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    Shake Your Groove Thing

    Royal lineup: Priscilla, Evita & We Will Rock You are Queens of TUTS new musical season

    Joel Luks
    Feb 16, 2013 | 8:00 am

    Transsexuals, queens, half-human creatures, witches with issues and presidential first ladies are some of the characters who will work their magic onstage at the Hobby Center for the Performing Arts.

    Four traveling spectacles and two self-produced shows comprise Theatre Under the Stars (TUTS) playbill for the 2013-14 season, the art presenter's 46th year offering Houston audiences a melange of musicals, a blend of timeless classics and innovative productions. The season is sponsored by St. Luke's Episcopal Health System.

    Click on the videos to watch a short clip of the musical, keeping in mind that productions and casts will vary.

    Priscilla, Queen of the Desert - The Musical (Sept. 29 - Oct. 12)

    If you have an aversion to chatting about wigs, dresses, bust sizes, penises, drugs, stilettos, night clubs, exploding tampons and Abba, then it's best to keep your distance from this absolutely fabulous drag queen musical set down under. Think "I Will Survive," "Shake Your Groove Thing" and "Hot Stuff" in Aussie patois.

    Elf - The Musical (Dec. 6 - 19)

    Some may say that Elf - The Musical is just too young to be considered a holiday tradition like A Christmas Carol or The Nutcracker. But Matthew Sklar's and Chad Beguel's score plus a story about a young orphan, Santa's sleigh and a rendezvous to the North Pole are ideal elements of a feel-good show where the naughty and nice alike learn what Christmas is all about. Elf will be produced by TUTS.

    We Will Rock You (Jan. 22 - Feb 2. 2014)

    Here is a winning formula: The '80s, which are the new '70s, and the jukebox musical, a Broadway genre that has exploded in the past decade. We Will Rock You, which premiered in 2002, tunes into Queen's big hair anthems like "Somebody to Love" and "Bohemian Rhapsody" to craft an intertwined tale about prophecies and supernatural guitars.

    The Wizard of Oz (March 4 - 16, 2014)

    From the dude that gifted the world with Phantom of the Opera, Jesus Christ Superstar and Sunset Boulevard comes this fresh Andrew Lloyd Webber 2011 setting of an old film favorite, an adaptation that won Best Musical Revival at the 2013 Whatsonstage.com Theatergoers Choice Awards. Everyone knows what happens when Dorothy journeys along the Yellow Brick Road, but no one gets tired of revisiting the wizard. Because anything that's ridiculed by South Park will most likely survive the test of time.

    Evita (May 6 - 18, 2014)

    Tim Rice, who provided some of the lyrics for The Wizard of Oz, and Andrew Lloyd Webber are the duo responsible for the score that adds sass to the life of one of South America's most beloved civic leaders. Argentina's former First Lady Eva Perón is yet another example that women — not men — rule the world.

    Evita says not to cry, but you probably will.

    Disney's The Little Mermaid (June 13 - 26, 2014)

    It's Disney, and that, in a nutshell, certifies this TUTS under-the-sea production feels as refreshing as a dip in cool ocean waters on a hot and humid Houston midsummer night. Moral of the story: Stay clear of demonic sea witches named Ursula.

    ___

    Subscriptions to Theatre Under The Stars 2013-14 season are available online and by phone at 713-558-TUTS.

    We Will Rock You

    TUTS 2013-2014 season, February 2013, We Will Rock You
    Photo courtesy of Theatre Under the Stars
    We Will Rock You
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    Awards Season

    CultureMap critic's guide to the 2026 Oscar Best Picture nominees

    Alex Bentley
    Jan 22, 2026 | 2:00 pm
    Michael B. Jordan and Miles Caton in Sinners
    Photo courtesy of Warner Bros.
    Sinners leads all films at the 2026 Academy Awards with a stunning 16 nominations.

    The nominations for the 2026 Academy Awards have been announced, with 10 films vying for Best Picture. Leading the way is Sinners with an astonishing 16 nominations, the most in Oscars history.

    The other top films include One Battle After Another, which earned 13 nominations, and Marty Supreme, Frankenstein, and Sentimental Value, which each got 9 nominations.

    As a refresher, below are links to the full reviews for each of the nominees covered by CultureMap in the past year, as well as brief thoughts on the films and their various nominations.

    Movie fans will have plenty of time to catch up with each of the nominees, as this year's Oscars ceremony will not take place until Sunday, March 15.

    Here's the list of Best Picture nominees, in alphabetical order:

    Bugonia
    Yet another off-the-wall film from director Yorgos Lanthimos features two great performances by Emma Stone (nominated for Best Actress) and Jesse Plemons at its center. Written by Will Tracy (nominated for Best Adapted Screenplay), the conspiracy theory film is alternately brutal and funny as the characters played by Stone and Plemons use their form of power to try to manipulate the other. With a fair amount of intrigue and two great actors going head-to-head for much of its running time, it gives even more Oscar pedigree to its filmmakers and stars.

