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    At the Movies

    The Wildest Dream is no match for Angelina Jolie, but Everest IMAX movie soars

    Regina Scruggs
    Mar 10, 2011 | 10:15 pm
    • A scene from "The Wildest Dream: Conquest of Mount Everest"
    • Conrad Anker on expedition
    • George Mallory

    "Why do you want to climb Mount Everest?"

    "Because it's there."

    So answered 37-year-old explorer George Mallory to a reporter's question before the third British Mount Everest Expedition, in 1924. Some 30 years before Sir Edmund Hillary made it to the top, Mallory, in his third attempt to scale Everest, would disappear along with his climbing partner Andrew "Sandy" Irvine somewhere high on the North East Ridge of the world's highest mountain.

    Their fate was unknown for 75 years, until contemporary explorer Conrad Anker discovered Mallory's body in 1999. Did Mallory make it to the top? Would Anker? And why did Anker go back to Everest eight years later?

    These and other questions are tackled in The Wildest Dream: Conquest of Everest, the new IMAX film opening Friday at the Houston Museum of Natural Science. The documentary mixes archival and newsreel footage of Mallory's climb with Anker's two ascents of Everest, the highest place on earth at 8,850 meters (29,035 feet). Anker provides commentary throughout.

    Letters between Mallory and his wife are also read to give the project an additional personal touch. The IMAX format gives the viewer many incredible vantage points, particularly at the summit of Everest, where one is taken above the clouds and the other mountain peaks which make up the Himalaya range in Tibet, between India and China.

    Produced and directed by Anthony Geffen, Conquest of Everest is narrated by Academy-Award-nominee Liam Neeson. Also featured are the vocal talents of Hugh Dancy, Alan Rickman, and most movingly, Ralph Fiennes and Natasha Richardson, who are heard reading the letters between George Mallory and his wife Ruth. (The movie is dedicated to Richardson, Neeson's late wife.)

    Anker, an American who lives in Bozeman, Mont., came to Houston to promote the film. He told me that he was asked in 1999, with two weeks' notice, to join an expedition to search for the remains of Mallory and Irvine on Everest. An experienced climber with expeditions to Alaska and Antarctica under his belt, Anker took on the challenge. He was 37, he same age as Mallory when he died.

    I asked how one gets up the nerve to take on something like Everest.

    "I'm a practiced climber," he said. "Even so, one still has to have a certain degree of self-confidence."

    The 1999 Everest explorers knew only that Mallory had been last spotted some 800 feet below the summit. As Anker's fate would have it, he would be the one to find Mallory's well-preserved remains, clad in gabardine and hobnailed boots. Mallory, a devoted family man with three children, was known to have carried a picture of his wife Ruth; he had promised her that he would leave it at the summit of Everest. However, no picture was found on his body, which raised more questions: Had he lost it? Or had he already been to the summit and was on the descent when he died?

    Still searching for answers, and perhaps in hope of finding the missing Sandy Irvine, Anker led his own team back to Everest eight years later, in 2007. He wanted to replicate Mallory's expedition as closely as possible, including retracing the North East Ridge Route near the summit. He even had the ladder removed from the infamous 90-foot sheer rock wall known as the "Second Step" to free-climb it, just as Mallory and Irvine would have had to do 83 years earlier.

    Mallory had led an interesting life even before he took on Everest. Born in Great Britain (Mobberley, Cheshire), he was the son of a clergyman. He was introduced to rock climbing and mountaineering while still a teenager by a schoolmaster who took a group of people on an annual trip to the Alps. In 1905 he entered Magdalene College, Cambridge, and became good friends with members of the Bloomsbury Group. He was an excellent oarsman who rowed his three years at Cambridge.

    After graduation, he taught for a few years in Surrey (interrupted by World War I military service); he married, yet still found time for recreational climbing. He would meet the poet Robert Graves and was even best man at his wedding. Mallory would resign his teaching position to join the first Everest expedition in 1921.

    Besides spending time mountaineering and exploring, Anker is a lecturer and author. He was previously involved in production of the films Shackleton's Antarctic Adventure (2001), about the famous British explorer; Light of the Himalaya (2006), about natives of the region who suffer from the planet's highest rates of cataract blindness; and The Endless Knot (2007), Anker's personal story of surviving a Himalaya avalanche which took the life of his climbing partner and best friend, Tony Lowe.

    Anker's now married to Lowe's widow Jennifer, and adopted and is raising Lowe's three boys. I asked how the boys were doing in light of Lowe's tragedy, and the fact that their stepfather is still on mountain expeditions.

