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    Best & Worst Oscar Moments

    Best & Worst Oscar moments, including McConaughey's victory dance and Ellen's pizza prank

    Joe Leydon
    Mar 3, 2014 | 1:25 am

    After devoting most of the last six months handicapping the Oscar race, movie bloggers likely will spend most of the next 36 hours trashing Sunday’s evening’s Academy Awards telecast. Why? Perhaps they can’t help themselves. As writer-historian Mark Harris suggested in an insightful Tweet, dissing the Oscarcast is “the Silkwood shower we take to scrub off the self-hatred.”

    But here’s the thing: As Oscarcasts go, the one that aired Sunday was a modestly amusing and generally well-paced affair. Capably if not excitingly hosted by a game and ingratiating Ellen DeGeneres, the program proved to relatively painless as made-for-TV spectacle, and largely satisfying as a doling out of just desserts to the truly deserving.

    Capably if not excitingly hosted by a game and ingratiating Ellen DeGeneres, the program proved to relatively painless as made-for-TV spectacle.

    And if that sounds like I’m damning with faint praise – I am. But trust me: If anyone tries to tell you this is the worst Oscarcast he or she has ever seen, you need to ask just how many Oscarcasts this complainer has ever watched.

    Speaking as a cineaste, I was pleased when the brutally gripping 12 Years a Slave was named Best Picture – even though, deep in my heart, I was hoping for an upset by Nebraska – and when co-star Lupita Nyong’o grabbed the gold as Best Supporting Actress. But, then again, I was just as happy that the relentlessly thrilling Gravity took home seven Oscars overall, including Best Director for Alfonso Cuarón.

    No, I was not surprised that Cate Blancett got the Best Actress award for Blue Jasmine, and that her path to victory wasn’t blocked by any sort of backlash against writer-director Woody Allen. (Let’s face it: Blanchett had this sucker nailed down as early as last summer.) Yes, I was delighted to hear the take-no-crap Aussie take time during her acceptance speech to take a spirited swipe at Hollywood studio chiefs who continue to view “films with women at the center are niche experiences.”

    And I freely confess: I whooped and hollered with unabashed glee when Texas boy Matthew McConaughey – who, as you doubtless have heard, I discovered years ago at SXSW when I reviewed Return of the Texas Chainsaw Massacre for Variety – got the Oscar as Best Actor for his richly detailed and deeply moving portrayal of hustler turned AIDS activist Ron Woodruff in Dallas Buyers Club.

    Co-star Jared Leto gave an eloquent enough speech while accepting his Oscar as Best Supporting Actor. But McConaughey was the one firing on all cylinders, thanking everyone from God Almighty to director Jean-Marc Vallée to a dad swilling Miller Lite somewhere in heaven while clutching the gold, beaming brightly and, briefly, dancing an expression of happy gratitude. Awright, awright, awright!

    Some other random observations about the Oscarcast:

    BEST REMARK FROM A WINNER TO A FAWNING AUDIENCE: Cate Blanchett: “Sit down, you’re too old to be standing!”

    SAME TIME, NEXT YEAR… MAYBE: Jim Carrey made but a fleeting appearance, to intro a film-clip montage, but he scored big laughs – yes, even with his borderline-lame LSD joke – and his uncannily accurate imitation of Bruce Dern was downright hilarious. (So hilarious, it had Dern himself roaring with laughter.) Why not give him a chance to liven up the whole freakin’ show?

    JUST WONDERING: Am I the only one who expected Ellen to wind up asking Meryl Streep to just get up and take that group photo?

    GO AHEAD, ADMIT IT: Sure, Lupita Nyong'o won the Best Supporting Actress award (for her excruciatingly powerful performance in 12 Years a Slave). And, God bless her, she richly deserved it. But c’mon: Julie Squibb of Nebraska had the best film clip in this category. Come to think of it, she had the best film clip of anybody nominated in any category all evening, right?

    BEST PRESENTER-TO-PRESENTER BANTER: Bill Murray to Amy Adams: “Baby, you look like $146 million domestic.” (Props also to Murray’s evidently impromptu shout-out to the late Harold Ramis “for Caddyshack, Ghostbusters and Groundhog Day.”)

    FALLEN STARS: The people who put together the annual “In Memoriam” tribute usually catch heat for neglecting to include this aged celebrity or that industry insider, and the segment as a whole often is mocked as… well, take your pick: Too lachrymose. Too ponderous. Too, well, sad.

    But this year’s tribute to film folks no longer with us struck me as much classier and more subdued than usual this year. For one thing, everyone from gone-too-soon Paul Walker to veteran producer A.C. Lyles to master animator Ray Harryhausen got pretty much the same time on screen. (A personal observation: Very, very glad to see my friend Roger Ebert made the, ahem, final cut.)

    The decision to use Roger Williams’ ineffably haunting theme from Somewhere in Time to underscore the presentation was a masterstroke. And yes, Bette Midler brought it all home with an effective and affecting rendition of her signature tune, “Wind Beneath My Wings.”

