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    $20,000 Cash in Conroe

    Talent but no hot pink ties: Young Texas Artists Music Competition is seriousbusiness with western flair

    Joel Luks
    Mar 12, 2012 | 4:42 pm
    • The youngest of the entrants, cellist Coleman Itzkoff, took the Entergy GrandPrize.
      Photo by Dave Clements/DWC Photography
    • Pre-party co-chairs Shirley and Lee Pruitt.
      Photo by Alan Montgomery
    • Flutist Gina Choi procured the gold medal in the wind, brass and percussiondivision with Carl Nielsen's Flute Concerto.
      Photo by Alan Montgomery
    • Pianist Wanting Zhao, an apprentice of José Feghali at Texas ChristianUniversity, was the Audience Choice Award Winner in addition to securingfirst-place in her category.
      Photo by Dave Clements/DWC Photography
    • Baritone James D. Rodriguez scooped gold in the voice division.
      Photo by Dave Clements/DWC Photography

    Suffused with genteel 1930s southern charm, the picturesque downtown Conroe enclave that embraces the restored Crighton Theatre has yet to meet a stranger. But don't let the neighborly spirit fool you. At the 28th Annual Young Texas Artists Music Competition Saturday night, townsfolk who filled the grand old theater were as dedicated to their Bach, Beethoven or anything classical music as to their barbecue.

    When pre-party co-chairs Shirley and Lee Pruitt and friends arrived on the scene in Mozart-themed costumes — think Colonial white lofty wigs, ruffled shirts and long overcoats, alongside Western threads, furs, leathers, boots, even a whimsical piano purse — the musicale was set to blend serious business with cowboy pleasure.

    As master of ceremonies, YTA alum and Classical 91.7 KUHA FM radio host Chris Johnson said, the competition is the single most anticipated event on the area's art calendar.

    Itzkoff should have been awarded a total of $6,000 in cash prizes. But as he strolled on stage donning a dark suit accessorized with a hot pink tie and not the obligatory tuxedo, his reward was adjusted: $5,500.

    The emerging talent had spent three days in preliminaries, during which a panel of judges pored through 50 auditions — narrowed down from over 70 local, national and international applications — to eight finalists in four categories: Piano; strings; voice; and wind, brass, percussion, harp and guitar.

    Winners were crowned in each division, an overall top dog and an audience favorite. Adjudicating the competition were Cleveland Institute of Music violin faculty Joan Kwuon, Manhattan School of Music piano professor Miyoko Lotto, North Carolina Opera general director Eric Mitchko and clarinetist and Houston Chamber Choir executive director Becky Tobin.

    The judges were dead on.

    The youngest of the entrants, cellist Coleman Itzkoff, took the Entergy Grand Prize. The 19-year-old's interpretation of Elgar's Concerto for Cello and Orchestra in E Minor stood out as the irrefutable winner. That he played with clear sound, gorgeous deliberate articulation and a vast palette of tonal colors was a testament to his training as a sophomore at Rice University's Shepherd School of Music, studying under the tutelage of Desmond Hoebig.

    It was evident that Itzkoff had parsed through the harmonic and melodic language and layered meaning and affect to render his Elgar mature, playful and mesmerizing. Every note had a rhyme and reason, and the audience followed right along for the musical ride, oohing and aahing with every technical and musical feat.

    Itzkoff should have been awarded a total of $6,000 in cash prizes. But as he strolled on stage donning a dark suit accessorized with a hot pink tie and not the obligatory tuxedo, his reward was adjusted: $5,500 plus formal wear for his upcoming performances with the Allen Philharmonic Orchestra and the Montgomery County Choral Society.

    Rules are rules. The shoes that matched the lacquer of his cello which he had purchased at a Conroe thrift shop over the weekend, those he could keep.

    "I will invest the award in a new bow, "Itzkoff said. "I have been borrowing my grandfather's, and this new bow will allow me to get the fullest sound out of my instrument."

    Flutist Gina Choi procured the gold medal in the wind, brass and percussion division with Carl Nielsen's Flute Concerto. From Orange County, Calif., Choi is finishing her masters degree at Shepherd also, studying with Leone Buyse. She plans on taking auditions — which she described as an American Idol-experience without the fame — to land a spot in an orchestra.

    "I am a big fan of Houston, " Choi said. "It's about time the music scene started looking to the South for talent rather than the East Coast."

