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    Rappers Recognized as People

    Did Chris Rock pressure the LAPD into reopening the Notorious B.I.G. murder?

    Jennifer Patterson
    Jan 8, 2011 | 12:51 am
    • Notorious B.I.G.
    • Chris Rock always wanted rap justice.
    • Tupac died six months earlier.

    Chris Rock will be happy to hear that they haven’t given up the search for Biggie’s killer.

    In 2004, comedian Rock joked that the government must hate rap considering they never investigate rappers’ murders.

    "… the U.S. government hates rap. You know why I say that? Because they don't arrest anybody that kills rappers. They don't got no clues, no suspects. They don't have shit when there's a dead rapper. They don't fill out a police report, they don't even have a chalk line when there's a dead rapper. Shit, if you want to get away with murder all you got to do is shoot somebody in the head and put a demo tape in their pocket ... ‘This is a rap killing, let's go home.’ ”

    New information has prompted a task force of local and federal law enforcement agencies to reopen the murder case of Chris Wallace, best known by his stage name Notorious B.I.G.

    According to CNN, the agencies began to pursue leads again a couple of months ago upon discovering additional evidence and combining the efforts of the Los Angeles Police Department, L.A. County District Attorney’s Office and the FBI.

    Biggie, 24, was gunned down in Los Angeles on March 9, 1997, after leaving a music industry party. The killer pulled up to his Suburban driving a Chevy Impala and opened fire on Biggie, who was sitting in the passenger seat.

    Six months earlier, a still unidentified gunman shot and killed rapper Tupac Shakur while he rode in a car driven by Suge Knight of Deathrow Records.

    As most know, the main theory is that the rappers’ murders resulted from an ongoing feud between the East and West Coast rappers and their respective labels: Sean "Diddy" Combs' Bad Boy Records, which Biggie was signed to, and Deathrow, which had Tupac under contract .

    Retired Los Angeles Police Detective Russell Poole worked on the Notorious B.I.G. case and told CNN he believes Knight is responsible for Biggie's murder, although he was behind bars for probation violation at the time of the murder.

    Poole added that he retired early from the LAPD partially because he was discouraged from following leads in the case that involved police officers, some of who worked off-duty for Death Row Records.

    "I think I was getting too close to the truth," Poole said.

    Poole points a finger at former police officer David Mack, who was sent to prison the same year Biggie was killed for robbing a bank. Mack was released from federal prison on May 14.

    As to why the case wasn’t solved Poole said, "I think they feared the truth would be a scandal."

    At this time it’s unclear what exactly the new evidence is that has caught authorities’ attention, though any aid in helping solve the senseless murder is welcome.

    unspecified
    news/entertainment

    Movie review

    Nick Jonas and Paul Rudd chase their dreams in music-heavy Power Ballad

    Alex Bentley
    Jun 8, 2026 | 10:30 am
    Nick Jonas and Paul Rudd in Power Ballad
    Photo by David Cleary for Lionsgate
    Nick Jonas and Paul Rudd in Power Ballad.

    Writer/director John Carney is one of the great purveyors of movies featuring music (as opposed to musicals) in the 21st century. Starting with Once in 2007 (which was turned into a Broadway musical several years later), he has made music-themed stories like Begin Again, Sing Street, Flora and Son, and now Power Ballad.

    Rick Power (Paul Rudd) is a former wannabe rock star who is now the lead singer of “Ireland’s #1 Wedding Band,” The Bride & Grooves. While they mostly play smaller weddings, a gig at a country estate leads to an encounter with Danny Wilson (Nick Jonas), a former boy band member struggling to make it as a solo artist. Rick and Danny wind up bonding in a booze- and pot-filled jam session, sharing various song ideas.

    After returning to Los Angeles and desperate for a hit, Danny steals one of Rick’s songs, which miraculously turns into the No. 1 “How to Write a Song (Without You).” Rick, initially overjoyed that something he wrote has become big, is crushed when he finds out Danny didn’t give him credit. His quest to find a way to prove his worth sends him into a spiral, upending the ordinary life he had built.

    Co-written by Peter McDonald, the film is a nice exploration of two men trying to hold on to their music dreams. Their individual circumstances could not be more different, but each of them knows the ups and downs of the business as well as the other, as well as the ineffable magic of creating that one great song. While the music scenes are hit-and-miss because of a reliance on lip synching, the scene featuring Rick and Danny trading ideas is electric with creativity.

    Oddly, though, the film could have used a bit less music and more of a focus on the two men’s personal lives. Rick wound up living in Ireland after falling in love with his future wife, Rachel (Marcella Plunkett), while on tour with his former American band. He spends a decent amount of time with her and his daughter, Aja (Beth Fallon), but his story needed a few more family scenes to drive the point home. Danny’s personal life is all but nonexistent, giving his arc less impact than it could have had.

    Instead of loved ones, Carney and McDonald try to give Rick and Danny more depth through friends and business associates. Rick’s bandmate Sandy (McDonald) is a ride-or-die kind of guy for him, but his presence is only good for a few humorous distractions. Danny’s manager Mac (Jack Reynor) is difficult to parse, as he goes to bat for Danny on multiple occasions, but also seems to keep him at arm’s length.

    It’s long been joked that Rudd never ages, and that youthfulness serves him well in this role, in which his character is supposed to be much younger than his actual age of 57. His energy and enthusiasm make his character appealing throughout, even when Rick starts to go off the deep end. Jonas is decent in his role, selling the music side well, but there might be a reason his character doesn’t have many scenes requiring him to show emotions.

    While Power Ballad has all the hallmarks of another great Carney music movie, it’s missing a few pieces that could have put it over the top. It’s still a fun film with an insanely catchy song at its center, but it’s not quite as memorable as most of the filmmaker’s previous efforts.

    ---

    Power Ballad is now playing in theaters.

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