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    Idol Insider

    Nicki Minaj's hilarious feud propels American Idol to a new age: A sneak peekreveals plenty

    Tara Seetharam
    Jan 10, 2013 | 12:16 pm

    In 2002, Michael Jackson was dangling babies off of balconies. I was memorizing all the words to Nelly’s “Hot in Herre.” No one hated the Dixie Chicks. And a 20-year-old cocktail waitress from Burleson, Texas, won a little televised talent show called American Idol.

    That the cocktail waitress is now a platinum recording artist set to perform at President Obama’s inauguration is impressive. That the show that launched her is, nearly 11 years later, still as relevant as its biggest star is a television anomaly. Against the odds, American Idol has withstood shifting generations, rotating casts and a rapidly changing music industry.

    If the goal of Idol’s competitors is to create stars — and according to Adam Levine, it is — Idol is the professional in a room full of amateurs.

    But in pop culture, relevance can be lost in a Nicki Minaj z snap, all the more apparent in an era where singing competitions are a dime a dozen. This year, Idol is faced with a tricky mission — cutting through the noise of the show’s hipper, louder and increasingly popular competitors.

    No one understands this more than producers Nigel Lythgoe and Ken Warwick, who kicked off the Season 12 premiere event last night, recorded at UCLA’s Royce Hall and distributed via live feed to 11 theaters across the United States. I attended the Houston showing at the AMC Studio 30 on Dunvale, which didn’t have nearly the tingling energy of a Toyota Center Idols Live concert.

    Instead, the modest crowd of about 100 arrived quietly, loyalty to the show’s history and cautious excitement for the new season in tow.

    The producers delivered: Colorful, laugh-out-loud funny and focused all at once, the sneak peek of the two-hour premiere proved the Idol machine is, to quote the insufferable, in it to win it.

    Step one? Touting Idol’s resume. The episode smartly begins with a string of numbers: 250 million iTunes downloads, 370 No. 1 Billboard hits, 88 gold records, 19 platinum albums, nine Grammy Awards, 13 CMA Awards and one Oscar. Early winners Kelly Clarkson and Carrie Underwood may be the torchbearers, but Idol’s success isn’t bottom heavy: Season 11 winner Phillip Phillips just went triple platinum with his debut single, “Home.”

    If the goal of Idol’s competitors is to create stars — and according to Adam Levine, at least, it is — Idol is the professional in a room full of amateurs.

    But the biggest story of Season 12 is its new blood: Minaj, Mariah Carey, and Keith Urban join Randy Jackson on the judging panel this year, replacing oddball pair Jennifer Lopez and Steven Tyler. The seeds of Carey and Minaj’s much talked-about feud are visible in the premiere, but, thankfully, that’s all it amounts to — an eye roll here, a hilarious Minaj stank face there, a few aggressive jabs sprinkled in between.

    “Your range is better than Mariah’s,” Minaj tells one contestant without blinking.

    For all the added flash, the new judges at least pump some identity into the panel, a welcome change from seasons past. Minaj straddles the line between grating and refreshing at any given moment, but her artistic vision is undeniable. Carey looks tame compared to Minaj, but her approach is nonetheless strong and consistent. And caught between the two is Urban, a steady, graceful force who shows the sharpest appreciation for the blend of technical and innate skills that make up the best artists.

    “Your range is better than Mariah’s,” Minaj tells one contestant without blinking.

    Time will tell if personalities can mesh for an entire season — “I feel like we gel well. Is that weird?” Minaj asks the panel in the premiere — but Idol has never been the sum of its judges. Unlike The Voice or The X Factor, when voting rolls around come March, the judges will be rendered irrelevant, and talent will drive the quality of the season. (I’m holding you to this, Lythgoe.)

    So what of the talent?

    The sneak peek featured one compelling audition and a few solid auditions from New York City and Chicago. Ashlee Feliceano, whose family adopts medically challenged foster children, sings “Put Your Records On” with spirit and a lovely tone. Sarah Restuccio’s take on Underwood’ “Mama’s Song” is serviceable, but when asked to sing a second song, the cowboy boots-sporting 17-year-old blazes through the rap portion of “Super Bass” with a much clearer personality.

    Minaj eats it up. Urban looks confused.

    Twenty three-year-old Griffin Peterson is the first WGWG of Season 12 (is it too early to call a winner?), but no discredit to him — his brief spin on Needtobreathe’s “Washed by the Water” is intriguing, though overshadowed by Minaj’s embarrassing fawning. “The single life,” Carey quips under her breath.

    And finally, we meet Lazaro Arbos, a 21-year-old Cuban native who moved to Florida with his parents a decade ago. Back stories haven’t kicked me in the gut since Danny Gokey ruined them for me, but this one does.

    Inhibited by a heavy stutter, Arbos has trouble even getting out the name of his song to the judges. The moment he starts singing “Bridge Over Troubled Water,” however, all traces of stutter disappear. His voice is a cross between David Archuleta’s purity and Clay Aiken’s tone, but its mark is open-faced vulnerability. Urban’s expression is priceless as he watches, as if to say, “Ah, this is why I’m here.”

