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    What's Love Got to Do With It?

    Good Girl Gone Back?: Rihanna fans are understandably upset with sex-fueledChris Brown remix

    John Bumgardner
    Feb 22, 2012 | 9:15 am
    • Rihanna and Chris Brown.
    • The Cycle of Violence

    Gals, can we get serious for a minute?

    I'm starting to worry that there is not enough love in this world right now to save the women of R&B music. First, Whitney gets consumed by her troubled past. Now, Rihanna is working alongside her ex-boyfriend and abuser. What is it with these strong, beautiful, talented women making such terrible choices?

    My heart sank when I heard the news that Rihanna and Chris Brown were working together again on their latest singles. In a series of supportive, mutually promotional tweets, @rihanna and @chrisbrown revealed their latest remixes would feature one another's vocals.

    No one is doubting the abilities of either party, and it's likely —despite the controversy, or perhaps because of it — that we'll hear both tracks (cleaned up, of course) at dance clubs and on the radio this summer. What's even more disturbing, however, is hearing their voices in tandem again, knowing their history.

    Rihanna's track "Birthday Cake (remix)" is a series of thinly veiled sexual innuendos. Brown's contribution to the track includes the line "Girl, I wanna f--k you right now/It's a been a long time and I'm missing your body."

    Not exactly the public apology anybody hoped to hear from Brown before accepting him within restraining order distance.

    But we would be fools to expect anything different from Brown. His Twitter reactions to all the criticism following this year's Grammy Awards proved that he is still coping with his anger issues. Which shows that he is definitely not prepared for a legitimate do-over with the woman he publicly humiliated back in 2009... the night before the Grammy Awards.

    Brown's contribution to the track includes the line "Girl, I wanna f--k you right now/It's a been a long time and I'm missing your body." Not exactly the public apology we hoped to hear from Brown before accepting him within restraining order distance.

    It's easy and it's right to be upset with Brown, but the messy part of this equation arrives in the form of Rihanna's acceptance of the man back into her life. We've watched this scene unfold in countless tabloids and movies with damaged, vulnerable celebrities, and too many of us have watched loved ones go through the same painful process.

    Domestic violence experts are watching this situation unfold with a close eye because of the impact it could have on the countless impressionable minds of Rihanna's and Chris's fans. Ellyn Loy, the director of clinical services at the House of Ruth in Maryland, told the New York Daily News: “Statistics show generally that half of women leave and half go back a number of times before they make a final decision about the relationship.”

    Current perceptions of abuse have classified it generally as a wheel or a cycle, where "honeymoon" periods of serenity and happiness are slowly replaced with tension and eventual violence. There are many reasons why abused members of a relationship remain with their abusers, not the least of which is hope and true love.

    Almost as if on cue, Rihanna's tweets from Monday include these two statements: "They can say whatever, Ima do whatever ... No pain is forever <-----YUP! YOU KNOW THIS" and "Music heals the world ... we need more!!!!"

    When Rihanna's graphic album Rated R came out, I figured it might be a public figure's way of working through her raw emotion in the public arena she understands. But the charged sexuality and the outright aggression lingered in her song lyrics over the next two albums, including her popular radio pairings with similarly broken down celebs Britney Spears and Eminem. Sigh.

    Unfortunately, celebrities like Rihanna and Whitney are only human like the rest of us. They're just living their lives according to what makes sense to them at the time. If we don't want to watch them self-destruct, we have the option of not idolizing them like we do.

    And, of course, we can't forget that this might just be a publicity stunt above all else. Why Rihanna would want to risk alienating her concerned adult fans who have sympathized or at least empathized with her situation is beyond me. Regardless of the reason, she's got the music world talking again.

    I agree with Loy, who hopes that at least this situation raises awareness of relationship violence and is likely to get teens talking. “Sometimes what it does is raise the consciousness around the issue," she says. "My hope would be that there’s a lot of schools and teen groups talking about what do you think this means, do you think this is a good thing, do you think it is a bad thing?”

    I can't imagine who the folks are, beyond these two against the world, who might think this is a good idea. But in the meantime, here's to hoping we don't watch another brilliant, beautiful flame get snuffed out before her time.

    unspecified
    news/entertainment

    Movie Review

    Resident Evil reboot delivers blood, guts, and big laughs for horror fans

    Alex Bentley
    Sep 17, 2026 | 2:00 pm
    Austin Abrams in Resident Evil
    Photo by Dušan Martinček
    Austin Abrams in Resident Evil.

    In just two films (Barbarian and Weapons), writer/director Zach Cregger has established himself as one of the top horror filmmakers working today. His unique methodology involves taking audiences down familiar pathways before veering off into unexpected areas that feature copious amounts of gore and comically bizarre visuals.

    His new film, Resident Evil, plays out in much the same way, resulting in something starkly different from the previous action-heavy films based on the video game series. Bryan (Austin Abrams) is a courier tasked with bringing special deliveries like organs to hospitals. After one delivery, he gets roped in to making another to the distant location of Raccoon City, a mission he accepts despite being ill-prepared for the journey.

    Traveling down a snowy and icy road, Bryan gets waylaid after accidentally hitting a woman crossing the road. His attempt to save her jump starts a series of adventures in which he tries his best to survive in the face of an onslaught of numerous zombie-like people and creatures. All the while, Bryan is hellbent on completing his delivery at all costs.

    Cregger, who co-wrote the film with Shay Hatten (John Wick: Chapter 4), is in complete command of the tone of the movie from minute one. Leaning into his comedy background, Cregger aims for humor first, with both horror and non-horror moments eliciting laughs. One of the biggest pleasures of the film is the way Bryan — who more often than not is by himself — mutters incredulously after experiencing yet another unbelievable incident. His reactions feel close to how a real person would be acting in such an extreme situation, giving the audience a dose of needed relief.

    The episodic nature of the story also allows the film to play out like a video game without it ever feeling stilted. Every scene is like a new level of the game for Bryan as he faces increasingly difficult situations and monsters along the way. He gets some help from characters played by Kali Reis, Paul Walter Hauser, and Zach Cherry, but he’s mostly on his own, figuring out how to use guns and improvising ways to avoid or attack opponents.

    What Cregger seems to understand better than most filmmakers who have adapted video games into films is how to pay tribute to the series without becoming too much about fan service. There are references aplenty to the different games, but the movie works just as well even if you’ve never played a single second. There is no shortage of tense situations, blood-soaked scenes, and outrageous imagery — and Cregger knows how to stage all of it to maximum effect.

    Abrams is dynamite in the film, using understated line readings to make Bryan both funny and relatable. After being on the verge of breaking out for years, Abrams just might do so with this and the upcoming Whalefall. The appearances by Reis, Hauser, Cherry, Johnno Wilson, and others don’t last long, but each does a great job in helping the film keep the story going.

    Cregger is now three-for-three in his young career, making films that both pay tribute to and subvert horror conventions at the same time. Resident Evil is a blast for fans of the genre, featuring a great lead character, a slew of memorable moments, and indelible visuals that might haunt your dreams.

    ---

    Resident Evil opens in theaters on September 18.

    filmmoviesresident evil
    news/entertainment
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