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    CultureMap Comments

    Who cares about awards? Live performances liven up the Grammys

    Sarah Rufca & Caroline Gallay
    Jan 31, 2010 | 7:24 pm

    What makes the Grammys our favorite awards show? Two words: Live performances. We're still trying to catch our breath, but you can keep hitting refresh as Culturemap's Sarah Rufca and Caroline Gallay weigh in on the sights and sounds of music's biggest night.

    ...............................................

    10:32-- Thanks for watching with us! Can't wait 'til next year for Justin Bieber and the Pants on the Ground guy. --Caroline & Sarah

    10:28--Taylor, imma let you finish, but Lady GaGa had one of the best albums of all time...

    10:15--I'm looking at Lil' Wayne and all I can think is "pants on the ground..." Damn you, American Idol! Technical difficultulties can't obscure a rap performance that great.

    10:03--I love me some Lady GaGa, but were I sitting behind her I'd say, spare me the art. I can't see, woman!

    9:58--Caroline says: Maxwell makes me want to slow dance. Sarah says: Maxwell makes me want to slow dance naked.

    9:45--Dave Matthews Band is giving, for our money,the performance of the night, with no crazy production vales, just a spirited, unlifting song and a genuine sense of community exuded by the artists onstage.

    9:40--Why is Adam Sandler at the Grammys? Obviously he didn't know he was coming or he would have done more than throw a blazer over his walk-the-dog outfit.

    9:29--I once heard Mary J. Blige say that she doesn't have the most technically perfect voice, but when she sings you can hear her whole soul in it, and that's what people respond to. For this reason the duet with Andrea Bocelli sounded odd to me. Her voice sounded thin next to his, and he sounded emotionally vacant compared to her. The Michael Jackson quintet vibed much better.

    9:19--Cutest moment of the night: the unidentified child with Rihanna saying "Nooo thanks!"

    9:02--Whatever your opinion of Michael Jackson, his kids seem relatively normal, which is quite an accomplishment considering his own life.

    8:56--I check my mail everyday, and I didn't get any 3-D glasses. How are we supposed to watch this Michael Jackson tribute? Have we just had too many glasses of wine? In a mostly unrelated note, Caroline would like to note that Usher is looking gooooooood since his divorce.

    8:47--It's official: all Taylor Swift songs sound the same. The guest performance of "Rhiannon" with Stevie Nicks only reminds me how uninteresting Swift's lyrics are. -Sarah

    8:39--Caroline is wishing Zac Brown Band (one of her faves) would've gone slightly less patriotic and treated us to "Whatever It Is."

    8:26--Anyone else worried Ke$ha might steal poor Justin Bieber's innocence??

    8:21--Sarah says of all the songs that don't beg for Grammy attention, Jamie Foxx and T-Pain's (and a host of other people's) "Blame It" tops her list. That being said, it was fun to see Foxx attempt opera and the bombastic, white-tuxed conductor turn out to be T-Pain.

    8:11--Stephen Colbert wins a Grammy, daughter thinks he's cool.

    8:08--Lady Antebellum: The love the sparkly bolero worn by the girl in Lady Antebellum. The song sounds pretty identical to the radio version, which is good in that they perform at the same level live, but bad in that it keeps it from being really interesting.

    8:00--Black Eyed Peas: We envy the members of Black Eyed Peas not named Fergie or will.i.am, as they seem to have little to do and yet are taking it to the bank. Fergie is really good at walking with energy. Aside from that, CBS's technical difficulties marred the performance somewhat.

    7:45--Pink: In a beautiful performance, Pink starts off in a full-body white snood and strips to some ribbon and body glitter and performs some aerial acrobatics while singing a haunting version of "Glitter in the Air." Unfortunately the cameramen chose to zoom in on her acrobat helps' crotches instead of watching Pink get submerged in a tank of water so it seemed odd when she reappeared on screen dripping wet. She looked like the sexiest sprinkler we've ever seen.