    To that extent, the loss of Lopez’s sincerity isn’t noticeable just yet. Carey, Minaj and Urban may not be as nurturing as Lopez, but they each appear genuinely interested in contestants in their own way — be it via caustic honesty or emotional connection. If they can marry that to a critical eye in later rounds, you can’t ask for much more from a judging panel.

    A live Q&A session with the judges, hosted by Ryan Seacrest, followed the sneak peek of the premiere. The most telling aspect was the judges’ interaction (for Minaj and Carey, hardly any), but a few interesting bits surfaced:

    • Minaj’s final push to join the Idol team came from an unlikely source: Lil Wayne. Say what?
    • Minaj believes if you attach your dream to something bigger than yourself (for her, getting her family out of a bad situation), it’s impossible to quit the dream — the smartest cheesy advice I’ve heard in a while.
    • On achieving longevity: Urban says make art that’s relevant; Minaj says make choices you can live with; Jackson gives shockingly astute advice: “You have to be compared against yourself,” he says, noting previous true-to-self winners.
    • On finding an entertainer vs. a vocalist: Minaj thinks we’re in an era of entertainers; Jackson asks why can’t we have it all, and I agree with him for the second time . . . ever?
    • On the possibility of the judges performing together: Urban’s immediately in; the rest are suspiciously quiet.
    • On what it’s all about: It’s the moment when the television stops you in your tracks, and you ask yourself, “What is that voice doing to me?” Urban says. “The rest is just a crazy circus.” . . . “A good circus,” he’s quick to add.

    You can catch the two-hour premiere of American Idol Season 12 on Wednesday at 7 p.m. Chime in with your thoughts, and check back for more Idol coverage throughout the season.

    Get more of Tara Seetharam's pop culture musings on her website taraseetharam.com and follow her on Twitter @TaraAshley.

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    news/entertainment

    weekend event planner

    These are the 14 best things to do in Houston this weekend

    Craig D. Lindsey
    Dec 17, 2025 | 6:30 pm
    Pentatonix
    Photo courtesy of Pentatonix
    Pentatonix performs at American Airlines Center on November 20.

    We’re officially in the home stretch, and Christmas is just around the corner.

    Before that, this weekend offers plenty of holiday-themed events, including an ugly sweater party/toy drive and a yuletide visit from Pentatonix. But some fascinating visual art is also popping off this weekend, from an intriguing art exhibition to several movie screenings, including the latest from hometown boy Richard Linklater.

    Or, you could pick up some booze over at O.S.T. Liquor, get lit, and sing “Luv Ya Blue” over and over again – just a suggestion.

    Thursday, December 18

    Contemporary Arts Museum Houston presents Music at the Museum
    Music at the Museum is back, as CAMH wraps up the year with an evening of live music, an art workshop, and contemporary art. Jupiter will be spinning house, ambient, club tracks, and more. And you can participate in the cyanotype workshop downstairs. Join CAMH FAQ team member and artist Carlos Mendoza in this hands-on activity that bridges car cultures from the West Coast to H-Town. 6 pm.

    Sabine Street Studios presents "Zuzu's Petals" opening reception
    Sabine Street Studios’ end-of-the-year exhibition, “Zuzu’s Petals,” takes inspiration from the beloved 1946 classic film, It’s a Wonderful Life. The group exhibition of mixed media works offers an opportunity for reflection on the year that has passed, the promise of the new year ahead, and the meaningful memories that weave through our lives. The reception will include complimentary beverages and snacks, as well as brief artist talks where each creator will share insights into their work and its significance within the exhibition. 6 pm.

    Aurora Picture Show presents Aurora Holiday Party & Raffle
    Join Aurora Picture Show’s famously festive, annual holiday party – the first one held in the new Navigation Blvd. space. This free event features beverages provided by Double Trouble and Saint Arnold, light bites from Phoenicia, vintage holiday TV projections, and music provided by DJs Gracie Chavez, Marcelluz Gualez, Alex la Rotta, and Peter Lucas. The raffle, benefitting Aurora’s artistic and educational programming, is open until 9 pm and features an array of great items, experiences, and gift cards. 7 pm.

    Friday, December 19

    The Museum of Fine Arts, Houston presents Nouvelle Vague
    Nouvelle Vague, Richard Linklater’s love letter to the revolutionary magic of the French New Wave, reimagines the making of Jean-Luc Godard’s Breathless (1960). As a Cahiers du Cinema critic, Godard (Guillaume Marbeck) turns to filmmaking with a mix of fresh faces and daring talents that bring his spontaneous, idiosyncratic film to life. Capturing the behind-the-scenes creative chaos at the heart of one of cinema’s most iconic and influential debuts, catch this movie at the MFAH this weekend – in glorious 35mm! 7 pm (5 pm Sunday).