    F1
    The biggest surprise among the Best Picture nominees has to be the racing movie F1. It was a technical marvel, to be sure, as its nominations in Film Editing, Sound, and Visual Affects attest. But the fact that it has no other nominations in any of the above the fold categories indicates that its other qualities are lacking. As a showcase (aka advertisement) for the sport it depicts, the film works relatively well. As a complete movie, though, there’s not much to recommend, to the point that it almost negates any of the positives that come from the racing scenes.

    Frankenstein (not reviewed)
    Writer/director Guillermo del Toro (nominated for Best Adapted Screenplay) loves himself a monster movie, and he takes on one of the classics with his new version of Frankenstein (now streaming on Netflix). Oscar Isaac plays Victor Frankenstein, who brings to life The Creature, played by Jacob Elordi (nominated for Best Supporting Actor). With a slew of nominations in technical categories, there's a chance this film goes home with a lot of awards at this year's ceremony.

    Hamnet (not reviewed)
    Writer/director Chloé Zhao (nominated for Best Director and Best Adapted Screenplay alongside co-writer Maggie O'Farrell) gets back to her Oscar-worthy skills for the first time since 2020's Nomadland (after the unfortunate detour into the MCU with Eternals). A story about love, loss, and grief involving William Shakespeare and his wife, Agnes, the film is most notable for the performances of its two leads, Jessie Buckley (nominated for Best Actress) and Paul Mescal.

    Marty Supreme
    There was no other movie this year, or maybe even this century, like Marty Supreme. Directed and co-written by Josh Safdie (nominated for Best Director and Best Original Screenplay alongside co-writer Ronald Bronstein), the film is an almost continuous blast of pure energy for 2 ½ hours. So many different things happen over the course of the film that the story defies conventional narratives. At its center is the fast-talking, powerhouse performance by star Timothée Chalamet (nominated for Best Actor), who cements his status as his generation’s movie star one year after playing the polar opposite role of Bob Dylan in A Complete Unknown. Look for the film to be a strong contender in the inaugural Best Casting category, as Safdie fills the film with non-actors who are crucial to the film's success.

    One Battle After Another
    Writer/director Paul Thomas Anderson (nominated for Best Director and Best Adapted Screenplay) has an acclaimed career going back 30 years, but has yet to actually win an Oscar. That will change this year, as One Battle After Another is one of the favorites to win Best Picture thanks to Anderson's stellar filmmaking, as well as multiple great performances that earned the film four acting nominations (Leonardo DiCaprio for Best Actor, Teyana Taylor for Best Supporting Actress, and Benicio Del Toro and Sean Penn for Best Supporting Actor). Add in a story with a very timely political critique (that's getting more relevant by the day) and you have the recipe for a big winner on Oscar night.

    The Secret Agent (not reviewed)
    No foreign country has quite the influence on the Oscars as Brazil, which for the second straight year has gotten one of its films nominated for both Best International Feature Film and Best Picture. Written and directed by Kleber Mendonça Filho, the film is anchored by the performance of Wagner Moura (nominated for Best Actor) as a technology expert in the late 1970s who flees from a mysterious past to try to find peace in his hometown.

    Sentimental Value (not reviewed)
    For the third year in a row, two international films made the cut in the Best Picture race (but whither It Was Just an Accident?). Directed and co-written by Joachim Trier (nominated for Best Director and Best Original Screenplay alongside co-writer Eskil Vogt), the film is tied for the most acting nominations this year, earning nods for Renate Reinsve for Best Actress, Elle Fanning and Inga Ibsdotter Lilleaas for Best Supporting Actress, and Stellan Skarsgård for Best Supporting Actor.

    Sinners
    It takes a special kind of filmmaker to make movies that are both popular and Oscar-worthy, and writer/director Ryan Coogler (nominated for Best Director and Best Original Screenplay) has done it again, seven years after helming the Oscar-winning Black Panther. Both a tribute to Black music history and a gnarly vampire movie, the film is led by Michael B. Jordan (nominated for Best Actor) in dual roles as twins Smoke and Stack. With a story infused with all manner of subtext and a bunch of great supporting performances, including Best Supporting Actress nominee Wunmi Mosaku, the film demonstrates Coogler's great filmmaking abilities that should keep him in demand for years to come. Amazingly, there was only one category for which it was eligible in which it did not receive a nomination.

    Train Dreams (not reviewed)
    The second Netflix movie this year to be nominated, Train Dreams is a contemplative film about a logger (played by Joel Edgerton) in early 20th century America who tries to adapt to a rapidly-changing world. Nominated for Best Adapted Screenplay for the script by director Clint Bentley and co-writer Greg Kwedar, the film is most notable for the work done by Adolpho Veloso (nominated for Best Cinematography), who showcases the Pacific Northwest in all its glory.

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