    7:30--Beyoncé: Did Jay-Z do something wrong? We hope not, but the girl-power performance of "If I Were A Boy" and "You Oughtta Know" was strong, sexy, triumphant Beyoncé at her best. Who needs "Single Ladies"?

    7:15--Green Day/Cast of American Idiot: The Broadway sound is unexpected for the Grammys, but as a performance this is totally working. Caroline wants some of whatever age-defying elixir Billie Joe is drinking.

    7:00--Lady GaGa and Elton John: For Sarah, as an opening number it was somewhat underwhelming, though Elton John was the perfect match for the showy-but-talented GaGa. Where are the pyrotechnics? This is Lady GaGa! Caroline thought it was great as she prefers GaGa's acoustic side.

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    Movie Review

    Glen Powell stumbles in remake of  sci-fi classic The Running Man

    Alex Bentley
    Nov 14, 2025 | 12:30 pm
    Glen Powell in The Running Man
    Photo courtesy of Paramount Pictures
    Glen Powell in The Running Man.

    For all its cheesy ‘80s greatness, the original version of The Running Man starring Arnold Schwarzenegger was a very loose adaptation of the novel by Stephen King. For the new remake, writer/director Edgar Wright has tried to hue much closer to the story laid out in the book, a decision that has both its positive and negative aspects.

    Glen Powell takes over for Schwarzenegger as Ben Richards, a family man/hothead who can’t seem to hold a job in the dystopian America in which he lives. Desperate to take care of his family, he applies to be on one of the many game shows fed to the masses that promise riches in exchange for humiliation or worse. Thanks to his temper, Ben is chosen for the most popular one of all, The Running Man, in which contestants must survive 30 days while hunters, as well as the general population, track them down.

    Given a 12-hour head start, Ben earns money for every day he survives, as well as every hunter he eliminates. Since he only has a relatively small amount of money to use as he pleases, Ben must rely on friendly citizens who are willing to put their own lives on the line to help him. That’s a task made even more difficult as the gamemakers, led by Dan Killian (Josh Brolin), use advanced AI to manipulate footage of Ben to make him seem like a guy for which no one should root.

    Co-written by Michael Bacall, the film is shockingly uninteresting, working neither as an exciting action film, a fun quippy comedy, or social commentary. The biggest problem is that Wright seems to have no interest in developing any of his characters, starting with Ben. Our introduction to the protagonist is him trying to get his job back, a situation for which there is little context even after we’re beaten over the head with exposition.

    The situation in which Ben finds himself should be easy to make sympathetic, but Wright and Bacall speed through scenes that might have emphasized that aspect in favor of ones that make the story less personal. The filmmakers really want to showcase the supposed antagonistic relationship between Ben and Dan (and the system which Dan represents), but all that effort results in little drama.

    Ben has a number of close calls, and while those scenes are full of action and violence, almost every one of them feels emotionally inert, as if there was nothing at stake. It doesn’t help that Wright doesn’t set the scene well, making it unclear how far Ben has traveled or who/what he’s up against. There are times when Ben feels surrounded and others when he can walk freely, weird for a society that’s supposed to be under almost complete surveillance.

    Powell has been touted as a movie star in the making for several years following his turn in Top Gun: Maverick, but he does little here to make that label stick. With no consistent co-star thanks to the structure of the story, he’s required to carry the film, and he just doesn’t have the juice that a true movie star is supposed to have. Nobody else is served well by the scattershot film, including normally reliable people like Brolin, Colman Domingo, Michael Cera, and Lee Pace.

    The Running Man is a big misfire by Wright and a blow to Powell’s star power. On the surface, it has all the hallmarks of an action thriller with a side of social commentary, but nothing it does or says lands in any meaningful way. Schwarzenegger’s one-liners in the original film may have been goofy and over-the-top, but at least they made the movie memorable, which is way more than can be said of the remake.

    ---

    The Running Man opens in theaters on November 14.

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