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    Inside an art coup

    Great art mystery takes center stage in Houston: There's a secret underneath a Picasso treasure

    Tyler Rudick
    Mar 18, 2013 | 5:49 pm

    There's a secret lurking beneath Woman Ironing, the 1904 canvas that greets visitors as they step into Picasso Black and White at the Museum of Fine Arts, Houston.

    Produced in Paris when the legendary artist was still relatively unknown, the portrait depicts an almost-skeletal woman pressing clothes in a darkened room. She leans into her work with both arms, struggling amidst a muted palette of dark blues and grays.

    Woman Ironing has intrigued scholars for decades since a 1989 infrared scan revealed an upside-down portrait of a man located just below the surface.

    Long-considered a hallmark of Picasso's somber Blue Period, the piece has intrigued scholars for decades since a 1989 infrared scan of the canvas revealed an upside-down portrait of a man located just below the surface. But due to limitations in imaging technology, little has been known of the male sitter or if Picasso himself even painted him.

    Thanks to a grant from the Bank of America Art Conservation Project — the same initiative that helped restore several John Chamberlain works at the Menil Collection — conservators at New York's Guggenheim Museum, which owns the piece, have been able to clean and restore Woman Ironing to the point that imaging devices show a surprisingly clear picture of Picasso's subject.

    Click here to see the Guggenheim's impressive website dedicated to the conservation project. Don't miss the cool interactive feature that shows the painting via X-ray and infrared.

    A recent New York Times article notes that, while the jury is still out on the identity of the mystery man, scholars widely agree on two possibilities — Fernández de Soto, a sculptor whose portrait the artist painted in 1901, or fellow Parisian painter and noted Picasso rival Ricard Canals.

    Picasso Black and White is on view through May 27 in the Beck Building of the Museum of Fine Arts, Houston.

    Pablo Picasso, Woman Ironing (La repasseuse), Paris, 1904, oil on canvas, Solomon R. Guggenheim Museum, New York, Thannhauser Collection, gift of Justin K. Thannhauser, © 2012 Estate of Pablo Picasso Artists Rights Society (ARS)

    Picasso, Woman Ironing
    Guggenheim.org
    Pablo Picasso, Woman Ironing (La repasseuse), Paris, 1904, oil on canvas, Solomon R. Guggenheim Museum, New York, Thannhauser Collection, gift of Justin K. Thannhauser, © 2012 Estate of Pablo Picasso Artists Rights Society (ARS)
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    hoop it up

    Houston festival hosts dramatic reading of basketball-inspired TV show

    Craig D. Lindsey
    Nov 6, 2025 | 5:00 pm
    cinema arts festival hoopztown reading
    Photo by Trent Wittenbach
    Hoopzdreams tells the story of a gifted, multiracial athelete.

    This year’s Houston Cinema Arts Festival (HCAF), which starts this Thursday, November 6, offers plenty of film screenings – both feature-length films and shorts – as well as panel discussions, Q&As, workshops, etc. But the fest will also have a staged reading of the TV pilot Hoopztown, this Saturday at 2 pm at Six Foot Studios.

    Hoopztown centers around Maya Hernandez, a gifted, multiracial athlete on track to be considered for the inaugural WNBA in 1996. She moves back to her hometown of Houston, where it’s revealed that her mother, a janitor at Houston Medical Center, is diagnosed with cancer.

    The project is created and written by Fleurette S. Fernando, an educator, director, choreographer, arts administrator, and founding director of the M.A. in Arts Leadership Program at University of Houston, where she serves as an associate professor. “I wrote this story for the women in my life; my mother, my sisters, my teachers, my colleagues, my girlfriends, my students and particularly for my daughter,” says Fernando. “Her journey as a student athlete and the relationships she built with the girls on her various teams through the turbulent and magical years of her youth was an inspiration.”

    hoopztown Fleurette S. Fernando Elizabeth Sosa Bailey Collaborators Elizabeth Sosa Bailey and Fleurette S. Fernando.Courtesy of Elizabeth Sosa Bailey

    Hoopztown has gone through multiple iterations. During the 2015 ATX TV Festival Pitch Competition, Fernando was a finalist for her concept of the project. From there, the pilot (originally titled Hoopz) and loglines for a 10-episode run were put into motion. That first episode, titled “Rebound,” focuses on Maya’s first day at her new job, coaching a girls’ basketball team at a racially and socioeconomically diverse high school.

    “Hoopztown is an ode to a woman’s journey through the lens of many races, ages and circumstances,” she says. “It’s a tribute to the underdog and a homage to a woman’s perilous path through a man’s world. Nowhere is this struggle more acutely demonstrated, mentally, emotionally, physically and economically, than in the arena of competitive sports in America.”

    Since Fernando and her creative partner, Elizabeth Sosa Bailey, are both active members of

    the Houston Cinema Arts Society (HCAS) board, they knew they had to do a reading during this year’s fest.

    “There is so much of myself that I see in this story, as someone who left a career to return home when my father was diagnosed with cancer and as a mixed race Latina understanding the duality of identity,” says Sosa Bailey. “Even the high school that Hoopztown is set in is much like my own. I attended Lamar High School, making me about a decade younger than the characters in the story. There are all of these wonderful little coincidences in Hoopztown.”

    The project is a beneficiary of its second Houston Arts Alliance grant made possible through the

    City of Houston Mayors Office of Cultural Affairs (MOCA). The reading cast includes over 20 actors, with Eva Marie Thomas playing the main role. Open to the public with a Pay What You Can ticket structure, the event invites the audience to experience the first run-through of what is slated to be the first episode, filmed in Houston using local cast and crew. The audience can also provide feedback and contribute to the project’s fundraising initiative to get to the next stage of filming.

    For tickets, go to the Houston Cinema Arts Festival website.

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