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    Idol Insider

    Nicki Minaj's hilarious feud propels American Idol to a new age: A sneak peekreveals plenty

    Tara Seetharam
    Jan 10, 2013 | 12:16 pm

    In 2002, Michael Jackson was dangling babies off of balconies. I was memorizing all the words to Nelly’s “Hot in Herre.” No one hated the Dixie Chicks. And a 20-year-old cocktail waitress from Burleson, Texas, won a little televised talent show called American Idol.

    That the cocktail waitress is now a platinum recording artist set to perform at President Obama’s inauguration is impressive. That the show that launched her is, nearly 11 years later, still as relevant as its biggest star is a television anomaly. Against the odds, American Idol has withstood shifting generations, rotating casts and a rapidly changing music industry.

    If the goal of Idol’s competitors is to create stars — and according to Adam Levine, it is — Idol is the professional in a room full of amateurs.

    But in pop culture, relevance can be lost in a Nicki Minaj z snap, all the more apparent in an era where singing competitions are a dime a dozen. This year, Idol is faced with a tricky mission — cutting through the noise of the show’s hipper, louder and increasingly popular competitors.

    No one understands this more than producers Nigel Lythgoe and Ken Warwick, who kicked off the Season 12 premiere event last night, recorded at UCLA’s Royce Hall and distributed via live feed to 11 theaters across the United States. I attended the Houston showing at the AMC Studio 30 on Dunvale, which didn’t have nearly the tingling energy of a Toyota Center Idols Live concert.

    Instead, the modest crowd of about 100 arrived quietly, loyalty to the show’s history and cautious excitement for the new season in tow.

    The producers delivered: Colorful, laugh-out-loud funny and focused all at once, the sneak peek of the two-hour premiere proved the Idol machine is, to quote the insufferable, in it to win it.

    Step one? Touting Idol’s resume. The episode smartly begins with a string of numbers: 250 million iTunes downloads, 370 No. 1 Billboard hits, 88 gold records, 19 platinum albums, nine Grammy Awards, 13 CMA Awards and one Oscar. Early winners Kelly Clarkson and Carrie Underwood may be the torchbearers, but Idol’s success isn’t bottom heavy: Season 11 winner Phillip Phillips just went triple platinum with his debut single, “Home.”

    If the goal of Idol’s competitors is to create stars — and according to Adam Levine, at least, it is — Idol is the professional in a room full of amateurs.

    But the biggest story of Season 12 is its new blood: Minaj, Mariah Carey, and Keith Urban join Randy Jackson on the judging panel this year, replacing oddball pair Jennifer Lopez and Steven Tyler. The seeds of Carey and Minaj’s much talked-about feud are visible in the premiere, but, thankfully, that’s all it amounts to — an eye roll here, a hilarious Minaj stank face there, a few aggressive jabs sprinkled in between.

    “Your range is better than Mariah’s,” Minaj tells one contestant without blinking.

    For all the added flash, the new judges at least pump some identity into the panel, a welcome change from seasons past. Minaj straddles the line between grating and refreshing at any given moment, but her artistic vision is undeniable. Carey looks tame compared to Minaj, but her approach is nonetheless strong and consistent. And caught between the two is Urban, a steady, graceful force who shows the sharpest appreciation for the blend of technical and innate skills that make up the best artists.

    “Your range is better than Mariah’s,” Minaj tells one contestant without blinking.

    Time will tell if personalities can mesh for an entire season — “I feel like we gel well. Is that weird?” Minaj asks the panel in the premiere — but Idol has never been the sum of its judges. Unlike The Voice or The X Factor, when voting rolls around come March, the judges will be rendered irrelevant, and talent will drive the quality of the season. (I’m holding you to this, Lythgoe.)

    So what of the talent?

    The sneak peek featured one compelling audition and a few solid auditions from New York City and Chicago. Ashlee Feliceano, whose family adopts medically challenged foster children, sings “Put Your Records On” with spirit and a lovely tone. Sarah Restuccio’s take on Underwood’ “Mama’s Song” is serviceable, but when asked to sing a second song, the cowboy boots-sporting 17-year-old blazes through the rap portion of “Super Bass” with a much clearer personality.

    Minaj eats it up. Urban looks confused.

    Twenty three-year-old Griffin Peterson is the first WGWG of Season 12 (is it too early to call a winner?), but no discredit to him — his brief spin on Needtobreathe’s “Washed by the Water” is intriguing, though overshadowed by Minaj’s embarrassing fawning. “The single life,” Carey quips under her breath.

