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in bloom

Rock icon Bono's daughter makes her own sweet music in Flora and Son

Alex Bentley
Sep 29, 2023 | 3:27 pm

The new Apple TV+ film Flora and Son centers on a single mother and her teenage son, a situation that typically calls for an uplifting story about the mother’s struggles trying to support the two of them, and the bond that develops between them as go through the troubles together. While that element exists somewhat here, it goes down a much different path that’s both saltier and equally as rewarding.

Eve Hewson and Oren Kinlan in Flora and Son

Photo courtesy of Apple TV+

Eve Hewson and Oren Kinlan in Flora and Son.

Set in Dublin, Ireland, the film follows Flora (Eve Hewson), a single mom to Max (Oren Kinlan), who gets in a fair bit of trouble. She shares custody with her ex, Ian (Jack Reynor), and their antagonistic relationship, along with Max being a teenager, likely has an effect on how Flora and Max get along. A typical interchange between mother and son has them calling each other all sorts of bad names, although there rarely seems to be any true animosity behind their arguments.

When a guitar Flora refurbishes for Max goes unappreciated, she instead starts taking online lessons herself with an American named Jeff (Joseph Gordon-Levitt). She’s no less brash with him, but her sincere interest in learning how to play and in finding out more about Jeff’s music opens a new door for Flora. Soon, a discovery that Max is making music of his own on his laptop helps them communicate better than they have in a long time.

Flora & Son is the latest music-focused film from writer/director John Carney (Once, Sing Street), and he once again finds the sweet spot in telling a personal story enhanced by song. Flora has more than a few rough edges, making her a less-than-ideal protagonist, but the heart of the character shines through precisely because she has no filter. Once music is added to the equation, it become that much easier to see the type of person she is and why you should root for her.

Both Hewson and Gordon-Levitt are charming actors, so they establish a connection through a screen well. Fortunately, though, Carney chooses not to leave it at that, adding a slight fantasy element to some of their scenes by having Flora imagine Jeff in the room with her. A romantic element naturally arises, but it’s the unexpected way in which two lonely souls find each other from across the world that makes them the most interesting.

There are a couple of decent songs that come out of the process of all of the music-making, but nothing that you could truly call an earworm. Instead, it’s the feeling you get seeing the characters interact when they’re sharing music with each other that makes the film sing. Only one character could be classified as a professional musician, with the rest of them making music for the pure joy of it, an emotion Carney translates well in his storytelling.

Hewson (the daughter of U2’s Bono, in case you were unaware) is having a moment after 15 years in the business. She has a boldness that serves her as well in this role as it did in the recent Apple TV+ limited series, Bad Sisters. This is Kinlan’s first major part, and he acquits himself well. Both Gordon-Levitt and Reynor are seasoned actors who know how to make the most of their limited scenes.

The depiction of a mother/child relationship in Flora and Son is atypical, but it still winds up in a great spot thanks to the power of music and some fine performances. Carney’s love for both songs and filmmaking has yielded some memorable movies over the years, this one included.

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Flora and Son opens in select theaters and on Apple TV+ on September 29.

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Movie Review

Despicable Me sequel Minions & Monsters keeps franchise's goofy vibe

Alex Bentley
Jun 30, 2026 | 4:00 pm
Henry and James in Minions & Monsters
Photo courtesy of Illumination & Universal Pictures
Henry and James in Minions & Monsters.

The Despicable Me franchise is one of the most enduring of the 21st century, now reaching its seventh film in the past 16 years with the release of Minions & Monsters. The Minions, which were originally mere sidekicks to the supervillain Gru, have now arguably become the face of the franchise, even more so when they get their own movie.

Minions & Monsters purports to give even more history for the little yellow pill-shaped beings who want nothing more than to serve bad guys. Instead of fan favorites like Kevin, Stuart, and Bob leading the way, this film features James, a Minion who can’t stop causing chaos, and his best friend, Henry (all Minions are voiced by series creator Pierre Coffin).

After a prologue showing the Minions teaming up with various baddies over centuries, the group shows up in early 20th century Hollywood, gaining attention from filmmakers like Max (Christoph Waltz) and producer brothers Frank and Edward (both voiced by Jeff Bridges). They quickly rise up the ranks, with adventures coming to involve actress Debbie (Zoey Deutch), robot Dort (Jesse Eisenberg), and a Cthulhu named Goomi (Trey Parker).

Co-directed by Coffin and Patrick Delage and co-written by Coffin and Brian Lynch, the film is the loosest one of the franchise to date, using a barely-there story as an excuse to have the Minions engage in as much mayhem as possible. The prologue is the most successful part of the film, as they meet a cyclops, wizard, bank robber, and more, with each sequence getting wilder and funnier.

The 90-minute film is just as interested in entertaining kids with its craziness as it is in giving adults references to early film history. Among the films and actors that get shout-outs are the first-ever movie, The Horse in Motion, Georges Méliès’ A Trip to the Moon, Charlie Chaplin, Buster Keaton, and more. Whether including those historical relics will have kids wanting to seek out the real deals is questionable, but at least it shows the filmmakers know they owe a debt to the greats of the past.

The second half of the film becomes less coherent as the Minions split into different factions. James, Henry, and a hard-of-hearing Minion named Ed go in one direction to make a monster movie, while a larger group led by their antagonist named Dick goes in another. There’s no real purpose to either side’s journey other than to serve up laughs through the Minionese language (which seems to lean toward Spanish, as one scene acknowledges) and their antics.

Anyone purposefully going to a Minions movie likely enjoys Coffin’s performance of each character, each of which is subtly different. The rest of the cast, while star-laden, never truly sounds like the actors portraying them, which is strange when you have distinctive voices like Waltz, Bridges, and Eisenberg. The only people who stand out are Allison Janney as the narrator, Bobby Moynihan, and a cameo by George Lucas.

While Minions & Monsters doesn’t offer up an overly compelling reason for existing, it’s also harmless fun that has the side benefit of exposing kids to bits of film history that they might not have known existed. It also tries something different from the tried-and-true format of previous films, and experimentation should be appreciated even if it’s not fully successful.

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Minions & Monsters opens in theaters on July 1.

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