cheap Sunglasses.”

    When all was sung and done, what these rockers really wanted, and what the crowd couldn’t get enough of, was just some “Tush.” And as ZZ Top rode out of the rodeo, not in the standard SUV, but in a horse drawn wagon, they likely left all generations in agreement that finding some "Tush" really isn't asking for much.

    Set List:
    Act Naturally
    Waiting for the Bus
    Jesus Just Left Chicago
    Gimme All Your Lovin’
    I’m Bad, I’m Nationwide
    Sixteen Tons
    Folsom Prison
    Mississippi
    Cheap Sunglasses
    Sharp Dressed Man
    Legs
    La Grange
    Tush

    Those ultra-sharp dressed, bearded men, bassist Dusty Hill and guitarist Billy Gibbons, took to the stage in shiny rhinestone studded jackets.

    ZZ Top at Super Bowl Live
      
    Photo by Michelle Watson/CatchLight Group
    Those ultra-sharp dressed, bearded men, bassist Dusty Hill and guitarist Billy Gibbons, took to the stage in shiny rhinestone studded jackets.
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    news/entertainment
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    Movie Review

    Heartfelt movie The Life of Chuck adapts optimistic Stephen King story

    Alex Bentley
    Jun 13, 2025 | 5:30 pm
    Tom Hiddleston in The Life of Chuck
    Photo courtesy of NEON
    Tom Hiddleston in The Life of Chuck.

    Just like actors, once a filmmaker becomes known for a certain genre, it can be difficult to escape that pigeonholing. Writer/director Mike Flanagan has worked for 20 years in both film and television, and literally every project he’s done has been related to horror. He’s finally breaking out with The Life of Chuck, which is ironically based on a short story of the same name by Stephen King.



    Told in three chapters in reverse order, the film is almost impossible to describe without giving away its magic. The first section centers on Marty (Chiwetel Ejiofor), a teacher grappling, like everyone around him, with what seems to be the world falling apart. He’s comforted to a degree by reuniting with his ex-wife, Felicia (Karen Gillan), but is also baffled by multiple ads touting the retirement of Charles “Chuck” Krantz (Tom Hiddleston) after “39 great years.”

    The second section consists of little more than a slightly younger Chuck happening upon Taylor (The Pocket Queen), a drummer busking on a street corner, giving Chuck and a younger woman, Janice (Annalise Basso), the inspiration to start dancing. The final section goes back to the childhood of Chuck (Benjamin Pajak), where he’s raised by his grandparents (Mark Hamill and Mia Sara), discovers dance as an outlet, and wonders about various small mysteries.

    Flanagan finds a way to deliver a lot of story with relatively little effort. Using a wry narrator (Nick Offerman), a limited number of locations, and a series of great small performances, he creates an intriguing premise with few straightforward answers. The structure of the film is designed to confuse the viewer until just the right moment, and the revelation forces you to reexamine everything that came before.

    The biggest accomplishment by Flanagan is making what are essentially three short films and having each of them resonate equally. The film contains elements of science fiction, although the first section may hit a bit too close to home for some of those watching. All three sections, though, have a heartwarming bent to them that sells their central idea without becoming overly saccharine.

    To do so, each of the characters have to connect in a short amount of time. The casting of the film is crucial, and not only does that department succeed with the main roles, but a series of small roles are filled expertly as well. Carl Lumbly as a funeral home owner, David Dastmalchian and Harvey Guillen as parents of students, Matthew Lillard as Marty’s neighbor, Q’orianka Kilcher as Chuck’s wife, and Jacob Tremblay as a teenage Chuck are just a few of the recognizable actors that do yeoman’s work in their brief time on screen.

    Hiddleston is only prominently featured in the second chapter, but his performance there and in small glimpses throughout makes a big impression. Ejiofor is given the star turn in the first chapter and he absolutely kills, both in moments by himself and in scenes with Gillan, with whom he has great chemistry. Hamill, making a rare non-voiceover appearance outside of the Star Wars universe, and Sara, in her first notable role in 11 years, are also very memorable in the final chapter.

    The Life of Chuck is a film that’s filled with emotion, but the full impact of the story is not felt until the final moments. It has a mysterious journey that is initially frustrating, but the performances keep the film going until it gets to its satisfying payoff.

    ---

    The Life of Chuck is now playing in theaters.

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