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    Willie at RodeoHouston

    Life of the Rodeo: Willie Nelson keeps the music alive in legendary performance

    Tarra Gaines
    Mar 18, 2017 | 11:42 pm

    Willie Nelson didn’t have time for idle concert chit chat during his Saturday night appearance at the Houston Livestock Show and Rodeo. With over 20 songs of life, death and love to sing, it was no wonder the 83-year-old, once red-headed now beautifully grey-headed stranger, never stopped for some mindless banter with the sold-out crowd of 75,008. But who needs the requisite reminder of how many times he’s stood on that rodeo stage (10) or his status as a Texas legend and national treasure (that pretty much goes without saying). He’s Willie Nelson live in Houston and still delivering so much life to the music he makes.

    In prime Willie-ness, jeans, red bandana wrapped around his forehead and braids down to his beloved Trigger, Nelson took the stage and jumped right into his classic “Whiskey River.” Whiskey became something of a minor theme of the evening, with a set that also included “Beer for My Horses.” But then drinking, loving, losing and just living life as best as possible are the subjects of so many of his own great songs as well as some of the other classics he sang during the evening.

    With only a few pauses to thank the crowd, Nelson and his band kept the musical stories flowing from one song to the next almost as if he was reading us chapters in the book of his and all of our lives. His voice might have grown rough but wise with eight decades of living and singing, but he can still add his unique interpretation in each song to gift us a rich, true story.

    From his own 1980 hit “Angel Flying Too Close to the Ground,” about the complexities of love found and then lost when set free, to the Cajun-fun concentrate in Hank Williams’s "Jambalaya (On the Bayou)," Nelson showed us all how to spin a good musical yarn.

    The classics kept coming with little introduction except the odd tributary nod to the song’s writer or co-writer. He took us “On the Road Again,” confessed we were “Always on My Mind” and, with some laced irony for the venue, warned all the mothers in the rodeo crowd: "Mammas Don't Let Your Babies Grow Up to Be Cowboys.”

    Humor and, perhaps not so incidentally, death were also themes of the evening but with Nelson those subjects are never too far apart. Yes, he included a lovely rendition of “Will the Circle Be Unbroken” that transformed into “I’ll Fly Away” but he balanced those gospel odes with “Roll Me Up and Smoke Me When I Die” and, towards the end of the set, one of his newest songs “Still Not Dead Again Today.”

    Whether this was Nelson's last Houston rodeo or just his latest, with more appearances awaiting us in the coming years, no one in NRG Stadium will likely forget this concert even when they, too, reach 83 years young.

    Set List:
    Whiskey River
    
Still Is Still Moving to Me
    Beer for My Horses
    Good Hearted Woman
    
Mamas Don't Let Your Babies Grow Up to Be Cowboys
    
Angel Flying Too Close to the Ground 

    On the Road Again
    
Always on My Mind 

    Down Yonder
    
Georgia on My Mind
    
It's All Going to Pot 

    Roll Me Up and Smoke Me When I Die 

    Jambalaya (On the Bayou)
    
Hey Good Lookin'

    Move It On Over

    Will the Circle Be Unbroken
    
I'll Fly Away 

    I Saw the Light 

    Still Not Dead Again Today 

    Shoeshine Man 


    The classics kept coming with little introduction except the odd tributary nod to the song’s writer or co-writer.

    Willie Nelson at RodeoHouston 2017
      
    Photo courtesy of Houston Livestock Show and Rodeo
    The classics kept coming with little introduction except the odd tributary nod to the song’s writer or co-writer.
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    Movie Review

    Heartfelt movie The Life of Chuck adapts optimistic Stephen King story

    Alex Bentley
    Jun 13, 2025 | 5:30 pm
    Tom Hiddleston in The Life of Chuck
    Photo courtesy of NEON
    Tom Hiddleston in The Life of Chuck.

    Just like actors, once a filmmaker becomes known for a certain genre, it can be difficult to escape that pigeonholing. Writer/director Mike Flanagan has worked for 20 years in both film and television, and literally every project he’s done has been related to horror. He’s finally breaking out with The Life of Chuck, which is ironically based on a short story of the same name by Stephen King.



    Told in three chapters in reverse order, the film is almost impossible to describe without giving away its magic. The first section centers on Marty (Chiwetel Ejiofor), a teacher grappling, like everyone around him, with what seems to be the world falling apart. He’s comforted to a degree by reuniting with his ex-wife, Felicia (Karen Gillan), but is also baffled by multiple ads touting the retirement of Charles “Chuck” Krantz (Tom Hiddleston) after “39 great years.”

    The second section consists of little more than a slightly younger Chuck happening upon Taylor (The Pocket Queen), a drummer busking on a street corner, giving Chuck and a younger woman, Janice (Annalise Basso), the inspiration to start dancing. The final section goes back to the childhood of Chuck (Benjamin Pajak), where he’s raised by his grandparents (Mark Hamill and Mia Sara), discovers dance as an outlet, and wonders about various small mysteries.

    Flanagan finds a way to deliver a lot of story with relatively little effort. Using a wry narrator (Nick Offerman), a limited number of locations, and a series of great small performances, he creates an intriguing premise with few straightforward answers. The structure of the film is designed to confuse the viewer until just the right moment, and the revelation forces you to reexamine everything that came before.

    The biggest accomplishment by Flanagan is making what are essentially three short films and having each of them resonate equally. The film contains elements of science fiction, although the first section may hit a bit too close to home for some of those watching. All three sections, though, have a heartwarming bent to them that sells their central idea without becoming overly saccharine.

    To do so, each of the characters have to connect in a short amount of time. The casting of the film is crucial, and not only does that department succeed with the main roles, but a series of small roles are filled expertly as well. Carl Lumbly as a funeral home owner, David Dastmalchian and Harvey Guillen as parents of students, Matthew Lillard as Marty’s neighbor, Q’orianka Kilcher as Chuck’s wife, and Jacob Tremblay as a teenage Chuck are just a few of the recognizable actors that do yeoman’s work in their brief time on screen.

    Hiddleston is only prominently featured in the second chapter, but his performance there and in small glimpses throughout makes a big impression. Ejiofor is given the star turn in the first chapter and he absolutely kills, both in moments by himself and in scenes with Gillan, with whom he has great chemistry. Hamill, making a rare non-voiceover appearance outside of the Star Wars universe, and Sara, in her first notable role in 11 years, are also very memorable in the final chapter.

    The Life of Chuck is a film that’s filled with emotion, but the full impact of the story is not felt until the final moments. It has a mysterious journey that is initially frustrating, but the performances keep the film going until it gets to its satisfying payoff.

    ---

    The Life of Chuck is now playing in theaters.

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