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    Oscar boost

    More from the Globes: A good night for Hangover, a bad night for Nine

    Joe Leydon
    Jan 18, 2010 | 12:10 am

    It’s been said that Academy members pay no attention to the Golden Globes. The people who say that, however, are probably wrong. Surely a Globe upset in the Best Comedy or Musical category for The Hangover will make more than a few Oscar voters less reluctant to make room for that raunchy laugh riot in a year when there will be ten Best Picture nominees. And I can’t help thinking Sandra Bullock’s Globe win for The Blind Side immediately makes her a major contender, if not the front runner, in the Oscar race for Best Actress. (Full disclosure: I raved about The Hangover months ago, and Sandra Bullock in The Blind Side weeks ago, in reviews I wrote for the showbiz trade paper Variety. I caught a lot of grief from some hoity-toity types for both reviews. Just goes to show you: I am one of America’s tastemakers, and don’t get sufficient credit for it.)

    Consider Nine officially deep-sixed

    Without even a Best Song consolation prize to its credit, it’s fairly safe to assume that Harvey Weinstein’s Nine—already struggling at the box office, and losing more screens every week—has been dealt a fatal blow by its Golden Globes shutout. Of course, Harvey’s other big picture, Inglourious Basterds, didn’t fare much better, earning only a single Globe for the inevitable Christoph Waltz. But, hey, that movie is already available on DVD after a long and profitable theatrical run. Nine, by sharp contrast, is still trying to hang on for one or two showings a day in the smallest auditoriums of the largest megaplexes. (By the time the Oscar nominations are announced next month, it may already be available through Video on Demand.) Yeah, even all those ads with Penélope Cruz in her scanties didn’t help.

    Oh, Ricky, What a Pity!

    Did the producers conspire to keep Ricky Gervais offstage as much as possible without replacing him as host altogether? The twinkly-eyed cheekiness of his opening monologue held the promise of an entire evening rife with unfettered naughtiness. (Even his predictable digs at low-rated NBC and The Great Jay Leno Misadventure had the kick of 100-proof vitriol.) And he seemed to take exuberant delight in making the sorts of comments (“One thing that can’t be bought is a Golden Globe—officially!”) that one might expect from a jolly jokester who’s really not interested in ever being asked back for a repeat. But that simply wasn’t enough; for unconscionably long periods, Gervais more or less disappeared, as though backstage stagehands were physically restraining him. Indeed, at one point, he was invisible for so long that I almost forgot he’d been hired for the gig in the first place. It was around then that I found myself thinking, “You know, what this show really needs is a bit by Ricky Gervais…”

    They've got the look

    The brief shot of Tina Fey’s incredulous expression as Toni Collette—and not Fey—was announced as Best Actress, Comedy or Musical in the TV category. The brief but annoyed glance between Jennifer Aniston and Gerard Butler as it dawned on them that Gervais had neglected to plug their upcoming movie (The Bounty Hunter) while very wittily introducing them to present an award. Sophia Loren gliding across the stage to a standing ovation, showing them all how a real movie star takes over the room. Priceless.

    By any other name

    In Striptease, a 1996 movie that defines the term “guilty pleasure,” a strip club bouncer (Ving Rhames) tried to convince a clueless thug that Meryl Streep once worked as an exotic dancer under the name ChestyLaFrance. Fourteen years later, Streep amused her Golden Globe audience by confessing that, after hearing T-Bone Burnett’s acceptance speech (he co-won Best Song for “The Weary Kind” from Crazy Heart), she would prefer to be known henceforth as T-Bone Streep. Anything you say, my little lamb chop.

    Funniest Quip

    From Paul McCartney, introducing the Golden Globe for Animated Film: “Animation is not just for children. It’s also for adults who take drugs. So let’s look at the films that were made by drug-taking adults.”

    Worst Presenter Ever

    Did you get the feeling that Felicity Huffman really didn’t want to be there?

