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    Shake Your Groove Thing

    Royal lineup: Priscilla, Evita & We Will Rock You are Queens of TUTS new musical season

    Joel Luks
    Feb 16, 2013 | 8:00 am

    Transsexuals, queens, half-human creatures, witches with issues and presidential first ladies are some of the characters who will work their magic onstage at the Hobby Center for the Performing Arts.

    Four traveling spectacles and two self-produced shows comprise Theatre Under the Stars (TUTS) playbill for the 2013-14 season, the art presenter's 46th year offering Houston audiences a melange of musicals, a blend of timeless classics and innovative productions. The season is sponsored by St. Luke's Episcopal Health System.

    Click on the videos to watch a short clip of the musical, keeping in mind that productions and casts will vary.

    Priscilla, Queen of the Desert - The Musical (Sept. 29 - Oct. 12)

    If you have an aversion to chatting about wigs, dresses, bust sizes, penises, drugs, stilettos, night clubs, exploding tampons and Abba, then it's best to keep your distance from this absolutely fabulous drag queen musical set down under. Think "I Will Survive," "Shake Your Groove Thing" and "Hot Stuff" in Aussie patois.

    Elf - The Musical (Dec. 6 - 19)

    Some may say that Elf - The Musical is just too young to be considered a holiday tradition like A Christmas Carol or The Nutcracker. But Matthew Sklar's and Chad Beguel's score plus a story about a young orphan, Santa's sleigh and a rendezvous to the North Pole are ideal elements of a feel-good show where the naughty and nice alike learn what Christmas is all about. Elf will be produced by TUTS.

    We Will Rock You (Jan. 22 - Feb 2. 2014)

    Here is a winning formula: The '80s, which are the new '70s, and the jukebox musical, a Broadway genre that has exploded in the past decade. We Will Rock You, which premiered in 2002, tunes into Queen's big hair anthems like "Somebody to Love" and "Bohemian Rhapsody" to craft an intertwined tale about prophecies and supernatural guitars.

    The Wizard of Oz (March 4 - 16, 2014)

    From the dude that gifted the world with Phantom of the Opera, Jesus Christ Superstar and Sunset Boulevard comes this fresh Andrew Lloyd Webber 2011 setting of an old film favorite, an adaptation that won Best Musical Revival at the 2013 Whatsonstage.com Theatergoers Choice Awards. Everyone knows what happens when Dorothy journeys along the Yellow Brick Road, but no one gets tired of revisiting the wizard. Because anything that's ridiculed by South Park will most likely survive the test of time.

    Evita (May 6 - 18, 2014)

    Tim Rice, who provided some of the lyrics for The Wizard of Oz, and Andrew Lloyd Webber are the duo responsible for the score that adds sass to the life of one of South America's most beloved civic leaders. Argentina's former First Lady Eva Perón is yet another example that women — not men — rule the world.

    Evita says not to cry, but you probably will.

    Disney's The Little Mermaid (June 13 - 26, 2014)

    It's Disney, and that, in a nutshell, certifies this TUTS under-the-sea production feels as refreshing as a dip in cool ocean waters on a hot and humid Houston midsummer night. Moral of the story: Stay clear of demonic sea witches named Ursula.

    ___

    Subscriptions to Theatre Under The Stars 2013-14 season are available online and by phone at 713-558-TUTS.

    We Will Rock You

    TUTS 2013-2014 season, February 2013, We Will Rock You
    Photo courtesy of Theatre Under the Stars
    We Will Rock You
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    Movie Review

    Timothée Chalamet cements star status in new movie Marty Supreme

    Alex Bentley
    Dec 23, 2025 | 4:30 pm
    Timothée Chalamet
    Courtesy
    Timothée Chalamet

    In a time when true movie stars seem to be going extinct, Timothée Chalamet has emerged as an exception to the rule. Since 2021 he has headlined blockbusters like the two Dune movies and Wonka, and also earned an Oscar nomination for playing Bob Dylan in A Complete Unknown (his second nomination following 2018’s Call Me By Your Name). Now, he’s almost assured to get his third nomination for the stellar new film, Marty Supreme.

    Chalamet plays Marty Mauser, a world-class table tennis player living in New York. But reducing Marty to his best skill doesn’t do him justice, as he’s also a motormouth schemer who will do almost anything to achieve his dreams. He doesn’t have any qualms about wooing married women like neighbor Rachel (Odessa A’zion) or actress Kay Stone (Gwyneth Paltrow), or hiding his true ping pong skills to win money in scams with friends like Wally (Tyler the Creator).

    Marty is seemingly on the go the entire movie, whether it’s trying to convince Kay’s millionaire husband Milton Rockwell (Kevin O’Leary) to fund his table tennis ambitions; or trying to track down the dog of Ezra (Abel Ferrara), a man he accidentally injures; or trying to avoid the ire of the boss at the shoe store where he works. Just when you think he might slow down, he’s off to the races on another plan or adventure.

    Directed by Josh Safdie and written by Safdie and frequent co-writer Ronald Bronstein, the film is an almost continuous blast of pure energy for 2 ½ hours. So many different things happen over the course of the film that the story defies conventional narratives, and yet the throughline of Marty keeps everything tightly connected. His particular type of brash behavior turns much of the film into a comedy as he does and says things that are both shocking and thrilling.

    Another thing that makes the movie sing is the fantastic characterization by Safdie and Bronstein. Almost every person who is given a speaking line in the film has a moment where they pop, which speaks to airtight dialogue that the writers have created. Characters will be introduced and then disappear for long stretches of time, and yet because they make such an impression the first time they’re on screen, it’s easy to pick up their thread right away.

    Safdie, as he’s done previously with brother Bennie (Uncut Gems), calls on a host of well-known non-actors or people with interesting faces/vibes to inhabit supporting roles, and to a person they are crucial to the film’s success. O’Leary (of Shark Tank fame), rapper Tyler the Creator, director Ferrara, magician Penn Jillette, and fashion designer Isaac Mizrahi each deliver knockout performances. The relative unknowns who play smaller roles are just as impressive, making each beat of the film feel naturalistic.

    Leading the way is the powerhouse performance by Chalamet. For one person to believably play both the famously reserved Dylan and also a firecracker like Marty is astonishing, and this role cements Chalamet’s status as his generation’s movie star. A’zion is a rising star who gets great moments as Marty’s on-again/off-again love interest. Paltrow pops in and out of the film, lighting up the screen every time she appears. Fran Drescher as Marty’s mom and Sandra Bernhard as a neighbor also pay dividends in small roles.

    Josh Safdie’s first solo directorial effort is unlike any other movie this year, or maybe even this century. Thanks to its breakneck storytelling, a magnificent performance by Chalamet, and countless intangibles that Safdie employs expertly, the film smacks viewers in the face repeatedly and demands that they come back for more.

    ---

    Marty Supreme opens in theaters on December 25.

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