    It’s a shame that they couldn’t, or wouldn’t, include Sarah Jones in the lineup, despite the much-publicized campaign to honor the young camera assistant who was killed Feb. 20 during the location filming of Midnight Rider. But, yes, that was her name you saw flashing on the screen before the commercial break, on a plug for the longer “In Memoriam” tribute that appears on Oscar.com.

    UNMENTIONABLE, UNFORGETTABLE: It would be needlessly unkind to remark about the appearance of two female presenters who likely have grounds to sue their plastic surgeons. (Both reminded me, alas, of the old joke about the woman who had her face lifted – and then dropped.) And I just can’t bring myself to say anything about… Well, no, that’s a lie, I can bring myself to say I have the utmost respect and admiration for Sidney Poitier. It’s just that I felt very melancholy while seeing him looking so frail – even while coming off so effortlessly elegant and dignified – while serving as a Best Director presenter.

    Truth to tell, I’m even more grateful than I might normally be that Poitier also appeared during one of the evening’s “Celebrating Heroes” montages (or whatever the hell they were called), looking fine and in his prime in Norman Jewison’s In the Heat of the Night. Yes, even after all these years, it’s always a terrific rush to hear: “They call me Mister Tibbs!”

    GOOD SPORT OF THE EVENING: Brad Pitt, hands down. Not only was he a nifty presenter and a supportive partner. (Note the way he proudly applauded Angelina Jolie’s win of an honorary Oscar.) He was one of the first celebs to get out of his seat and join the fun when Ellen called for folks to join her in that group shot. And when Ellen started handing out pizza – well, I’ll be damned if he wasn’t the first dude to start handing out paper plates and napkins before he chowed down. Don’t know about you, but I want him to drop by for my next party.

    AND SPEAKING OF PIZZA: Gee, do you think this place will enjoy an uptick in business after tonight?

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    Movie Review

    Matt Damon and Ben Affleck square off in Netflix crime thriller The Rip

    Alex Bentley
    Jan 16, 2026 | 2:30 pm
    Ben Affleck and Matt Damon in The Rip
    Photo by Claire Folger/Netflix
    Ben Affleck and Matt Damon in The Rip.

    For as closely tied together as Matt Damon and Ben Affleck are, it might come as a surprise how few times they’ve led a movie together. They’ve appeared alongside each other in Good Will Hunting, The Last Duel, and Air, but the only time they were on equal footing in a story was Kevin Smith’s Dogma. So the fact that they are the two true stars of the new Netflix movie The Rip makes it a rare opportunity for the longtime friends to square off against each other.

    Damon and Affleck play Lt. Dane Dumars and Detective Sgt. J.D Byrne, respectively, the two highest ranking members of a Miami police department squad that specializes in drug and drug money raids. A tragedy to begin the film already has the team — which includes Detectives Mike Ro (Steven Yeun), Numa Baptiste (Teyana Taylor), and Lolo Salazar (Catalina Sandina Moreno) — on edge, with the FBI and DEA breathing down their neck.

    Going off a tip, Dumars gathers the team to raid a house in nearby Hialeah that is supposed to have a stash of a relatively small amount of money. But when they get to the house occupied only by Desiree Molina (Sasha Calle), they discover close to $20 million. The team, required by law to count the money on site, must not only fight the urge to skim a little off the top for themselves, but also worry about the Cartel and other agencies that might want a slice of the pie.

    Written and directed by Joe Carnahan, the film is a surprisingly effective crime thriller made even better by its high-quality cast, which also includes Kyle Chandler as a DEA agent. The story is designed for the audience to not know who’s trustworthy until the last possible second, and the various twists and turns it takes are well done, with barely a hint of narrative cheating.

    Taking place entirely at night, the mood is set right from the start, with the only surprise being that Carnahan didn’t add in rain for extra effect. He keeps things tense with a number of subtle elements, including having the house located in a seemingly deserted cul-de-sac. This allows for the characters to remain on high alert at all times, with anything out of the ordinary — an unexpected noise, a flashing light, etc. — adding to the stress of the situation.

    The only element that could have used a bit more of a punch-up is the characterization. The story is set up to cast suspicion on almost everybody, making it tougher to understand exactly what type of person each of them is. As the two leads, more time is spent with Dumars and Byrne, leaving everyone else with slightly underwhelming arcs. It’s to the credit of the actors that everyone else below Damon and Affleck is still compelling.

    Damon and Affleck play their sometimes friendly, sometimes adversarial roles well, showing an ease together that’s a result of their friendship and the acting skills they’ve honed over 30+ years. Taylor, an Oscar hopeful for One Battle After Another, and Oscar nominee/Emmy winner Yeun have a pedigree that elevates their supporting roles. Chandler, Moreno, and Calle each get just enough to demonstrate why they were cast in their respective roles.

    Damon and Affleck have had their individual ups and downs throughout their careers, but when they choose to work together, the results are usually good-to-great, as they are in The Rip. It’s a different take on a crime thriller that features a story that will keep viewers guessing until the very end.

    ---

    The Rip is now streaming on Netflix.

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