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    Top Chef episode 1 recap

    Top Chef recap: Houston chefs shine in highly anticipated Season 19 premiere

    Eric Sandler
    Mar 4, 2022 | 8:33 am
    Dawn Burrell, second from right, joins Kristen Kish, Tom Colicchio, and Padma Lakshmi.
    Dawn Burrell, second from right, joins Kristen Kish, Tom Colicchio, and Padma Lakshmi.
    Photo by: David Moir Bravo

    The eyes of the culinary world will be Houston for the next few months thanks to Top Chef. The award-winning reality show filmed season 19 in the Bayou City, and it’s expected to serve as a showcase for the city’s diverse culinary offerings.

    Throughout the season, CultureMap will take a look at each episode through a Houston lens by highlighting the familiar people and places featured in the show. We’ll also track the progress of Evelyn Garcia, the only cheftestant from Houston. Of course, we’ll note which chef is told to pack her knives and who looks like they’re a true contender for the title and its $250,000 cash prize.

    The season premier features a tricky Quickfire, a beef-centric Elimination Challenge, and lots of prominent Houstonians.

    Featured Houstonians
    Chef Dawn Burrell, who reached the finals in last year’s season of Top Chef, serves as a guest judge for the season’s first Quickfire Challenge. Teams of three contestants each are given 30 minutes to create a dish, but they only cook one at a time and cannot speak to each other about what they’re doing.

    One team gets a little flustered and doesn’t finish plating in time to serve anything to Burrell or host Padma Lakshmi. The chef famously struggled with timing during her time on the show, so she shares a little wisdom.

    “Chefs, I understand what it feels like to lose track of time in the kitchen, but please let that be a period-new paragraph moment and pick yourselves up for next time,” she advises.

    The elimination challenge requires the contestants to serve three dishes made from a specific beef primal to the judges, including Top Chef season 10 winner Kristen Kish, along with a who’s who of Houston chefs: Burrell, Robert Del Grande (The Annie Cafe), Trong Nguyen (Crawfish & Noodles), Hugo Ortega (H-Town Restaurant Group), Monica Pope (Sparrow Cookshop), Chris Shepherd (Underbelly Hospitality), Kiran Verma (Kiran’s), and Chris Williams (Lucille’s Hospitality). Held at The Annie Cafe, Del Grande also appears at the judges’ table to render the final verdict.

    What's a little bit strange is that the show doesn't provide viewers with any context about who these people are. The editing keeps the show moving quickly, but not to acknowledge their accomplishments may leave all but the most food-obsessed Houstonians wondering why they've earned seats at such an important meal.

    Very briefly, the table included:

    • Three of the four Houston chefs who have won the James Beard Award for Best Chef: Southwest in Del Grande, Ortega, and Shepherd
    • Nguyen is a pioneer in Houston's signature Viet-Cajun cuisine through his restaurant Crawfish & Noodles
    • Pope changed the way Houston eats by being a tireless advocate for local producers at her restaurants Boulevard Bistro, t'afia, and Sparrow
    • Verma has achieved decades of success as the chef-owner of Indian fine dining restaurant Kiran's
    • Williams is the chef-owner of Lucille's, the co-founder of the Lucille's 1913 non-profit that's fed thousands of people during the pandemic, and is Burrell's business partner in her new restaurant Late August.

    Similarly, the show doesn't provide viewers with much geographic context. With most of the action confined to the Top Chef kitchen and The Annie Cafe, viewers don’t get to see any of the city’s notable landmarks — unless driving on one of the Museum District bridges over U.S. 59 counts as seeing Houston. Thankfully, a preview montage that includes NASA and the Houston Museum of Natural Science provides proof that more context is coming

    How did Evelyn Garcia do
    Overall, our local cheftestant had a solid first episode. She’s the first contestant who speaks in the opening montage, and her team acquits itself reasonably well in both the Quickfire and Elimination challenges. Another contestant quickly dubs her “the Houston girl,” which feels like it might stick.

    Who wins
    The brown team of Robert Hernandez, Sarah Welch, and Jackson Kalb takes the victory for their dishes made from the chuck: beef tartare with tonnato sauce (Kalb), braised pot roast with potato gnocchi (Hernandez), and tallow-seared beef with eggplant puree (Welch).

    “Yours was clearly one menu. That’s what stood out to all of us,” Simmons tells the winners.