    Second Worst Presenter Ever

    Was it my imagination, or did Arnold Schwarzenegger mispronounce Avatar about, oh, I dunno, seven or eight times during his introduction?

    Things to come

    Did you feel a little restless around the time the seventh or eighth clip from a Best Film nominee was shown? Well, keep in mind: As mentioned earlier, there will be ten Best Picture nominees this year at the Oscars as well. Consider yourself warned.

    For the record

    Here are all the Globe winners:

    Cecil B. DeMille Award: Martin Scorsese

    Best Motion Picture — Drama: Avatar

    Best Performance by an Actress in a Motion Picture — Drama: Sandra Bullock, The Blind Side

    Best Performance by an Actor in a Motion Picture — Drama: Jeff Bridges, Crazy Heart

    Best Motion Picture — Comedy or Musical: The Hangover

    Best Performance by an Actress in a Motion Picture — Comedy or Musical: Meryl Streep, Julie & Julia

    Best Performance by an Actor in a Motion Picture — Comedy or Musical: Robert Downey Jr., Sherlock Holmes

    Best Performance by an Actress in a Supporting Role in a Motion Picture: Mo'Nique, Precious

    Best Performance by an Actor in a Supporting Role in a Motion Picture: Christoph Walz, Inglourious Basterds

    Best Animated Feature Film: Up

    Best Foreign Film: The White Ribbon (Germany)

    Best Director — Motion Picture: James Cameron, Avatar

    Best Screenplay — Motion Picture: Jason Reitman and Sheldon Turner, Up in the Air

    Best Original Song — Motion Picture: T-Bone Burnett, “The Weary Kind,” Crazy Heart

    Best Original Score — Motion Picture: Michael Giacchino, Up

    Best Actor Television — Drama: Michael C. Hall, Dexter

    Best Actress Television — Drama: Julianna Margulies, The Good Wife

    Best Supporting Actor Television Drama: John Lithgow, Dexter

    Best Supporting Actress Mini-series: Chloë Sevigny, Big Love

    Best Actress Television Series — Comedy: Toni Collette, United States of Tara

    Best Actor Television — Comedy: Alec Baldwin, 30 Rock

    Best Actor Mini-series: Kevin Bacon, Taking Chance

    Best Actress Mini-series: Drew Barrymore, Grey Gardens

    Best Mini-Series or Motion Picture Made for Television: Grey Gardens

    Best Television Series — Drama: Mad Men

    Best Television Series — Comedy or Musical: Glee

    Follow longtime Houston movie critic Joe Leydon on his movingpictureblog.

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    Lizzo makes Houston feel 'Good as Hell' at sold-out Rodeo concert

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    Creed concert review

    Creed serve up millennial nostalgia at pyro-packed RodeoHouston concert

    Craig Hlavaty
    Mar 11, 2026 | 11:54 pm
    Creed concert RodeoHouston
    Courtesy of Houston Livestock Show and Rodeo
    Singer Scott Stapp serenades the RodeoHouston crowd.

    Hello, my friend, we meet again.

    I’ve had a torrid relationship with Creed. As a circa-2000s punk rocker, it was implied that I was supposed to hate them. Nevertheless, I enjoyed those hook-laden Mark Tremonti riffs and Scott Stapp’s burly, Bono-grasping vocals, with just a hint of irony deep in the mix. I had “One Last Breath” on a burned mix CD, bunched in with Fugazi, Rancid, and Sham 69. I would skip it as quickly as I could, depending on who was in the car. Driving home from a long day slinging milk in the Kroger dairy cooler? Windows down, Stapp up.

    When I began my music journalism career 20 years ago (!!!), I began sticking up for them, much to the consternation of a lot of my fellow writers who were hung up on stuff that was supposed to be cooler and hipper. Creed’s pop-culture zenith came right as The Strokes and The White Stripes were thrust on us by the music press as a counter to post-grunge, which other music writers were categorically allergic to. Remember when our biggest problems in America were bands that were overtly influenced by Pearl Jam and Alice In Chains?