    "I am a big fan of Houston, " Choi said. "It's about time the music scene started looking to the South for talent rather than the East Coast."

    Pianist Wanting Zhao, an apprentice of José Feghali at Texas Christian University, was the Audience Choice Award Winner in addition to securing first-place in her category. Her performance of Beethoven's Rondo: Allegro ma non troppo from his Piano Concerto No. 5 earned her $4,000 and a solo engagement with the Conroe Symphony.

    Character first, opera divo second: That's why baritone James D. Rodriguez scooped gold in the voice division. When he sung Rossini's "Medaglie incomparabile" from Il Viaggio a Reims, Rodriguez took many risks which rendered his aria witty and hilarious, the appropriate tenor for opera buffa.

    Silver winners were cellist Lachezar Kostov, baritone Noel Bouley, percussionist Matthew Moore and pianist Hui-Shan Chin, receiving a $1,000 cash award each.

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    Movie review

    Will Arnett shines in Bradley Cooper’s divorce drama Is This Thing On?

    Alex Bentley
    Jan 9, 2026 | 10:30 am
    Will Arnett in Is This Thing On?
    Photo by Searchlight Pictures/Jason McDonald
    Will Arnett in Is This Thing On?.

    With 12 Oscar nominations in the past 12 years in multiple categories, Bradley Cooper has turned into not only an acclaimed actor, but also a touted filmmaker. Given that pedigree, it might be difficult to remember that he first gained recognition as a comedy star in movies like Wedding Crashers, Yes Man, and The Hangover series. For his latest directorial effort, he has married comedy with drama in Is This Thing On?.

    Unlike the previous two films he directed, Cooper only has a supporting role, ceding the lead to Will Arnett. He plays Alex Novak, who, as the film begins, is starting the process of divorce from his wife of 20 years, Tess (Laura Dern). Forced to move to a depressing apartment in New York City and only getting limited time with his two kids, Alex finds the unexpected outlet of stand up comedy when he signs up for open mic night at the famous Comedy Cellar.

    The film follows Alex as he continues to pursue comedy while still having to see Tess on a regular basis, thanks to a shared custody agreement and get-togethers with friends like Balls and Christine (Cooper and Andra Day) and Stephen and Geoffrey (real life couple Sean Hayes and Scott Icenogle). While the comedy serves as a form of counseling for Alex, truly moving on proves more difficult than expected.

    The film, co-written by Cooper with Arnett and Mark Chappell, is loosely based on the real-life story of British comedian John Bishop, so one of the biggest things they needed to get right was the comedy itself. Alex’s marital situation lends his comedy more of a confessional style than actual jokes, and his evolution in that space is done well. Shooting in the actual Comedy Cellar and populating the club with real comedians like Amy Sedaris, Jordan Jensen, Reggie Conquest, and more gives those scenes an extra dose of realism.

    As if to underscore the personal and emotional nature of the story, Cooper and cinematographer Matthew Libatique make liberal use of closeups with handheld cameras. The camera is constantly moving around and often seems to be right in the actors’ faces, something that is most noticeable when Alex is performing. As if the stories Alex was telling weren’t intimate enough, having Arnett's entire face fill the frame forces the audience to pay attention to what his character is saying.

    If there is something to knock about the film, it’s a lack of dramatic stakes. While there’s natural tension between Alex and Tess due to the divorce, it’s way less than in a movie like, say, Marriage Story. There’s also a sneaking suspicion that Cooper was just looking to have fun with the film, casting himself as the comic sidekick and working with good friends like Arnett and Hayes. If ever there was a good hang divorce movie, this is it.

    Arnett rarely gets to be in movies, much less as the lead, but he ably embodies this somewhat dramatic part. It helps that he’s given a great scene partner like Dern, who knows when to dial her acting up or down for a particular situation. Cooper and Day are also good despite their story being slightly superfluous, and Christine Ebersole and Ciarán Hinds as Alex’s parents lend the film some extra gravitas.

    Is This Thing On? is a much different type of film from Cooper’s first two directorial efforts, A Star is Born and Maestro, and it’s nice to see the filmmaker offer something new. It has a relatable story for anyone who has ever been married while offering an element of uniqueness with someone discovering an undiscovered skill late in life.

    ---

    Is This Thing On? opens wide in theaters on January 9.

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