    Hernandez gets the individual win. The judges cite the texture of his gnocchi and the depth of flavor in his pot roast as two major accomplishments.

    Who loses
    Leia Gaccione goes out first for a failed attempt at a spring roll made with grilled top round. Top Chef is never shy about a little foreshadowing, and Gaccione’s observation that her meat is chewy — “I can’t turn the top round into a filet mignon. It is what it is” — previews her quick departure.

    Who exceeded expectations
    Buddha Lo shows deft attention to detail in the Quickfire, when he not only adds a fish sauce butter to his team’s Thai-seasoned steak but also has the presence of mine to warm his team’s plates in the oven prior to serving the dish. Winning means immunity in the Elimination Challenge; he takes a risk and makes a beefy dessert: spotted dick with beef fat caramel and miso ice cream.

    “I love that Buddha decided to make a dessert,” Colicchio says. “He has immunity, so why not go for it.”

    Dawn Burrell, second from right, joins Kristen Kish, Tom Colicchio, and Padma Lakshmi.

    Top Chef Houston episode 1
    Photo by: David Moir/Bravo
    Dawn Burrell, second from right, joins Kristen Kish, Tom Colicchio, and Padma Lakshmi.
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    Movie review

    Nick Jonas and Paul Rudd chase their dreams in music-heavy Power Ballad

    Alex Bentley
    Jun 8, 2026 | 10:30 am
    Nick Jonas and Paul Rudd in Power Ballad
    Photo by David Cleary for Lionsgate
    Nick Jonas and Paul Rudd in Power Ballad.

    Writer/director John Carney is one of the great purveyors of movies featuring music (as opposed to musicals) in the 21st century. Starting with Once in 2007 (which was turned into a Broadway musical several years later), he has made music-themed stories like Begin Again, Sing Street, Flora and Son, and now Power Ballad.

    Rick Power (Paul Rudd) is a former wannabe rock star who is now the lead singer of “Ireland’s #1 Wedding Band,” The Bride & Grooves. While they mostly play smaller weddings, a gig at a country estate leads to an encounter with Danny Wilson (Nick Jonas), a former boy band member struggling to make it as a solo artist. Rick and Danny wind up bonding in a booze- and pot-filled jam session, sharing various song ideas.

    After returning to Los Angeles and desperate for a hit, Danny steals one of Rick’s songs, which miraculously turns into the No. 1 “How to Write a Song (Without You).” Rick, initially overjoyed that something he wrote has become big, is crushed when he finds out Danny didn’t give him credit. His quest to find a way to prove his worth sends him into a spiral, upending the ordinary life he had built.

    Co-written by Peter McDonald, the film is a nice exploration of two men trying to hold on to their music dreams. Their individual circumstances could not be more different, but each of them knows the ups and downs of the business as well as the other, as well as the ineffable magic of creating that one great song. While the music scenes are hit-and-miss because of a reliance on lip synching, the scene featuring Rick and Danny trading ideas is electric with creativity.

    Oddly, though, the film could have used a bit less music and more of a focus on the two men’s personal lives. Rick wound up living in Ireland after falling in love with his future wife, Rachel (Marcella Plunkett), while on tour with his former American band. He spends a decent amount of time with her and his daughter, Aja (Beth Fallon), but his story needed a few more family scenes to drive the point home. Danny’s personal life is all but nonexistent, giving his arc less impact than it could have had.

    Instead of loved ones, Carney and McDonald try to give Rick and Danny more depth through friends and business associates. Rick’s bandmate Sandy (McDonald) is a ride-or-die kind of guy for him, but his presence is only good for a few humorous distractions. Danny’s manager Mac (Jack Reynor) is difficult to parse, as he goes to bat for Danny on multiple occasions, but also seems to keep him at arm’s length.

    It’s long been joked that Rudd never ages, and that youthfulness serves him well in this role, in which his character is supposed to be much younger than his actual age of 57. His energy and enthusiasm make his character appealing throughout, even when Rick starts to go off the deep end. Jonas is decent in his role, selling the music side well, but there might be a reason his character doesn’t have many scenes requiring him to show emotions.

    While Power Ballad has all the hallmarks of another great Carney music movie, it’s missing a few pieces that could have put it over the top. It’s still a fun film with an insanely catchy song at its center, but it’s not quite as memorable as most of the filmmaker’s previous efforts.

    ---

    Power Ballad is now playing in theaters.

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