    "The boys are doing just great," Anker said proudly. "They know that climbing is just what daddy does."

    Are any of them looking at climbing as a career? "Not seriously. Not yet, anyway. They like sports, all kinds of activities. The youngest is in ninth grade. Plenty of time to make up his mind about what he wants to do."

    Almost stealing the show from Mallory, Anker, and the breathtaking IMAX vistas in Conquest of Everest is Leo Houlding, a British climbing prodigy who went along with Anker on the 2007 expedition at the tender age of 22.

    "I've known Leo since he was a teenager. He didn't have any real climbing experience at 'altitude' but he turned out to be a natural," Anker said.

    What was the coldest temperature on the mountain?

    "About -18 degrees Celsius, or 0 degrees Fahrenheit, before the wind factor. Frankly, I've experienced colder temperatures in Montana. But when you add the wind, and the thin air...above 26,000 feet on Everest it's call the 'Death Zone' and most climbers are on oxygen...for that climb, I started my trip from the U.S. in early April, spent several weeks at base camp, followed by advanced base camp, and in mid-June we spent about a week on the ascent. The descent was much faster, just two to three days."

    I asked Anker how the press tour was going. "It's doing well on the museum circuit, on the IMAX screens around the country, and kids especially seem to like it. Conquest did have a limited theatrical run last summer, but it opened on August 8th, the same weekend as Angelina Jolie's Salt, which had a marketing budget twice the amount of our total budget."

    Sheer rock faces, snow, ice, wind, avalanches, thin air? That's no challenge to your average mountain climber, compared to taking on Angie.

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    Movie Review

    Dakota Fanning-led The Sun Never Sets needs more direction

    Alex Bentley
    Sep 4, 2026 | 3:30 pm
    Dakota Fanning in The Sun Never Sets
    Photo courtesy of Independent Film Company
    Dakota Fanning in The Sun Never Sets.

    The movies of writer/director Joe Swanberg have always been an acquired taste, as he prefers to give his actors a loose framework of a story and let them improvise most of their lines to give the films a more natural feel. Sometimes that approach can yield great results, and sometimes — as in The Sun Never Sets — it can result in addled and maddening storytelling.

    Wendy (Dakota Fanning) is in her early 30s and at a crossroads in her life. When a friend announces she’s pregnant, she starts to re-evaluate what she wants, including her two-year relationship with the older Jack (Jake Johnson). Although they love each other, their disagreements on having more children and extracurricular activities call their long-term viability into question.

    Jack, not wanting Wendy to settle, encourages her to explore her options where they live — Anchorage, Alaska — telling her he’ll be waiting should she strike out. What he doesn’t expect is that Wendy’s ex-boyfriend, Chuck (Cory Michael Smith), has returned to the city, giving her an attractive alternative. The three engage in a love triangle that proves frustrating and confusing for both the participants and the viewers.

    What works best about the film is its location in Alaska, which rarely gets showcased in movies, and even more rarely in the way it is here. The story takes place in warmer months, and Swanberg gives his characters multiple opportunities to be outside, showing off Anchorage’s harbor, surrounding mountains, and seemingly vibrant city life. The subtle but effective way Swanberg frames various scenes makes the landscape enormously appealing.

    It’s too bad, then, that the story never measures up to its surroundings. Too often Fanning, Johnson, Smith, and others seem to be grasping for their next line, unsure of what they want their character to do or say next. That lets their scenes mimic real conversations, but you might not realize how much you want scripted dialogue until you see actors trying to come up with their own in the moment.

    The larger issue is that there’s no consistency from scene to scene about where the plot is heading. The characters of Wendy, Jack, and Chuck are extremely wishy-washy about their desires, with each of them vacillating back-and-forth in just how much they want to be with each other. Depending on your experience, this may or may not be true to life, but watching it is excruciating and not enjoyable or romantic in the slightest.

    As actors, Fanning, Johnson, and Smith are talented and interesting, with each capable of connecting with viewers in different ways. But working in improvisation is a different beast, and only Johnson — who has worked with Swanberg multiple times — seems truly at home. A few others, like Debby Ryan and Anna Konkle, do well in the format and maybe deserved bigger parts.

    Swanberg has proven in the past that his method of filmmaking can be insightful and entertaining, but that is not the case here. In The Sun Never Sets, his hands-off approach is a detriment to the flow of the film and the story as a whole, resulting in an experience that is far from what most viewers will want to go through.

    ---

    The Sun Never Sets is now playing in select theaters.

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