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    Long Lost Love Found

    Peter Frampton plans to play his long-lost, plane crash guitar: 31 years goneand still rocking

    Bill Van Rysdam
    Jan 5, 2012 | 1:36 pm
    Peter Frampton plans to play his long-lost, plane crash guitar: 31 years goneand still rocking
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    Peter Frampton changed the business of music forever in 1976 when he released his wildly successful double live album Frampton Comes Alive. In Wayne's World 2, Wayne Campbell acknowledged the album's status among rock fans when he says, "Everybody in the world has Frampton Comes Alive. If you lived in the suburbs you were issued it".

    Three hit singles were released from the album — "Baby, I Love Your Way", "Do You Feel Like We Do" and "Show Me the Way." "The Do You Feel Like We Do" single version was edited down from the 14-minute album version to seven minutes and was still almost twice the length of the average hit single — one of the longest ever to make the Top 40.

    Although the album came out 36 years ago, there is, as Paul Harvey would say, the rest of the story. The iconic guitar (a distinctive black 1954 custom Gibson Les Paul electric guitar with three humbucking pickups as opposed to the usual two) became lost in 1980 when a cargo plane carrying Frampton's gear crashed while flying to Panama. All of the instruments were thought to be destroyed.

    "I am still in a state of shock, first off, that the guitar even exists, let alone that it has been returned to me."

    While the details are still a bit murky, somehow the guitar has been found on the Dutch island of Curacao by two fans with the assistance of the Curacao Tourist Board. The Gibson Guitar Company has verified that the guitar is indeed the real deal.

    "I am still in a state of shock, first off, that the guitar even exists, let alone that it has been returned to me," Frampton said in a statement. "I know I have my guitar back, but I will never forget the lives that were lost in this crash. I am so thankful for the efforts of those who made this possible . . .

    "And, now that it is back I am going insure it for 2 million dollars and it's never going out of my sight again! It was always my #1 guitar and it will be reinstated there as soon as possible — some minor repairs are needed."

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    Movie Review

    Billie Eilish takes fans behind the scenes in immersive 3D tour film

    Alex Bentley
    May 7, 2026 | 3:30 pm
    Billie Eilish in Billie Eilish: Hit Me Hard and Soft - The Tour Live in 3D
    Photo by Henry Hwu/courtesy of Paramount Pictures
    Billie Eilish in Billie Eilish: Hit Me Hard and Soft - The Tour Live in 3D.

    In 2021, at the tender age of 19, singer Billie Eilish was already the subject of a documentary, The World’s a Little Blurry. At that point, she had only released one album, so the film threatened to feel too early for such treatment. The ensuing five years have only made her a bigger star, though, so in many ways that movie now feels prescient for the person on display in the new concert documentary with the unwieldy title of Billie Eilish: Hit Me Hard and Soft - The Tour Live in 3D.

    Directed by Eilish and blockbuster filmmaker James Cameron, the film takes viewers inside Eilish’s 2024-2025 tour in support of her latest album, 2023’s Hit Me Hard and Soft. Filmed mostly at her series of shows in Manchester, England, the movie is a showcase for Eilish’s music, but it also serves as a smaller exploration of the type of person she is, as well as the impact she has had on her legion of fans.

    The draw of the film is the use of Cameron’s beloved 3D technology, which he has employed in each of the three Avatar films. Unlike in those films, where the 3D has the odd effect of making the visuals too realistic for their own good, the technique brings an intimacy to the large-scale show that underscores the unique bond the singer has with her supporters.

    Eilish and Cameron go back and forth between performances at the concert to behind-the-scenes sequences, detailing the enormous effort it takes to put on a show like that and how Eilish spends her time getting ready for it. As in The World’s a Little Blurry, this film continues to portray the singer as down-to-Earth, someone who yearns to maintain the connection to her fans that she’s had since she released her first single, “Ocean Eyes,” 10 years ago.

    And as the many emotional songs in Eilish’s concert playlist prove, the feeling from the crowd is mutual. While Eilish has multiple bangers like “Bad Guy,” “Therefore I Am,” and the Charli XCX collaboration “Guess,” it’s the sad songs like “Everything I Wanted,” “Happier Than Ever,” and the Oscar-winning Barbie anthem, “What Was I Made For?” that hit the hardest. The depth of feeling emanating from her many sobbing fans singing along to crushing songs cannot be understated.

    For audiences of the film, though, it’s the breadth of camera angles and shot choices that make it truly dynamic. There are cameras everywhere, including in the crowd, inside a cube at the center of the stage that rises and descends, following Eilish as she traipses every inch of the long, rectangular stage, and even a small one Eilish uses to bring an extra personal touch to the in-arena screen. Combined, they capture the complete energy of the concert, something that is not always the case in a film of this type.

    Eilish has almost as many movies — two — as she does albums — three — which borders on overkill for a singer of her age. But both her music and the movies show her to be a person who knows the responsibility of being a celebrity, someone who understands that her fans are the reason she’s famous at all. Her career may go up or down from here, but it’s clear she’s already made a huge impact on those who love her most.

    ---

    Billie Eilish: Hit Me Hard and Soft - The Tour Live in 3D opens in theaters on May 8.

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