    And finally, we meet Lazaro Arbos, a 21-year-old Cuban native who moved to Florida with his parents a decade ago. Back stories haven’t kicked me in the gut since Danny Gokey ruined them for me, but this one does.

    Inhibited by a heavy stutter, Arbos has trouble even getting out the name of his song to the judges. The moment he starts singing “Bridge Over Troubled Water,” however, all traces of stutter disappear. His voice is a cross between David Archuleta’s purity and Clay Aiken’s tone, but its mark is open-faced vulnerability. Urban’s expression is priceless as he watches, as if to say, “Ah, this is why I’m here.”

    To that extent, the loss of Lopez’s sincerity isn’t noticeable just yet. Carey, Minaj and Urban may not be as nurturing as Lopez, but they each appear genuinely interested in contestants in their own way — be it via caustic honesty or emotional connection. If they can marry that to a critical eye in later rounds, you can’t ask for much more from a judging panel.

    A live Q&A session with the judges, hosted by Ryan Seacrest, followed the sneak peek of the premiere. The most telling aspect was the judges’ interaction (for Minaj and Carey, hardly any), but a few interesting bits surfaced:

    • Minaj’s final push to join the Idol team came from an unlikely source: Lil Wayne. Say what?
    • Minaj believes if you attach your dream to something bigger than yourself (for her, getting her family out of a bad situation), it’s impossible to quit the dream — the smartest cheesy advice I’ve heard in a while.
    • On achieving longevity: Urban says make art that’s relevant; Minaj says make choices you can live with; Jackson gives shockingly astute advice: “You have to be compared against yourself,” he says, noting previous true-to-self winners.
    • On finding an entertainer vs. a vocalist: Minaj thinks we’re in an era of entertainers; Jackson asks why can’t we have it all, and I agree with him for the second time . . . ever?
    • On the possibility of the judges performing together: Urban’s immediately in; the rest are suspiciously quiet.
    • On what it’s all about: It’s the moment when the television stops you in your tracks, and you ask yourself, “What is that voice doing to me?” Urban says. “The rest is just a crazy circus.” . . . “A good circus,” he’s quick to add.

    You can catch the two-hour premiere of American Idol Season 12 on Wednesday at 7 p.m. Chime in with your thoughts, and check back for more Idol coverage throughout the season.

    Get more of Tara Seetharam's pop culture musings on her website taraseetharam.com and follow her on Twitter @TaraAshley.

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    In Memoriam

    Texas-based actor James Van Der Beek dies at 48

    Associated Press
    Feb 11, 2026 | 4:45 pm
    James Van Der Beek
    James Van Der Beek/Instagram
    James Van Der Beek announced he was being treated for colorectal cancer in 2024.

    Actor James David Van Der Beek has died, according to an announcement on his social media. He was 48 years old.

    "Our beloved James David Van Der Beek passed peacefully this morning," the post reads. "He met his final days with courage, faith, and grace. There is much to share regarding his wishes, love for humanity, and the sacredness of time. Those days will come. For now we ask for peaceful privacy as we grieve our loving husband, father, son, brother, and friend.

    Van Der Beek shared in 2020 that he and his family were moving to the Austin area, and they settled in Spicewood. He announced his colorectal cancer diagnosis in 2024.

    In late 2025, Van Der Beek auctioned some of his TV memorabilia from his time on Dawson's Creek to pay for his treatment.

    The actor originally starred in coming-of-age dramas at the dawn of the new millennium, shooting to fame playing the titular character in Dawson’s Creek and in later years parodied his own hunky persona.

    Forever tied to ‘Dawson’s Creek'
    A one-time theater kid, Van Der Beek would star in the movie Varsity Blues and on TV in CSI: Cyber as FBI Special Agent Elijah Mundo, but was forever connected to Dawson’s Creek, which ran from 1998 to 2003 on The WB.

    The series followed a group of high school friends as they learned about falling in love, creating real friendships and finding their footing in life. Van Der Beek, then 20, played 15-year-old Dawson Leery, who aspired to be a director of Steven Spielberg quality.

    With Paula Cole’s “I Don’t Want To Wait,” as its moody theme song, Dawson's Creek helped define The WB as a haven for teens and young adults who related to its hyper-articulate dialogue and frank talk about sexuality. And it made household names of Van Der Beek, Katie Holmes, Michelle Williams, and Joshua Jackson.

    “While James' legacy will always live on, this is a huge loss to not just your family but the world,” Sarah Michelle Gellar wrote to his widow on Instagram. Katharine McPhee Foster added: “This is just beyond devastating news.” Others posting messages of mourning were Jenna Dewan and Olivia Munn.

