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New Houston-based streaming service showcases the best of the Bayou City

The team behind Houston-based IVOX+ will spotlight local and Texas topics.

Photo courtesy of IVOX Media

Fans of Houston and Texas culture and personalities who want to see even more coverage have a new outlet. Local production house IVOX Media has launched IVOX+, a new streaming service available through multiple partner apps and devices.

Boasting original local programming, independent films, classic movies, and music, IVOX+ is available for download for iPhone, iPad, and Apple TV, as well as Google Play for Android phones and tablets.

For bigger screen options, the service is also available on Roku devices, Amazon Fire TV, Xbox, and on Samsung TVs, smart TVs, and other devices. Subscribers pay $5.99 per month for independent movies, short films, original series, and thousands of movie classics and old school TV shows.

“As an independent streaming service created in Texas, IVOX+ speaks directly to Texas culture, music, sports, and filmmaking,” IVOX founder Louie Comella tells CultureMap. “The independent spirit that is uniquely Texas can be found in many of the IVOX+ original programs which highlight Texas brands, businesses, destinations, and people.”

On tap for original local programming are Beerliners, Distillery Arts, and Food Civilization, which feature Yellow Rose Distilling, Buffalo Bayou Brewing Company, 8th Wonder Brewery, Clutch Distilling, and chef Ryan Pera of Coltivare and Agricole Hospitality.

Meanwhile, sports personality Lauren Leal (ESPN 97.5FM, Channel 2 KPRC, CW39, and AT&T Sportsnet), will host Sports with Balls with co-host Jeff Michael.

Other Houston topics and programs include The Art Car Parade, Chinatown, The Mahatma Gandhi District, and The Navigation Esplanade neighborhood in IVOX+ originals Es La Realidad, Stories from Chinatown, and Reel Humans.

Houston filmmakers featured on IVOX+ include Courtney Glaude, Stan Hillard, Jantel Fontenot, and Bob Willems. Musical artists Zak The Tyrant, Dalton D’Rich, Jono Jono, Rxbyn, and Doug Westscott will be featured in the cinematic music series.

Plans for IVOX+ include linear and live channels over the next year for its media brands, including Comedy Show TV, Food Civilization, and IVOX MUSIC, with curated channels from Houston, Las Vegas, and Palm Springs, California.

The streaming service was born from Comella (a commercial film executive producer), who, along with fellow cinematographer Gracie Henley, experienced the challenges faced by independent artists to get their work seen by an audience, a release notes.

“Considering all the streaming platforms available, there’s still no real entry point for independents to get their work actually seen by a global audience,” said Comella in a statement. “The days of meeting a studio executive to get the big break are long gone. IVOX+ was created to support independent filmmakers, and content creators, as well as be a destination for indie movies, short films, and new artists.”

Other Texas topics, according to a press release, include:

Austin

Austin City Limits
Kyle Park
Deep Eddy Vodka
The Continental Club
SoCo neighborhood

Dallas

The Reverend Horton Heat
Ricki Derek
Lower Greenville neighborhood
Jimmy’s Italian Grocery

San Antonio

The Blue Star Brewing Co.
The Phantom Rockers
Rico’s
Rebecca Creek Distillery
Sam’s Burger Joint
Pearl Brewery
The BlueStar First Friday event
SouthTown

For more information or to stream the service, visit www.IVOXplus.com.

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Movie Review

Meta-comedy remake Anaconda coils itself into an unfunny mess

Photo by Matt Grace

Jack Black and Paul Rudd in Anaconda.

In Hollywood’s never-ending quest to take advantage of existing intellectual property, seemingly no older movie is off limits, even if the original was not well-regarded. That’s certainly the case with 1997’s Anaconda, which is best known for being a lesser entry on the filmography of Ice Cube and Jennifer Lopez, as well as some horrendous accent work by Jon Voight.

The idea behind the new meta-sequel Anaconda is arguably a good one. Four friends — Doug (Jack Black), Griff (Paul Rudd), Claire (Thandiwe Newton), and Kenny (Steve Zahn) — who made homemade movies when they were teenagers decide to remake Anaconda on a shoestring budget. Egged on by Griff, an actor who can’t catch a break, the four of them pull together enough money to fly down to Brazil, hire a boat, and film a script written by Doug.

Naturally, almost nothing goes as planned in the Amazon, including losing their trained snake and running headlong into a criminal enterprise. Soon enough, everything else takes second place to the presence of a giant anaconda that is stalking them and anyone else who crosses its path.

Written and directed by Tom Gormican, with help from co-writer Kevin Etten, the film is designed to be an outrageous comedy peppered with laugh-out-loud moments that cover up the fact that there’s really no story. That would be all well and good … if anything the film had to offer was truly funny. Only a few scenes elicit any honest laughter, and so instead the audience is fed half-baked jokes, a story with no focus, and actors who ham it up to get any kind of reaction.

The biggest problem is that the meta-ness of the film goes too far. None of the core four characters possess any interesting traits, and their blandness is transferred over to the actors playing them. And so even as they face some harrowing situations or ones that could be funny, it’s difficult to care about anything they do since the filmmakers never make the basic effort of making the audience care about them.

It’s weird to say in a movie called Anaconda, but it becomes much too focused on the snake in the second half of the film. If the goal is to be a straight-up comedy, then everything up to and including the snake attacks should be serving that objective. But most of the time the attacks are either random or moments when the characters are already scared, and so any humor that could be mined all but disappears.

Black and Rudd are comedy all-stars who can typically be counted on to elevate even subpar material. That’s not the case here, as each only scores on a few occasions, with Black’s physicality being the funniest thing in the movie. Newton is not a good fit with this type of movie, and she isn’t done any favors by some seriously bad wigs. Zahn used to be the go-to guy for funny sidekicks, but he brings little to the table in this role.

Any attempt at rebooting/remaking an old piece of IP should make a concerted effort to differentiate itself from the original, and in that way, the new Anaconda succeeds. Unfortunately, that’s its only success, as the filmmakers can never find the right balance to turn it into the bawdy comedy they seemed to want.

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Anaconda is now playing in theaters.

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