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    Live Music Now

    These are the 6 best concerts in Houston this week

    Johnston Farrow
    Johnston Farrow
    Jan 21, 2020 | 10:23 am

    Those hoping to see Chance the Rapper this week are probably still feeling the sting this week as his January 26 show at Toyota Center was cancelled due to personal reasons.

    But take heart, local music fans. There are plenty of shows on the 2020 horizon. Galveston's Mardi Gras! just announced their music lineup for the two-week fest. Pop star Halsey recently announced a June stop at Cynthia Woods Mitchell Pavilion. Tim McGraw and Matchbox 20 announced August shows at the Pavilion as well.

    And we also have a decent week of concerts ahead to celebrate. CultureMap's biggest, best, and most notable shows of the week are as follows:

    Dwight Yoakum at Arena Theatre
    Fun fact: Dwight Yoakum used to date actress Sharon Stone. Things ended so badly, he wrote the songs "Fast As You" and "Heart of Stone." Eesh. Thankfully, Houston crowds are in good graces with the recent inductee to the Nashville Songwriters Hall of Fame, who plays regularly in the Bayou City.

    This marks his first appearance since his stop at White Oak Music Hall for the LSD tour with Lucinda Williams and Steve Earle in 2018. He hasn't released any new material in some time, but his nearly 25-year catalog will surely feature a ton of hits, such as "Guitars, Cadillacs," "Honky Tonk Man," and "Little Ways." Fans of old school country won't want to miss it. Call it a warm-up for the big show when RodeoHouston comes around in March.

    Dwight Yoakum plays Arena Theatre, located at 7326 Southwest Fwy, on Thursday, January 23. Tickets start at $85 plus fees. Show starts at 9 p.m.

    Queensrÿche at HOB
    Classic rock fans of a certain age will be flashing the devil's horns when the Pacific Northwest act Queensrÿche takes the stage. The hard rock-heavy metal band has sold 20 million albums worldwide since their inception in 1980.

    Most followers of the Rÿche will no doubt be on hand to hear their classics, mostly centered around their 1988 breakthrough Operation: Mindcrime and 1990's Empire, including "I Don't Believe in Love," "Jet City Woman," and "Silent Lucidity." While original lead singer Geoff Tate isn't touring, new vocalist Todd La Torre is more than capable of hitting the high notes.

    Queensrÿche is at House of Blues, located at 1204 Caroline St., on Thursday, January 23. John 5 and Adam to Eve open. Tickets start at $29.50 plus fees. Doors open at 7 pm.

    Biz Markie at HOB
    Lovers of many music genres will find something to love when New York City rapper, DJ, and beatboxer Biz Markie returns to House of Blues with his Decades Collide '80s vs. '90s tour. While now known mostly for one song, "Just a Friend," Biz enjoyed a some time in the spotlight in the late '80s and early '90s with humorous songs that found a home on MTV back when it played music. The nostalgia for those days lives on in pop culture, which makes Biz the perfect curator for a fun evening to be paired with dancing shoes.

    Biz Markie mixes the hits at House of Blues, located at 1204 Caroline St., on Friday, January 24. Tickets start at $15 plus fees. Doors open at 7 pm.

    CultureMap recommends: Robert Ellis at Heights Theater
    For the first part of his career, hometown hero Robert Ellis, played the role of a somewhat-serious troubadour. But on his latest album, last year's Texas Piano Man, Ellis dons an all-white suit and cowboy hat and leans into his pop sensibilities, producing perhaps his most fun-loving album and certainly his most critically acclaimed.

    It tackles Texas clichés and turns them on their head, while paying a nod to the things that make the Lone Star State great, like album closer "Topo Chico," and the changing times with "Nobody Smokes Anymore." Ellis will be fully invested in his Texas Piano Man — akin to an Elton-John-loving drifter — at Heights Theater, playing a solo piano set.

    Robert Ellis plays solo at Heights Theater, located at 339 W 19th St., on Friday, January 24. Jamie McDell opens. Tickets start at $22 plus fees. Doors open at 7 pm.

    CultureMap show of the week: Trey Anastasio at HOB
    Phish heads will be ready to get trippy when that famed Vermont jam band's talented guitarist Trey Anastasio appears on the House of Blues stage. Anastacio may have found fame with his first band, but he's been nothing but prolific as a solo artist, recording and releasing well over a dozen albums of experimental music incorporating psych-rock, free jazz, and jam band indulgences.