    Rice Cinema presents The Projectionists’ Reel
    Rice Cinema will have a special screening featuring work by Tish Stringer, a Rice alum and former technical exhibition manager at Rice Cinema. In The Projectionists’ Reel, Kirston Otis spins the tale of how crafty projectionists of the Greenway Theater cannibalized cinematic ephemera into remix joy. Preceded by a bonus screening of We’re Not Judges, a short film by Renée Feltz, a former KPFT News Director, and currently at Democracy Now! The filmmakers will be in attendance for a post-screening Q&A. 7 pm.

    Houston Symphony presents Elf in Concert
    Buddy (Will Ferrell) was accidentally transported to the North Pole as a toddler and raised to adulthood among Santa’s elves. Unable to shake the feeling that he doesn’t fit in, the adult Buddy travels to New York in search of his real father (James Caan). After DNA test confirmation, Buddy and his dad build a relationship with chaotic (and comedic) moments. The heartwarming tale of Buddy the Elf will play on the big screen, while every note of John Debney’s score is played live to picture. 7:30 pm (2 pm Sunday)

    Vincent Victoria Presents The 1968 Cherry Cola Pitts Christmas Special: A Musical
    Vincent Victoria Presents delivers the world premiere of a new stage production, The 1968 Cherry Cola Pitts Christmas Special: Christmas Will Never be the Same. The production, a sharp, irreverent, joyously queer holiday biting satire set in the explosive year of 1968, stars Cherry Cola Pitts, an openly gay entertainer navigating fame, freedom, and chaos under the studio lights. 8 pm (3 and 8 pm Saturday; 3 pm Sunday).

    Saturday, December 20

    O.S.T. Liquor Store presents the Annual Holiday Bourbon Allocation
    O.S.T. Liquor Store will launch one of its largest and most anticipated bourbon allocation releases, offering more than 200 rare and highly coveted bottles to collectors and holiday shoppers. The event is known for drawing enthusiasts from across the Houston area who are seeking hard-to-find bourbons, whiskeys, and limited-edition spirits to raise the bar on gifting and entertaining this holiday season. Get there early. 10 am.

    BLCK Market Holiday Festival at East River
    Step into a festive celebration of Black-owned businesses at the BLCK Market Holiday Festival at East River. Attendees will enjoy holiday shopping at its finest as East River transforms into a bustling winter market filled with music, merriment, and unique finds. Browse curated gifts (seasonal décor, art, skincare, books, and candles), dance to the beats of live DJs, and get grub at food trucks – all while being surrounded by the joyful energy of community. Santa and Mrs. Claus will also be available for photos from 12-2 pm. 11 am.

    Pentatonix in concert
    In 2011, a cappella group Pentatonix became the first act to top both the Holiday Albums and Holiday Songs charts simultaneously. Since then, Christmas has become their business, dropping such seasonal releases as 2014’s That’s Christmas to Me and 2016’s A Pentatonix Christmas. They’ll be Houston as part of their Christmas in the City tour, performing favorite songs from their seven holiday-themed albums, including the new Christmas in the City. 7 pm.

    Winsome Prime presents Annual Ugly Sweater Christmas Party & Toy Drive
    The Southern-inspired steakhouse is kicking off the holiday week with its annual Ugly Sweater Christmas Party & Toy Drive. Attendees are asked to bring a new toy to benefit the Isiah Factor Christmas Toy Drive, as well as dress in their most outrageous, over-the-top holiday sweaters for an ugly sweater contest, with special perks, giveaways, and photo moments throughout the event. 7 pm.

    Sunday, December 21

    Kings Harbor Waterfront Village presents Holiday on the Harbor
    Join Lake Houston mixed-use development Kings Harbor Waterfront Village as it celebrates the holiday season with Holiday on the Harbor. Attendees can enjoy a free photo opportunity with Santa and Mrs. Claus, music from a DJ, face painting, an on-site caricature artist, and riding on the trackless train. Families can also play yard games and create holiday crafts, making it a day full of holiday cheer for kids and adults alike. 1 pm.

    Houston Cinema Arts Society and Houston Film Commission presents Luv Ya Bum!
    Luv Ya Bum! is more than a sports documentary – it’s a testament to the power of leadership, community, and the enduring impact of legendary Houston Oilers head coach Bum Phillips. River Oaks Theatre will have a screening, presented by Houston Cinema Arts Society (HCAS) and Houston Film Commission, complete with a post-screening conversation with the producers. A special exhibition will be on display, courtesy of the Museum of the Gulf Coast, featuring a remarkable collection of personal effects and historical artifacts. 2 pm.

    The Houston Tidelanders present Yule-Tide Carols
    The Houston Tidelanders will ring in the holiday season with their show, Yule-Tide Carols. The tradition brings Christmas to life through the four-part harmonies of barbershop a cappella singing. The Tidelanders will perform a mix of classic Christmas favorites and fresh new arrangements, from the peaceful beauty of “O Little Town of Bethlehem” to the inspiring message of “I Heard the Bells on Christmas Day.” 4:30 pm.

    Pentatonix
    Photo courtesy of Pentatonix

    Pentatonix performs at Toyota Center on December 20.

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