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    Deliman Satisfies

    Crowd-pleasing movie starring Houston's deli king defines real comfort food

    Eric Sandler
    Feb 28, 2015 | 11:30 am

    Houston has a starring role in the documentary Deli Man, which debuted at the River Oaks Theatre Friday. Ziggy Gruber, the "Delimaven" behind Kenny & Ziggy's New York Delicatessen Restaurant in the Galleria area, stars in the movie, which examines the role delis played in Jewish culture during the 20th century.

    Through interviews with celebrities like Larry King, Jerry Stiller and Fyvush Finkel, Deli Man documents the rise of deli culture beginning with Jewish-German immigrants in the 1850's and kicking into high gear when Eastern European Jews came to America in the 1880's and 90's.

    According to the movie, certified kosher delis peaked in 1931 at over 1,500 in the five boroughs of New York alone — an astonishing number that doesn't include New York's suburbs or kosher-style establishments that served both meat and dairy. Interviews attributed part of delis' success to their ability to provide Jews with a taste of home (goulash, offal soup) while also serving up new dishes like corned beef sandwiches that never existed in Europe.

    Recruited by real estate developer Lenny Friedman to come to Houston in 1999, Gruber says that at first he considered the city to be "like Deliverance for Jews," but Kenny & Ziggy's quickly found an audience.

    Commentary from deli owners and their descendants, many of whom are second and third generation delimen like Gruber, document the central role that restaurants like the Carnegie Deli, Stages Deli and the 2nd Avenue Deli played in people's lives. Whether celebrating a birth, mourning a death or any family occasion in between, Jews turned to delis for comfort and sustenance.

    After World War II, Jews migrated to the suburbs and deli culture withered. Between assimilation and the destruction of Eastern European Jewry during the Holocaust, not much new blood came into the deli business. Today, only about 150 kosher or kosher style delis exist in the entire country.

    In addition to this look at deli culture and history, the movie provides some insight into Gruber's life. How he, as a third generation deliman, entered the business under the tutelage of his grandfather at the age of 8 and never looked back.

    The movie documents that Gruber attended Le Cordon Bleu in London for culinary school and was headed on a fine dining path when he attended a deliman's convention in New York and changed paths to enter into the family business. Recruited by real estate developer Lenny Friedman to come to Houston in 1999, Gruber says that at first he considered the city to be "like Deliverance for Jews," but Kenny & Ziggy's quickly found an audience.

    Gruber's brother describes him as "married to the deli," but Deli Man has a romantic side. The movie follows Gruber's budding relationship with Mary McCaughey. One of the movie's final scenes is their wedding in Hungary at the same synagogue where Gruber's grandfather became a bar mitzvah. The Grubers recently became parents with the birth of their daughter, Izzy.

    "The reality is I’m always the same way," Gruber says. "What you see is what you get. If you follow me around, this is who I am."

    At a party to celebrate the premiere Wednesday night, Gruber tells CultureMap that he's very happy with the way he's depicted in the movie. "The reality is I’m always the same way," Gruber says. "What you see is what you get. If you follow me around, this is who I am."

    Gruber's marriage and the rise of two new delis, Caplansky's in Toronto and Wise Sons in San Francisco, help end the movie on an upbeat note. Deli culture may never exceed its Depression-era peak, but, with stewards like Ziggy Gruber, Jews and Gentiles alike will always have access to corned beef, knishes and matzah ball soup.

    Gruber's immediate future as it relates to Dubrow's New York Grill, his concept for the former Sorrel Urban Bistro, has been stalled by a landlord dispute. Asked for a status update, the deliman is polite by succinct. "We’re just letting our attorney handle the whole thing. That’s all I can talk about, but we’re very confident," Gruber says.

    Whatever the future holds, Deli Man is a worthwhile watch. Just don't go hungry. Or, if you do, have plans to eat immediately after.

    Full disclosure: The author's mother contributed money to the production, and she is thanked in the credits.

    Ziggy Gruber celebrates the premiere of Deli Man at the River Oaks Theatre.

    Ziggy Gruber Deli Man premier
    Photo by Troy Fields
    Ziggy Gruber celebrates the premiere of Deli Man at the River Oaks Theatre.
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    Movie Review

    Feuding couple fights for survival in dark comedy Over Your Dead Body

    Alex Bentley
    Apr 24, 2026 | 2:00 pm
    Jason Segel and Samara Weaving on Over Your Dead Body
    Photo courtesy of IFC Films
    Jason Segel and Samara Weaving on Over Your Dead Body.

    When dysfunctional couples are depicted in movies, about the worst that typically happens is an acrimonious divorce. But in the new comedy/thriller Over Your Dead Body, the husband-and-wife have already gone way past that point by the time they’re introduced to the audience, with their plans leaning toward murder.

    Dan (Jason Segel) is a low-level filmmaker relegated to directing pop-up ads, while Lisa (Samara Weaving) is an actor making do in small theater productions. The film finds them heading toward a rare getaway to a remote lake cabin, but it’s clear from the start that the married couple has been at odds for months, if not years. As the film begins, Dan clumsily drops hints at an alibi for his planned murder of Lisa to his ailing dad (Paul Guilfoyle) and others.

    His shoddy planning was already sussed out by Lisa, who turns the tables on him when he tries to attack her, revealing a plan of her own. The situation naturally heightens their shared enmity of each other, but their blind hatred turns out to reveal the presence of Pete (Timothy Olyphant) and Todd (Keith Jardine), two escapees from a nearby prison who were helped by guard Allegra (Juliette Lewis). What was once a shared murder plan turns into a fight for survival, forcing Dan and Lisa to work together.

    Directed by Jorma Taccone (The Lonely Island) and written by former SNL writers Nick Kocher and Briand McElhaney, the film aims to mine comedy out of darkness. Dan and Lisa’s ire for each other is palpable, and their interactions early in the film are uncomfortable. As the film turns increasingly violent with the introduction of other unsavory characters, most of the humor is derived from the creative ways people are attacked and the ultraviolence that results from them going after each other.

    It’s a little tough to get fully invested in the story when the filmmakers throw the audience directly into the plot with almost zero setup. There’s not even a cursory montage of Dan and Lisa being in love, so it’s hard to care a lot about their current hate for each other. Likewise, the presence of the prison guard and escapees is completely random, and the three of them aren’t utilized well in the story despite having a couple of well-known actors portraying them.

    The saving grace of the film, though, is the twists and turns it takes in the final act. Everyone on screen is put through the wringer, with each of them suffering multiple injuries or worse. The mayhem becomes so chaotic that it’s almost impossible to tell what’s going to happen next, which slightly makes up for the fact that the story as a whole is lackluster. Even though the audience knows they’re being manipulated, the sequences are entertaining enough to overcome that fact.

    The cast as a whole is solid. Segel (How I Met Your Mother, Shrinking) uses his comic sensibility to keep the proceedings light. Weaving (Ready or Not) has done multiple movies in this vein, so she knows how to navigate the comedy/thriller waters. Olyphant feels a little out of place, but he has a presence that elevates his part. Lewis goes a little too manic in her part, and Jardine ably embodies the dumb brute.

    The comedy history of Taccone, Segel, and Weaving keeps Over Your Dead Body as a positive experience even when the story doesn’t quite measure up. The film never becomes fully predictable, giving the audience a great dose of pandemonium that lifts it up despite its other faults.

    ---

    Over Your Dead Body is now playing in theaters.

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