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    A Super week of music

    Free and affordable Super Bowl concerts touch down all across Houston

    Johnston Farrow
    Johnston Farrow
    Jan 30, 2017 | 9:14 pm

    Calling all music fans: Want a taste of the Super Bowl experience without breaking the bank? The greatest show on turf kicks off this Sunday, but already there have been a multitude of celebrations across the city around the big game, with plenty more scheduled through the week.

    The beauty of the chaos surrounding the Super Bowl is there is something for nearly every musical taste at venues across the city, with first rate lineups that even those with a heavy aversion to the holy grail of sports can enjoy.

    Shows include exclusive parties that require an invite or exorbitantly high cover charges, touting performances by internationally known acts such as Bruno Mars and Taylor Swift. Let's face it, many of us regular folks won’t get a sniff at these events, much less attend.

    The good news is there are many more that are affordable to no cost at locations across the greater Houston area for those with a phobia of Super Bowl traffic and having to drive around too long to find a decent parking spot.

    Downtown

    Super Bowl LIVE is the biggest official Super Bowl party, lasting all week and featuring an impressive lineup of Texas-bred performers. The fan festival takes place on Discovery Green, it’s family friendly, and free to attend.

    Headliners this week include the rising Austin-based alternative psych-rock band The Bright Light Social Hour Tuesday night; rootsy rural Texas country from Ryan Bingham on Wednesday; Houston-native and Beyoncé sibling, R&B soulstress Solange — fresh off one of the best albums of 2016 — on Thursday night; throwback R&B gospel soul from Dallas with Leon Bridges on Friday; and Houston's very own Rock N Roll Hall of Fame inductees ZZ Top Saturday night. (For a full schedule, check out the Super Bowl LIVE website.)

    Within walking distance of Discovery Green’s Super Bowl LIVE event, 8th Wonder Brewery, 2200 Dallas Street, will host its Wonder Bowl event with live shows February 1-3. Wednesday offers an official City of Houston event that showcases the East Downtown aka EaDo neighborhood with Camera Cult, The Wheel Workers, Glass The Sky and Jealous Creatures on the bill.

    It doesn’t get more H-Town than Thursday’s Welcome to Brewston event at the 8th Wonder tap room, hosted by Houston hip-hop luminary Paul Wall. Local DJs will spin to the backdrop of a S.L.A.B. (Slow Low And Bangin’) car show and custom grill fittings by Wall’s Grillz on Wheelz.

    All Wonder Bowl events are free. Grills are not.

    Midtown

    Eclectic indie-rock kids at heart will want to check out the other free party a few stops on the METRORail from SuperBowl Live. The Mid Main SuperFest, 3600-3700 Main Street, will feature musical performances taking place from February 2-5 in the Midtown Cultural Arts and Entertainment District. Headliners are the hip hop and soul influenced Stooges Brass Band of New Orleans on Thursday, Houston’s alternative-indie darlings The Tontons on Friday, and the uplifting Dallas psych choir veterans The Polyphonic Spree on Saturday, plus many more.

    Venues adjacent to the Mid Main SuperFest, The Continental Club, Shoeshine Charley's Big Top Lounge and Alley Kat Bar & Lounge will also host music acts during the festival. The Continental Club hosts funk-soul six-piece Soul Creatures on Thursday, 60s revivalists Picture Book Happy Hour on Friday night, and 79 year-old rock legend Wanda Jackson on Saturday. Ticket prices for Wanda Jackson are $25.

    If sipping beer in hammocks, listening to local talent is more your speed, Axelrad Beer Garden, 1517 Alabama St., has you covered with a massive bill of Houston acts and limited tappings all week.

    Funk-rock Handsomebeast and syth-inflected rock band Birthday Club headline Tuesday; jazz artist Kermit Ruffins headlines Wednesday night; post-punk group Young Mammals take the stage Thursday; trippy Latin-influenced Gio Chamba headline Friday; the indie-pop Telephantom and neo-new wavers Rex Hudson are set for Saturday; with DJ Rex and The Waxaholics closing out Sunday’s festivities. Shows start at 6 p.m. and admission is free.

    For tailgating diehards, get a taste of barbeque before the big game on Feb. 4 at the Tailgate on McGowen: A Local Celebration of the Big Game! jointly hosted by Mongoose versus Cobra and Leon’s Lounge, 1011 McGowen Street.

    In addition to grub by Harlem Road Texas BBQ and specialty cocktails and craft brews, Houston bands Blaggards, Soulshine and Edgebrook will play two outdoor sets before Americana band Mystery Loves Company performs inside. Tickets are $20 advance/$25 day of show/$30 for parking.

    The Heights

    Those looking to stay far from the official Super Bowl LIVE experience downtown, Texas troubadour Robert Earl Keen heads to the relatively intimate setting of the Heights Theater, 39 W. 19th Street, for two shows on Feb. 3 and 4, bringing along a few of his friends at the Super Weekend of Music event.

