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    The Week in TV

    TV worth watching: House of Cards marks Netflix series debut and a revamped Smash returns

    Katie Stroh
    Aleksander Chan
    Feb 5, 2013 | 9:33 am

    In our weekly roundup of what's worth seeing (and what isn't), Broadway musicals, zombies and a beloved comedy returns. Also, we attempt to binge on Netflix's first original series.

    Smash
    Season premiere Tuesday at 8 p.m. on NBC

    Oh, Smash. What was supposed to be NBC’s saving grace, its first true prestige drama in years, was an unmitigated exercise in schlock-value Hate Watching. Over the course of its first season, the show, about the making of a Marilyn Monroe musical for Broadway, typified the unfortunate qualifier so bad it’s good.

    And after reportedly unruly behind-the-scenes drama that resulted in a casting purge (so long, devious assistant Ellis!) and the removal of the show’s creator and showrunner, Theresa Rebeck, the show has been revamped and stabilized by former Gossip Girl executive producer Joshua Safran.

    Smash 2.0, at least the season’s first few episodes, are marked by the kind of playful pattering that made GG fun — at least when it wasn’t being derailed by loony bin plot developments, the groundwork for which is laid out in Tuesday’s premiere.

    But maybe some craziness would do the show good, which for all its newfound solidness, still focuses too much time on Katherine McPhee’s aspiring singer-star Karen; McPhee has undoubted singing talent, just paper doll-caliber acting.

    She comes across especially undercooked when pitted against Jennifer Hudson, who recurs this season as Veronica Moore, a Broadway superstar who, naturally, kills it singing. If only Smash had more moments like Hudson’s. B- — Aleksander Chan

    Community
    Season premiere Thursday at 7 p.m. on NBC

    It’s uncertain how much longer Dan Harmon’s ambitious, rambunctious comedy about the friendships borne out of a community college study group will be sticking around — especially since creator Harmon was fired and the show’s initial fall premiere was delayed until now. (Chevy Chase was also fired toward the end of the season’s shooting.)

    Revel then, in what could possibly be the show’s final hours. Its new showrunners don’t quite capture the manic, rapid-fire of pop culture and neologisms of episodes past (though a few bits involving Abed in the premiere are inspired), but the show's tender heart (and Jeff's sweeping monologues) are still intact. B+ — AC

    House of Cards
    Season one available on Netflix

    House of Cards marks Netflix's first foray into HBO-style prestige TV drama, and it hits all the usual marks: a powerful, megalomaniacal male anti-hero lead, slick, expensive production values, an impressive pedigree, and a thoroughly cynical worldview. The David Fincher-produced series follows Frank Underwood (Kevin Spacey), a ruthless, scheming South Carolina Congressman and his icy wife and partner-in-deviance, Claire (Robin Wright).

    When Underwood is snubbed for a spot as the new president's secretary of state, he and Claire embark on a rampage of sabotage and blackmail to bring down his political enemies. Underwood undertakes a symbiotic relationship with headstrong political cub reporter Zoe Barnes (Kate Mara), feeding her carefully manipulated media tip-offs that strategically destroy his nemeses.

    Although the series oozes quality and is undeniably watchable (it holds up to the binge-watching model Netflix is clearly playing into by releasing all 13 episodes at once), it's never transcendent in the way shows like The Sopranos or Mad Men are — at least, not within the first five episodes (the binge-watching model doesn't work quite so well for reviewers on a deadline).

    The series also suffers from its fourth-wall-breaking monologues — Spacey often soliloquies directly to viewers, often in mid-conversation with other characters or even in the middle of his own rousing eulogy of a teenage girl from his constituency.

    The stylistic tic is almost immediately wearisome. It can also be painfully condescending — Underwood often uses his cliche-packed asides to explain things that viewers could easily grasp on their own. Nevertheless, House of Cards is an otherwise solid, compelling watch that rests on the strength of its performances and crispness of its direction. A- — Katie Stroh

    Also on this Week​

    The Jenny McCarthy Show

    Premieres Friday at 9:30 p.m. on VH1. The former Playmate and Singled Out host has a new late night talk show.

    The 55th Annual Grammy Awards

    Airs Sunday at 7 p.m. on CBS. LL Cool J hosts. Justin Timberlake, Taylor Swift, Frank Ocean and Rihanna perform.

    The Walking Dead

    Returns Sunday at 8 p.m. on AMC. The zombies rise again.

    Smash returns with lots of changes.

    Austin Photo Set: News_WeekinTV0204_Smash_Feb 2013
    Eric Liebowitz NBC
    Smash returns with lots of changes.
    unspecified
    news/entertainment

    ACL Fest News

    3-day ACL music festival launches blind pre-sale for 2026 tickets

    Brianna Caleri
    Dec 10, 2025 | 5:00 pm
    Austin City Limits Music Festival (ACL Fest) 2024
    Photo by Daniel Cavazos
    Some fans are committing to ACL Fest early. (Pictured: Leon Bridges at ACL Fest 2024.)

    Austin City Limits Music Festival fans are jumping on the chance to get cheaper access to the festival by buying ahead. The first pre-sale for the 2026 festival is officially open as of Wednesday, December 10. The festival will be held October 2-4 and 9-11.

    The 2026 lineup has not yet been announced, so fans are going in on tickets for the experience alone. It'll be awhile before attendees find out who's performing; the 2025 lineup was announced in May. Three-day general admission tickets and GA+ tickets for Weekend One sold out within hours of the lineup announcement, making the pre-sale a smart move for folks who don't want to risk missing out.

    Five types of tickets are available for each weekend via the pre-sale:

    • 3-day general admission: starting at $325
    • 3-day general admission plus: starting at $700. These tickets include access to a lounge, upgraded restrooms, a private bar, dedicated food vendors, and more.
    • VIP: starting at $1,670. These tickets include access to two VIP Groves, dedicated entry lanes, viewing docks, upgraded restrooms, exclusive food vendors, complimentary salon services, Wi-Fi, and more.
    • Platinum: starting at $5,670. These tickets include similar amenities to VIP, plus a Platinum Parlor, front-of-stage viewing, golf cart transportation, complimentary lockers, pre-sale access to ACL Fest Nights shows, and more.
    • Y'all Access: starting at $27,000. These tickets include similar amenities to Platinum, plus access to the Artist Village and Partner Lounge, invitation to a dinner on the grounds Thursday evenings, a reserved parking spot, and more.

    In addition to the five ticket types, there are other add-ons for group hospitality.

    Before checking out, buyers should know their purchase is subject to a six-ticket maximum. There are also layaway plans for each ticket type, starting at $20 per ticket for general admission.

    Single-day passes are not yet available for 2026.

    festivalslive musicconcerts
    news/entertainment

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