    In 2012, I interviewed lead singer Scott Stapp along the way for the Houston Press, and I distinctly recall Stapp being confused on our call that a guy from a smug alt-weekly wasn’t asking him stupid questions or making fun of his leather pants. The band was heading to Houston for a two-night stand at the Bayou Music Center in 2012 when they played 1997’s “My Own Prison” and 1999’s “Human Clay” in their entirety.

    Fun fact: “Human Clay” has sold over 20 million albums alone, besting Nirvana’s “Nevermind” and Pearl Jam’s “Ten” by only a relatively small margin. Creed moved more physical CDs when people actually bought music.

    Somehow, along the way, people stopped hating Creed and Nickelback, and the hate gave way to pre-social media, millennial high school, and pre-9/11 nostalgia. The similarly maligned Nickelback sold out the rodeo in 2024.

    On Wednesday, March 11, I saw junior high school kids wearing crispy new Creed shirts with their parents. Gen Alpha is beginning to get curious about what mom and dad were up to during spring break 2001, and Zoomers are rediscovering Y2K fashions. Haven’t you seen those “Mom, What Were You Like In The ‘90s?” memes?

    Creed has been sold out for weeks, drawing 70,007 attendees. If you had told someone 10 years ago that Creed would sell out RodeoHouston, they would have been skeptical. And yet here we are, staring down at a sold-out Creed show. These things run in cycles. Emotions fade. Annoyance turns into wistfulness for the days of Nokia brick phones and 99-cent gas. You can even go on a Creed Cruise now.

    Creed hit the stage just before 9:30 pm, an enviable bedtime for most elderly millennials, kicking off with the TOOL-chugalug of “Bullets,” with Stapp and Tremonti making the best use of their stage platforms, crucial devices for any major rock band in the 2000s. Unrelenting pyro shot from the dirt surrounding the stage every time Stapp lifted or flailed his arms like Elvis if he discovered cardio.

    The dirge of “Torn” — the second single from My Own Prison — was pyro-less, likely giving the cannons a few minutes to cool off. The sweaty Stapp, at just 52, looks to be in better shape than he did 20 years ago, now sporting a conservative haircut like he stepped out of his company’s stadium suite or finished a twilight run at Memorial Park.

    Stapp introduced “My Own Prison” with a preachery pep talk that wouldn’t sound out of place at an altar call at Sturgis. The crowd hung on every emphatic word. Maybe seeing two middle-aged dudes wearing Stryper shirts down on the concourse made more sense than I realized. Is Creed actually just TOOL that accepted Christ? The graphics behind the band could’ve fooled me.

    Stapp introduced “One” with a speech on commonalities and love. Looking back, Creed’s lyrics were much too earnest, hitting at a time when critics were still hungover from grunge.

    During “With Arms Wide Open,” the rodeo cameras would routinely cut to tattooed dads and rocker chicks in the crowd playing air guitar along with Tremonti and singing their guts out like they did the first time they heard it on 94.5 The Buzz. For a large segment of the crowd, they might have had a Gen-X parent jamming this stuff on the way to school in the morning.

    “Are you ready to get higher in here, Houston?” Stapp yells. The place erupts as “Higher” starts. Stapp was in his element, pyro shooting off, his silver jewelry dangling, taking in the crowd, like he didn’t expect such a response.

    Possibly the last true rock power ballad ever recorded, “One Last Breath,” got the biggest screams of the night; it might also be the Gen-Z “Don’t Stop Believing” as long as we’re making wildly controversial statements. [Editor’s note: Isn’t that Mr. Brightside? -ES]

    Welcome back, Creed, from pop-culture purgatory, and props for what might have been the loudest RodeoHouston show in years.

    SETLIST

    Bullets
    Torn
    Are You Ready?
    My Own Prison
    What If
    One
    With Arms Wide Open
    Higher
    One Last Breath
    My Sacrifice

    Creed concert RodeoHouston

    Courtesy of Houston Livestock Show and Rodeo

    Singer Scott Stapp serenades the RodeoHouston crowd.

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