    One of the state’s most popular country-roots artists, Keen has been going strong the last couple of decades and this show should see him running through his extensive catalogue of classics, including “Feelin’ Good Again,” “The Road Goes On Again,” and “Corpus Christi Bay.” Tickets are $75.

    The White Oak Super Street Party from February 2-5, between Studewood and Heights Boulevard, brings together venues and restaurants Fitzgerald’s, Onion Creek, Little Woodrow’s, Christian’s Tailgate and the Ritual for food and drink specials in addition to a stellar lineup of music and comedy.

    Thursday night highlights Kentucky rockabilly band Legendary Shack Shakers, Friday sees comedian Hannibal Burress in town for two sets, and Saturday offers retro soul band Cuba Gooding and The Main Ingredient. Most performances take place at Fitzgerald’s at varying cover charges.

    Outside the Loop

    The award for largest Super Bowl party outside downtown goes to The Players Party at Sam Houston Race Park, 7575 North Sam Houston Parkway W., from February 2-5, featuring meet-and-greets with NFL legends (Drew Brees, Earl Campbell and many more) alongside popular touring acts.

    Headliners are Country Music Award winners Montgomery Gentry and Britney's sis Jamie-Lynn Spears on Thursday; legendary surf-rockers The Beach Boys on Friday; country-pop upstart Hunter Hayes and country vet Tracy Byrd on Saturday; and decades-spanning party starters KC and the Sunshine Band to close out Sunday.

    Four-day passes to the family-friendly event are $79 for adults and $59 for children, ages 5-12. Children under 5 years old are free. Single-day tickets for adults are $30 and $24 for children.

    R&B soulstress Solange — fresh off one of the best albums of 2016 — is the headliner at the free Super Bowl LIVE event Thursday night.

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    Movie Review

    New horror movie Faces of Death puts a modern twist on cult classic

    Alex Bentley
    Apr 10, 2026 | 4:00 pm
    Dacre Montgomery in Faces of Death
    Photo courtesy of of IFC Films
    Dacre Montgomery in Faces of Death.

    True horror fans will likely be familiar with the 1978 cult film Faces of Death, which purported to be a documentary showing real-life killings in gory detail. It didn’t, of course, but that didn’t stop rumors from continuing to spread for decades. Now, almost 50 years and multiple sequels later, comes a new version of Faces of Death, an actual movie that pays homage to the original in interesting ways.

    Margot (Barbie Ferreira) works at a YouTube-like company called Kino as a content moderator, flagging videos that violate the company’s policies. This means her job often involves seeing some truly despicable things from all manner of depraved people. One day, though, she comes across a video that seems a little too real, and after seeing more similar videos, she starts to believe they’re genuine murders.

    Going against her company NDA, she starts to investigate the videos on her own, which puts her on the radar of Arthur (Dacre Montgomery), who is actually kidnapping people and killing them on camera through methods seen in the original Faces of Death film. It’s not long before Arthur tracks her down, with a plan to make her one of his next victims.

    Written and directed by Daniel Goldhaber (How to Blow Up a Pipeline) and co-written by Isa Mazzei, the film is not so much scary as it is creepy, with the occasional gross-out sequence. The idea of having someone emulate the killings in the cult film is a good idea, and pairing it with the modern-day attention economy — in which content creators go to increasing lengths for clicks — is a clever twist on a concept that other films have done.

    The film as a whole is a commentary on how social media and video sharing sites have often decided to prioritize profits over the well-being of their users. Margot is shown allowing videos involving violence and sexual assault to stay on the site while nixing ones depicting how to use Narcan or demonstrating putting on a condom on a banana. Josh (Jermaine Fowler), Margot’s boss, is even explicit in the company mandate that outrageous videos drive views.

    While Arthur has the makings of a good villain, there are few attempts to make him seem truly diabolical. His kidnappings often seem more spur-of-the-moment than calculated, and even though he has a well thought-out dungeon at home, the house’s location in the suburbs seems to make him vulnerable to easy discovery. Goldhaber and Mazzei leave more than a few unanswered questions along the way that take away from the intensity of the story.

    Ferreira is yet another actor from Euphoria who’s capitalizing on her exposure from that show. She plays Margot’s increasing anxiety well, and when the action ratchets up in the final act, she meets the moment in a satisfying way. Montgomery returns to the vibe he had while playing the evil Billy on Stranger Things, and even though his character doesn’t fully live up to his potential, Montgomery sells his evil for all it’s worth.

    The new Faces of Death may not be what some are expecting given the reputation of the previous films, but it’s a solid horror/thriller that uses the brand as a launching pad into something different. It doesn’t make much of a dent in the scare department, but it does give its violence and gore a degree of relevance in today’s often desensitized world.

    ---

    Faces of Death is now playing in theaters.

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