    Most recently, he worked on the band-oriented Ghosts of the Forest project, released last year. In other words, things will get wavy-gravy when he and his Trey Anastasio Band take off.

    Trey Anastasio headlines House of Blues, located at 1204 Caroline St., on Saturday, January 25. Tickets start at $49.50 plus fees. Doors open at 7 pm.

    Wale at HOB
    First gaining prominence after catching the ear of uber-producer Mark Ronson in the MySpace era, Washington, D.C. rapper Wale succeeded in topping the charts with 2013's The Gifted. But that wouldn't have been possible without his collaborations with other hip-hop luminaries, including Lady Gaga, Gucci Mane, Miguel, Usher, Rick Ross, and Waka Flocka Flame as well as an ear for great samples — listen for the bed springs in hit song, "Bad." While his last few albums lost some creative momentum, he's back on the road behind last year's Wow...That's Crazy.

    Wale throws down at House of Blues, located at 1204 Caroline St., on Sunday, January 26. Tickets start at $25 plus fees. Yowda and DJ Money also appear. Doors open at 7 pm.

    Wale brings his solid hip-hop flow to House of Blues on Sunday, January 26.

    Wale
    Photo by Danilo Lewis
    Wale brings his solid hip-hop flow to House of Blues on Sunday, January 26.
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    Movie Review

    Meta-comedy remake Anaconda coils itself into an unfunny mess

    Alex Bentley
    Dec 26, 2025 | 2:30 pm
    Jack Black and Paul Rudd in Anaconda
    Photo by Matt Grace
    Jack Black and Paul Rudd in Anaconda.

    In Hollywood’s never-ending quest to take advantage of existing intellectual property, seemingly no older movie is off limits, even if the original was not well-regarded. That’s certainly the case with 1997’s Anaconda, which is best known for being a lesser entry on the filmography of Ice Cube and Jennifer Lopez, as well as some horrendous accent work by Jon Voight.

    The idea behind the new meta-sequel Anaconda is arguably a good one. Four friends — Doug (Jack Black), Griff (Paul Rudd), Claire (Thandiwe Newton), and Kenny (Steve Zahn) — who made homemade movies when they were teenagers decide to remake Anaconda on a shoestring budget. Egged on by Griff, an actor who can’t catch a break, the four of them pull together enough money to fly down to Brazil, hire a boat, and film a script written by Doug.

    Naturally, almost nothing goes as planned in the Amazon, including losing their trained snake and running headlong into a criminal enterprise. Soon enough, everything else takes second place to the presence of a giant anaconda that is stalking them and anyone else who crosses its path.

    Written and directed by Tom Gormican, with help from co-writer Kevin Etten, the film is designed to be an outrageous comedy peppered with laugh-out-loud moments that cover up the fact that there’s really no story. That would be all well and good … if anything the film had to offer was truly funny. Only a few scenes elicit any honest laughter, and so instead the audience is fed half-baked jokes, a story with no focus, and actors who ham it up to get any kind of reaction.

    The biggest problem is that the meta-ness of the film goes too far. None of the core four characters possess any interesting traits, and their blandness is transferred over to the actors playing them. And so even as they face some harrowing situations or ones that could be funny, it’s difficult to care about anything they do since the filmmakers never make the basic effort of making the audience care about them.

    It’s weird to say in a movie called Anaconda, but it becomes much too focused on the snake in the second half of the film. If the goal is to be a straight-up comedy, then everything up to and including the snake attacks should be serving that objective. But most of the time the attacks are either random or moments when the characters are already scared, and so any humor that could be mined all but disappears.

    Black and Rudd are comedy all-stars who can typically be counted on to elevate even subpar material. That’s not the case here, as each only scores on a few occasions, with Black’s physicality being the funniest thing in the movie. Newton is not a good fit with this type of movie, and she isn’t done any favors by some seriously bad wigs. Zahn used to be the go-to guy for funny sidekicks, but he brings little to the table in this role.

    Any attempt at rebooting/remaking an old piece of IP should make a concerted effort to differentiate itself from the original, and in that way, the new Anaconda succeeds. Unfortunately, that’s its only success, as the filmmakers can never find the right balance to turn it into the bawdy comedy they seemed to want.

    ---

    Anaconda is now playing in theaters.

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