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    Deliman Satisfies

    Crowd-pleasing movie starring Houston's deli king defines real comfort food

    Eric Sandler
    Feb 28, 2015 | 11:30 am

    Houston has a starring role in the documentary Deli Man, which debuted at the River Oaks Theatre Friday. Ziggy Gruber, the "Delimaven" behind Kenny & Ziggy's New York Delicatessen Restaurant in the Galleria area, stars in the movie, which examines the role delis played in Jewish culture during the 20th century.

    Through interviews with celebrities like Larry King, Jerry Stiller and Fyvush Finkel, Deli Man documents the rise of deli culture beginning with Jewish-German immigrants in the 1850's and kicking into high gear when Eastern European Jews came to America in the 1880's and 90's.

    According to the movie, certified kosher delis peaked in 1931 at over 1,500 in the five boroughs of New York alone — an astonishing number that doesn't include New York's suburbs or kosher-style establishments that served both meat and dairy. Interviews attributed part of delis' success to their ability to provide Jews with a taste of home (goulash, offal soup) while also serving up new dishes like corned beef sandwiches that never existed in Europe.

    Recruited by real estate developer Lenny Friedman to come to Houston in 1999, Gruber says that at first he considered the city to be "like Deliverance for Jews," but Kenny & Ziggy's quickly found an audience.

    Commentary from deli owners and their descendants, many of whom are second and third generation delimen like Gruber, document the central role that restaurants like the Carnegie Deli, Stages Deli and the 2nd Avenue Deli played in people's lives. Whether celebrating a birth, mourning a death or any family occasion in between, Jews turned to delis for comfort and sustenance.

    After World War II, Jews migrated to the suburbs and deli culture withered. Between assimilation and the destruction of Eastern European Jewry during the Holocaust, not much new blood came into the deli business. Today, only about 150 kosher or kosher style delis exist in the entire country.

    In addition to this look at deli culture and history, the movie provides some insight into Gruber's life. How he, as a third generation deliman, entered the business under the tutelage of his grandfather at the age of 8 and never looked back.

    The movie documents that Gruber attended Le Cordon Bleu in London for culinary school and was headed on a fine dining path when he attended a deliman's convention in New York and changed paths to enter into the family business. Recruited by real estate developer Lenny Friedman to come to Houston in 1999, Gruber says that at first he considered the city to be "like Deliverance for Jews," but Kenny & Ziggy's quickly found an audience.

    Gruber's brother describes him as "married to the deli," but Deli Man has a romantic side. The movie follows Gruber's budding relationship with Mary McCaughey. One of the movie's final scenes is their wedding in Hungary at the same synagogue where Gruber's grandfather became a bar mitzvah. The Grubers recently became parents with the birth of their daughter, Izzy.

    "The reality is I’m always the same way," Gruber says. "What you see is what you get. If you follow me around, this is who I am."

    At a party to celebrate the premiere Wednesday night, Gruber tells CultureMap that he's very happy with the way he's depicted in the movie. "The reality is I’m always the same way," Gruber says. "What you see is what you get. If you follow me around, this is who I am."

    Gruber's marriage and the rise of two new delis, Caplansky's in Toronto and Wise Sons in San Francisco, help end the movie on an upbeat note. Deli culture may never exceed its Depression-era peak, but, with stewards like Ziggy Gruber, Jews and Gentiles alike will always have access to corned beef, knishes and matzah ball soup.

    Gruber's immediate future as it relates to Dubrow's New York Grill, his concept for the former Sorrel Urban Bistro, has been stalled by a landlord dispute. Asked for a status update, the deliman is polite by succinct. "We’re just letting our attorney handle the whole thing. That’s all I can talk about, but we’re very confident," Gruber says.

    Whatever the future holds, Deli Man is a worthwhile watch. Just don't go hungry. Or, if you do, have plans to eat immediately after.

    Full disclosure: The author's mother contributed money to the production, and she is thanked in the credits.

    Ziggy Gruber celebrates the premiere of Deli Man at the River Oaks Theatre.