    The show caused a stir when one of the teens embarked on a racy affair with a teacher 20 years his senior and when Holmes' character climbed through Dawson's bedroom window and they curled up together. Racier shows like Euphoria and Sex Education owe a debt to Dawson's Creek.

    Van Der Beek sometimes struggled to get out from under the shadow of the show but eventually leaned into lampooning himself, like on Funny Or Die videos and on Kesha's “Blow” music video, which included his laser gun battle with the pop star in a nightclub and dead unicorns.

    “It’s tough to compete with something that was the cultural phenomenon that Dawson’s Creek was,” he told Vulture in 2013. “It ran for so long. That’s a lot of hours playing one character in front of people. So it’s natural that they associate you with that.”

    A popular GIF and Varsity Blues
    More than a decade after the show went off the air, a scene at the end of the show’s third season became a GIF. Dawson was watching as his soul mate embarks on a love affair with his best friend and burst into tears.

    “It wasn’t scripted that I was supposed to cry; it was just one of those things where it’s a magical moment and it just happens in the scene,” Van Der Beek told Vanity Fair. He seemed exasperated when he told the Los Angeles Times: “All of a sudden, six years of work was boiled down to one seven-second clip on loop.” (Van Der Beek himself recreated the GIF in 2011 for Funny or Die and gave it a second life.)

    While still on Dawson’s Creek, Van Der Beek hosted Saturday Night Live — the musical guest was Everlast — and landed a plumb role in Varsity Blues, playing a second-string high school quarterback who leaps into the breach when the star suffers an injury.

    Van Der Beek’s character, Mox, turns out to not be a football fanatic, preferring to read Kurt Vonnegut and yearning for the college education that will allow him to escape the jock mentality of his Texas town.

    “I don’t want your life,” he screams at one point. Critic Roger Ebert called him “convincing and likable.

    After Dawson’s Creek
    Some of his projects after Dawson’s Creek included co-creating and playing Wesley “Diplo” Pentz, a dull but likable music producer in the mockumentary satire on Viceland, What Would Diplo Do? In 2019, he made it to the semifinals of ABC’s Dancing with the Stars and played a balding, out-of-shape ex-boyfriend on How I Met Your Mother.

    “The more you make fun of yourself and don’t try to go for any kind of respect, the more people seem to respect you,” he told Vanity Fair in 2011. “I’ve always been a clown trapped in a leading man’s body.”

    Between 2003 and 2013, he made appearances in shows like Criminal Minds, One Tree Hill, and How I Met Your Mother. He played himself with a crackpot intensity in the Krysten Ritter-led ABC drama Don’t Trust the B— in Apartment 23, and the short-lived CSI spinoff CSI: Cyber and CBS’ Friends With Better Lives.

    He’s also appeared in movies such as Kevin Smith’s 2001 comedy Jay and Silent Bob Strike Back and its 2019 sequel, Jay and Silent Bob Reboot. He was in the Bret Easton Ellis adaptation of The Rules of Attraction in 2002 opposite Jessica Biel and Kate Bosworth.

    In 2025, he was unmasked as Griffin on The Masked Singer, after singing a cover of John Denver’s “Take Me Home, Country Roads” and “I Had Some Help” by Post Malone and Morgan Wallen.

    Early life as a theater kid
    Van Der Beek, who was raised in Cheshire, Connecticut, started acting at 13 after suffering a concussion playing football that prevented him from playing for a year. He landed the role of Danny Zuko in his school production of Grease.

    He stuck with theater, landing at 16 in 1994 an off-Broadway role in Finding the Sun by Pulitzer Prize-winner Edward Albee and one of the sons in a revival of Shenandoah at the prestigious Goodspeed Opera House in his home state.

    He earned a scholarship to New Jersey’s Drew University but left school early when he was cast in Dawson’s Creek. In 2024, he returned to campus to accept an honorary degree for his “selfless service and exemplary commitment to the mission of Drew,” the university said.

    Drew University President Hilary Link welcomed Van Der Beek with a popular quote from his Dawson’s Creek character: “Edge is fleeting,” she said, “but heart lasts forever. So on this morning, we pay tribute to that heart.”

    He is survived by his wife, Kimberly, and six children, Olivia, Joshua, Annabel, Emilia, Gwendolyn and Jeremiah. A GoFundMe fundraiser has been established for the family.

    ___

    AP Music Writer Maria Sherman and CultureMap Austin editor Brianna Caleri contributed to this report.

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