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    Music Matters

    The influencers: Linkin Park plays with the heart of a thousand angry copycats

    Michael D. Clark
    Mar 2, 2011 | 1:46 pm

    There is little the city of Houston could have hoped for to officially kickoff the non-Rodeo 2011 concert season than Thursday night's rescheduled Linkin Park show at the Toyota Center (the band cancelled a February Toyota date due to illness).

    (OK, it isn't exactly the the "official" kickoff of the season since Ozzy Osbourne played the Toyota Center early this year, but who are we kidding? These days an Ozzy show is a cross between senior center theater and a puppet show. No?)

    If there is a band that has been more successful than Linkin Park over its first decade of recording in recent years, I couldn't find it. Since debuting with Hybrid Theory in 2000, which raced to No. 2 on the Billboard 200 album charts, the group's following three albums of rap-metal fusion all topped the charts. That includes the Linkin Park's most recent release, A Thousand Suns, which also produced two No. 1 alternative rock singles — "The Catalyst" and "Waiting For The End — over the last six months.

    The numbers don't stop there. Link Park has sold over 50 million albums courtesy of angry anthem generation-defining songs like "Numb," 'What I've Done," and "New Divide."

    The best part is that the band, led by the soothing vocals of Chester Bennington juxtaposed with the bristling rap screams of Mike Shinoda, has done all this while carving out a genre that they virtually own the monopoly on. The mating of rap and rock was played with in the 1990s by bands like Limp Bizkit and Korn. In the end, both of those were still rock bands first.

    Linkin Park is the first to weave a true symbiosis of the two genres into their songs. Take one element away and the songs don't stand up. It's truly an art form.

    But the main reason that I know that Linkin Park is one of the biggest bands on the planet right now is the mimicry from their adolescent fans. I was judge at a local band challenge at the House of Blues a couple weeks ago and no less than two of the six acts on the bill were taking their cues from Linkin Park and the rap-rock movement.

    That, my friends, is influence in action.

    Linkin Park, 7:30 p.m. Thursday at Toyota Center

    Tickets: $42.50-$72.50

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    Movie Review

    Star-filled pickleball comedy The Dink aces on Apple TV+

    Alex Bentley
    Jul 27, 2026 | 9:15 am
    Mary Steenburgen and Jake Johnson in The Dink
    Photo courtesy of Apple TV+
    Mary Steenburgen and Jake Johnson in The Dink.

    While the sport of pickleball was invented way back in the 1960s, it has exploded in popularity in the 2020s. It was only a matter of time before someone figured out a way to make a movie about the craze, and a comedy like the new Apple TV film The Dink provides the best way to honor and make fun of the divisive sport at the same time.

    Dusty Boyd (Jake Johnson), aka The Hammer, is a former tennis phenom who’s now working as an instructor at a club owned by his dad, Chuck (Ed Harris). While the two don’t always see eye-to-eye, they have a mutual hatred for pickleball, which they have begrudgingly allowed on the property by giving it the worst court.

    Dusty is hoping to stop all future pickleball expansion by winning a one-on-one grudge match, but when he injures his wrist, he’s given a prescription of pickleball as a form of rehab. Older women like Candace (Mary Steenburgen) are the only people he can find to play with, and despite his disdain for the sport, he soon falls prey to its low-key charms.

    Directed by Josh Greenbaum (Will & Harper) and written by Sean Clements, the film is probably the best advertisement pickleball will ever have. Dusty’s introduction to the sport serves as a lighthearted tutorial for the uninitiated while still getting in some nice digs at its expense. The other players — Candace, Gail (Cleo King), and Judy (Lynn Marie Stewart) — are equally welcoming and critical of Dusty, who initially has trouble adjusting to the game’s different rules.

    The film’s approach to the story is silly but never stupid. Dusty is a blowhard, but he’s also able to admit when he’s wrong, especially when Candace introduces him to multiple things he had never considered before. A long-standing feud between Dusty and Andy Roddick provides more than just a goofy cameo for the real-life tennis star. The film also pushes right to the edge of being over-the-top before pulling back, allowing it to keep a semblance of reality to it.

    Clements’ story follows a tried-and-true formula, making the film very predictable but enjoyably so. Where it earns its comedy credentials is in its finer details, like Dusty’s love for his 1999 Buick LeSabre with under 200,000 miles on it, his trunk full of old VHS tapes, or his interactions with his assistant PJ (Aaron Chen), who manages to be the comic relief in an already funny film.

    Johnson, probably best known for starring in the sitcom New Girl in the 2010s, has the right amount of smarm and niceness to pull off the role, letting viewers laugh at and root for him at the same time. The film is full of comedy all-stars in small roles like Oswalt, Chris Parnell, and Ben Stiller, but Harris steals everyone’s thunder. The line readings by the four-time Oscar nominee give an extra punch to his character’s jokes, especially one that hints at the sordid history of the tennis club.

    It’s a shame that The Dink is only playing on a streaming service as there’s a dearth of good comedies like this in movie theaters. With a solid joke-telling approach, a respect for its subject matter, and a cast who all play off each other well, this is a film that deserves to be seen by more than just those with an Apple TV subscription.

    ---

    The Dink is now streaming on Apple TV.

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