    Ziggy Gruber Deli Man premier
    Photo by Troy Fields
    Ziggy Gruber celebrates the premiere of Deli Man at the River Oaks Theatre.
    unspecified
    news/entertainment

    welcome home, wes

    Wes Anderson's Houston homecoming supports historic theater restoration

    Craig D. Lindsey
    Jul 20, 2026 | 12:30 pm
    Wes Anderson's Houston homecoming supports historic theater restoration

    A fancy, eccentric-looking crowd showed up for the Wes Anderson Homecoming Soirée, held on Friday, July 17, at the Hobby Center for the Performing Arts’s Zilkha Hall.

    Fans of the Houston-born, Oscar-winning auteur paid hundreds of dollars to attend this benefit event. Guys dressed up like characters from The Royal Tenenbaums. Others wore red skull caps and low-top Adidas, like the characters from The Life Aquatic with Steve Zissou. Some people working the event even wore “Lobby Boy” hats, looking like the bellboy character from The Grand Budapest Hotel.

    The people gathered for two reasons: 1) to get a chance to see Anderson in person; and 2) to raise money to renovate and restore the Garden Oaks Theater, a project spearheaded by local nonprofit Arthouse Houston. Top-tier “Founders Experience” ticketholders got a chance to meet Anderson onstage for pics. The St. John's School alum also received a proclamation from Mayor John Whitmire declaring it “Wes Anderson Day.”

    After that, he and actor/fellow SJS alum Michael Maggart (who has appeared in several Anderson films) held a half-hour discussion where they reminisced about making Rushmore here in Houston, Anderson’s days working at the Bookstop on W. Alabama (now a Trader Joe’s), and how he and frequent collaborator Owen Wilson used to sneak into the River Oaks Theatre. (It involved pretending to lose a pair of glasses.)

    Of course, the conversation shifted to Anderson coming back home to support the Garden Oaks project. “I always say you can't build an old building,” Anderson said. “First of all, I mean, a beautiful old place has history, and has people's experiences tied into it, and it has stories involved in it. And I think an old cinema — these things are kind of endangered all over the world, and it's not just an architectural thing. It's not even just a community thing. It's a sort of delivery system for something that’s, to me, deeply important to our country.

    “It’s one thing we can access these things on all these devices,” he continued. “It's a different thing when you go to a place that's designed to help you share the experience of a movie together. It's such a powerful art form. And, anyway, for me, it's worth making a bit of an effort to try to save a place like the Garden Oaks.”

    After the convo, he introduced the quintet of films he curated for the event. (Unfortunately the DCP file for his 2007 short Hotel Chevalier had some technical difficulties and was cut short.) “We wanted to do a screening here, and I don't have a new movie to show,” he said. “I don't have something hot off the presses. So, I thought I'd put together a little something that just was different from what anybody else will see. So it's a sort of mixture… This is just for Texas, this little collection.”

    He eventually left the stage, leaving Arthouse Houston co-founder/director Maureen McNamara and Houston Public Media host Ernie Manouse to auction off perks & gifts and encourage the audience in helping revive another legendary, local movie palace. Among other items, attendees bid for treasures such as a special John Waters backstage VIP experience at his upcoming Christmas Show, dinner with John Cameron Mitchell, and a rare set of photo portraits of a young Anderson and friends, circa Bottle Rocket. Others paid $5,000 for select seats in the future theater and $5,000 to restore one foot of the venue's neon sign.

    Wes Anderson homecoming soiree

    Photo by Alan Nguyen

    Mayor John Whitmire declared Friday as Wes Anderson day in the director's honor.

    So far, the effort has raised approximately $1.3 million of the $4 million required to begin the renovation project. The organization needs to raise $4 million by July 30 for the project to move forward. Those interested in securing naming rights will find more information here.

    “River Oaks has 245 seats,” McNamara informed the crowd. “The Garden has over 700, and that is a place that we don't have in Houston. We have a need for that, for premieres, for performances in your life, for music, for a dynamic learning & exhibition space… So, we're building new on the shoulders of our history. I hope you guys will join us, and we need people to join us in a big way today.”

    wes andersongarden oaksrushmorehoustonfundraisers
    news/entertainment
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